If you find yourself in Paris sometime before February 21st, make sure to check out Monumenta 2010: Christian Boltanski’s Personnes at the Grand Palais. In Personnes, Boltanski asserts that relics have become “vestiges of anonymous people, traces of strangers, with which it seems to be a question of communicating.” He cites Rolland Barthes, in the context of photography to support this question: ““A photo is literally an emanation from the referent. From a real body which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing...
