Our friends over at Re-dress in Ireland have been BUSY!

In less than one month, Re-dress will present FASHION EVOLUTION, Ireland’s 3rd ethical fashion week:

“Fashion Evolution aims to re-vitalise the spirit of the Irish fashion industry, with a schedule of exciting events catering for consumers, producers, retailers and supporters of fashion alike.” (Re-dress)

“Our mission is to provide the Irish fashion sector with the tools needed to make more sustainable fashion choices.” (Re-dress)

We don’t think they’ll have any trouble accomplishing this goal–just take a look at what they have planned!

What: Re-dress ETHICAL FASHION CALENDAR LAUNCH
When: Tuesday 4th April
Where: Online www.re-dress.ie
Cost: Free

What: FASHION MENTORING SESSIONS
When: Wednesday 5th 6-8pm
Where: Sugar Club, Upper Leeson Street, Dublin
Cost: 15 Euros BOOK NOW!

What: FASHION ENTREPRENEURSHIP; EVENING LECTURE AND NETWORKING SESSION WITH KATHARINE HAMNETT
When: Wednesday 5th 8.30-10pm
Where: Sugar Club, Upper Leeson Street, Dubin
Cost: 10 Euros BOOK NOW!

What: IRISH FASHION INDUSTRY CONFERENCE
When: Thursday 6th 9am-2pm
Where: Fallon and Byrne
Cost: 40 Euros (students and unemployed 20 euros) BOOK NOW!!

What: CLEAN CLOTHES CAMPAIGN – GENERAL MEETING
When: Thursday 6th Time TBC
Where: TBC
Cost: TBC BOOK NOW!

What: FREE PUBLIC FILM NIGHT
When: Friday 7th 7pm
Where: Smock Alley Café
Cost: FREE BOOK NOW!

What: EJF Cotton T-shirt exhibit
When: Tuesday 4th-Saturday 8th 10am-5pm daily
Where: The Greenhouse
Cost: FREE

Title: FASHION EVOLUTION
Location: Ireland
Link out: Click here
Start Date: 2010-05-04
End Date: 2010-05-08

Dilys Williams, Director of the Centre for Sustainable Fashion, London College of Fashion, has been included in the Selection Committee, and will be judging the Fashion category, along with other designers, architects, scientists, entrepreneurs, artists, writers, humanitarians, environmentalists and spiritual leaders.

Here is the mission of the awards:

Human imagination and ingenuity are the impetus of every good design. All across the world, people from every walk of life are generating good design ideas that offer groundbreaking solutions to the ecological and social challenges of the 21st century. The Earth Awards provides a platform for these visionary ideas, presenting a unique opportunity for individuals and organizations worldwide to expose their design innovations to a global audience. The Earth Awards is committed to the idea of popularizing the most viable of these innovations, and transforming them into market-ready solutions.

The submission period closes May 10^th. Good Luck!

Check out this video of last year’s finalists!

Source: CSF

Thanks to everyone who offered feedback, we were so grateful for your considerations. Please, keep let’s keep the conversation going!

Be sure to contact us with any questions!

Social Alterations @ FEI from Social Alterations on Vimeo.

CSR Trends in China’s Apparel Supply Chain from Social Alterations on Vimeo.

Find more photos like this on Social Alterations

The ‘Open Space’ at the FEI conference featured celebrated authors Kate Fletcher, Sustainable Fashion and Textiles: Design Journeys, Matilda Lee, Eco-Chic: The Savvy Shoppers Guide to Ethical Fashion, and Sandy Black, Eco-Chic: The Fashion Paradox. You can find these texts and others in our reading section.

FEI set the stage for the Open Space format as an opportunity for conference participants to network, strategise, learn, share, challenge, be inspired and stimulate one another in a supportive environment. Fletcher, Lee and Black each presented their own discussion question, and participants were also given the chance to create posed further questions and create discussion groups.

Here is what they came up with:

1. How can we communicate providence to consumers?

2. International cooperation on ethical fashion

3. Raising awareness of organic cotton, and the impact on farmers

4. How do we get youth more involved?

5. How do we encourage behaviour change amongst consumers?

6. Scale-how big, how much? (Kate Fletcher)

7. How to get the media to be a driver for sustainable fashion? (Matilda Lee)

8. Design education-encouraging designers (Sandy Black)

9. How to bring ethics into fashion education internationally

Participants could move around and exchange ideas for a period of over two hours. To close the Open Space, a representative from each ‘talk’ presented key insights.

For those of you that weren’t following along on twitter, here are a few edited highlights that came out of the discussions.

• What would happen if we could control scale in fashion?

             What about considering ‘Post-fashion stress disorder’?

             Fast fashion, can we raise awareness, similar to smoking bans?

             Can we change the discourse of fast fashion?

• How can we communicate providence to consumers??

             Changing the discourse depending on who you’re speaking with:

             In some circles fashion is a bad word, so talk garment and apparel and clothing etc…

• How to connect consumers to the cotton farmer?

             Spread the word, tell stories and stay focused.

• Design educators encouraging designers:

             Make the experience real

             Connect the designer to the factory

             Make it exciting w/ different design strategies: design for disassembly, for example

What are your thoughts on these issues and questions? Feel free to leave a comment below!

Here are just two of the videos we took at the conference. We have more videos to come, so stay tuned for those.

The first video is of my Pecha Kucha talk. I’ll be posting the slides and my notes a little later on. Please contact us if you have any questions on the works cited in the presentation.

Social Alterations @ FEI from Social Alterations on Vimeo.

FEI Conference 006 from Social Alterations on Vimeo.

Pesticide Action Network (PAN) was also there, asking participants “what organic cotton means…..to me”. Pictured above is Nadira Lamrad (right) with her answer.

Here is part of ‘The Concept’:

The footsteps or traces that refuse leaves internationally, are the subject of the art project of theSYNdicate: how countries deal with refuse in different parts of the world; the global cycle of refuse; the dimensions of European refuse in Africa.

Transport routes of primary products as well as of finished consumer goods cover long distances, in this globalised world, with many stages, and with goods passing through many hands: sometimes transported goods describe a cycle, other times goods travel in a more one-dimensional perspective.

At the end of a cycle, for example, a number of high quality goods from the southern parts of the world land in Europe, to be sold at high prices, with a hefty profit margin – which drives turnover and stock exchange assets. African countries (and other continents and countries with similar social and economic conditions) are the destination, the recipients, of refuse: the results of agrarian over-production, electronic junk, garments (often second hand clothes), and many similar goods. In this cycle, the places that are the countries of origin (right at the start of the cycle), are left mainly with refuse and package material. Africa – the First World‘s testing ground or laboratory, and self-service shop.

You can buy stock in the project for 35Euro, and receive a piece of upcycled art.

Follow along their journey through the TOYS Blog. The images and stories may surprise you!

Source: psfk

Images via the TOYSTOUR

“We can’t celebrate good intentions, we have to celebrate beauty” (Dilys Williams, London College of Fashion)

We’ve really been enjoying watching Mr. Darcy actor Colin Firth’s wife Livia Firth challenge herself to take on ethical fashion this award season. Livia is no stranger to ethical style, however, considering she’s the owner of ethical shop Eco Age in London.

She’s been blogging about the Green Carpet Challenge over at Vogue UK, so that we can follow along with her on this incredible journey. Along the way, she’s been interviewing ethical fashion gurus like London College of Fashion Dilys Williams and ethical designer Christopher Raeburn.

Be sure to follow her as she takes on this challenge!

In Personnes, Boltanski asserts that relics have become “vestiges of anonymous people, traces of strangers, with which it seems to be a question of communicating.” He cites Rolland Barthes, in the context of photography to support this question: ““A photo is literally an emanation from the referent. From a real body which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being will touch me like the delayed rays of a star.” What “happens” therefore escapes any rational reduction: it is a matter of structuring the vanished body and eternal presence around a certain idea of the exhibition, a way of making manifest which opens the door to emotion.”

I stumbled upon this exhibit via Style Bubble. Here is what fashion blogger Susie Bubble had to say: “I’m simultaneously bemused and slightly saddened though that the next time I’m in the Grand Palais in March, all of this will be gone and in its place will be whatever runway setup Chanel decides upon for their A/W 10-11 show…”

Allan Chochinov at Core77 is often quoted for this statement: “Designers think they are in the artifact business, but they’re not; they’re in the consequence business.” (You can read more on responsible design in Chochinov’s Manifesto, found in the SA Reading section.) Although for me, obviously subjective in the SA context, Personnes reminds me of both artifact and consequence. It has me asking “What is the relationship between artifact and consequence in Boltanski’s work?” Seen through the lens of social, cultural and environmental responsibility, the exhibit is perhaps even more striking—more appalling (again, subjectively speaking). So I’m interested readers, what are your thoughts?

Image Source: Flickr via Style Bubble

“As part of SHIFT from 29 January – 1 February the Centre for Sustainable Fashion will present:

The first ever graduate showcase from London College of Fashion’s MA Fashion & the Environment
The work on display will explore a range of opportunities and design challenges where ingenuity and resourcefulness are inspired through living within nature’s limits, putting human wellbeing at the heart of creativity and questioning the current status quo.
On Monday 1 February we are inviting industry representatives, press and prospective students to hear presentations from the students on their work. Contact us if you would like to attend.
More on MA Fashion & the Environment

Highlights from Fashioning the Future 2009 – The international student awards for sustainability in fashion
Fashioning the Future brings together a global community of creative thinkers and doers, designers, innovators and entrepreneurs with many different skills, locations and perspectives on the many facets of fashion. The winners of the 2009 awards will be profiled alongside information on how to apply for the 2010 awards.
More on Fashioning the Future

Local Wisdom by Kate Fletcher
Local Wisdom seeks to recognise and honour sustainability activities in fashion that exist at the level of the user. This project captures and celebrates personal stories relating to garments, giving fashion a platform to flourish and inspire. Reader in Sustainable Fashion Kate Fletcher will be leading a live session on 30 January from 12.00 – 17.00 where members of the public are invited to share the story of their clothes with the project team and be photographed wearing them.
More on Local Wisdom” (CSF)

Title: SHIFT
Location: London
Link out: Click here

Friday 29 January 17.00 – 22.30
Saturday 30 January 12.00 – 22.30
Sunday 31 January 12.00 – 22.30
Monday 1 February 12.00 – 17.00

Start Date: 2010-01-29
End Date: 2010-02-01

Beyond Green has made some of the presentations available for viewing online. Check them out!