On November 10^th, the Centre for Sustainable Fashion (CSF), at London College of Fashion, announced the winners of this year’s Fashioning the Future Awards — themed UNIQUE.

Congratulations to Ashley Brock (United States), Sara Emilie Terp Hansen (Denmark), Evelyn Lebis (Sweden), Christian Frank Muller (Germany) Alice Payne (Australia), and Lara Torres (Portugal).

Here is a taste of just two of the award winning entries (now added to the ‘Projects for Change’ collection on the left):

“Man sinking to the floor” from “An impossible wardrobe for the invisible,” by Lara Torres, is “a video installation showcasing water soluble clothing in order to comment upon the transient and disposable nature of fashion.” (CSF) Click here to view the entire series of performances.

“Lara Torres present’s the recordings/documentation of seven performances in a video screening. These videos are based in the creation of temporary clothes that are produced with the aim of being destroyed. They refer to the los[s] of the object and the documentation of this loss. The action of effacing the clothes leaves a trace (the seams) translating a strong relation with memory and forgetfulness.” (Lara Torres, An impossible wardrobe for the invisible: vimeo)

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ThinkLifecycle, by Alice Payne, is “a widely applicable content management system joining new and existing industry practices in order for companies to evolve towards a sustainable fashion industry.” (CSF)

“The ThinkLifecycle CMS grew from the need for sustainability to be a central concern within the mass market design process, rather than a tacked-on extra. Mass market fashion is affordable, accessible and democratic. However, it is based on a linear model of production where resources are extracted en masse, manufactured into garments and then sold to consumers, who rapidly dispose of them to purchase new product.” (ThinkLifecycle)

 

Congratulations to all the winners, finalists, organizers and participants!

Source: the CSF

Photo Credit: Alex Maguire, via the CSF

Labour Behind the Label has released a new report, Let’s Clean up Fashion 2011: The state of pay behind the UK high street (LCUF).

With respect to a living wage on the high street, this is the 5^th edition in a series of LCUF reports from LBL.

The findings have ranked Levi Strauss and Gap Inc. with a score of 1 out of 5 (along side H&M, and others), while Zara, Monson and NEXT were found with the highest scores at 3.5 out of 5.

According to LBL, initiatives taking living wage seriously must be grounded by four essential pillars:

1. Taking a collaborative approach
2. Worker organizing and freedom of association
3. Examining commercial factors paying the cost
4. Rolling it out: developing a route-map for sustaining a living wage

“The fact is that workers do speak out to demand better wages. At best they are often ignored; at worst they are persecuted, threatened, dismissed or harassed. Companies must do more to ensure respect for trade union rights in the quest to provide a living wage for garment workers.” (Labour Behind the Label, Let’s Clean Up Fashion 2011: Pg. 1)

Readers who have followed LBL’s LCUF reports in the past will likely be surprised to see Gap Inc. with such a low score, considering the company received one of the highest grades in the 2009 report. According to LBL:

“Gap plans to work on developing good management and human resource systems with suppliers, which are needed. However, Gap supplied no evidence of plans to translate this work into real wage gains for workers. More worryingly, it states its intention to focus mainly on the achievement of compliance with minimum wages. This shift seems to suggest Gap has given up any plans to work towards providing living wages to workers in its supply chain altogether. We hope this isn’t the case.” (Labour Behind the Label, Let’s Clean Up Fashion 2011: Pg. 28)

LBL has created on online petition calling on Gap and H&M to do more. Click here to take action.

For readers on twitter who’d like to spread the word, here are some suggested tweets via LBL:

• Which highstreet brands are doing most to improve pay & conditions for workers? Find out from Let’s Clean up Fashion: http://bit.ly/lcuf2011

• Who’s ethical on the highstreet?  Find out in the NEW edition of Let’s Clean up Fashion: http://bit.ly/lcuf2011 @labourlabel

• Enough to feed your family – too much to ask? Gap & H&M seem to think so. Take action to ask them to reconsider: http://bit.ly/r3zw2O

Click here for company profiles and scores, and here for advice from LBL on where to shop.

Ling long Magazine Covers Issue 81, 1933 C.V.Starr East Asian Library at Columbia University

Remember about a year ago when I posted an overview of the exhibit The Evergreen Classic: Transformation of the Qipao that was showing at the Hong Kong Museum of History. This is somewhat of a follow-up to that post. Yesterday, while perusing my twitter friend feed I came across this:

Having lived in Shanghai for a long time, I couldn’t resist clicking on the link and up came the website for the online repository of Ling long Magazine at the C.V.Starr East Asian Library at Columbia University. On this site you can find every issue of Ling long Women’s Magazine from 1931-1937. You may already know that Shanghai, and other cities in the ‘Orient’ were pretty happening places in the 1920s and 30s [check out the video below for proof].

This magazine was the woman’s guide to it all! It “was popular during a time of dramatic material, social, and political change in China.” Specifically the era after the end of dynastic rule and into the upheaval of the Republican Era. This collection provides a glimpse into the then newly ‘modern’ China through the magazine’s discourse on the ‘modern’ Shanghai woman in this period of change. The magazine addressed  these changes with openness asking the reader to decide what is the definition of a ‘modern’ woman by providing them with contrasting points of view. As the website states:

Ling long Magazine Back Cover Issue 32, 1931 C.V.Starr East Asian Library at Columbia University

“In many ways, Shanghai’s New Woman was little different from her global counterparts; she bobbed her hair and challenged gender boundaries just like they did. Yet she was also born in a particular modern Chinese context full of contradictions. Reformers idealized the New Woman as free and liberated, an example of China’s break from her oppressive and conservative past. Critics of the New Woman, however, suggested that her excessive consumption and unrootedness represented the dangers of unbridled modernity and foreign influences. 

The Ling long woman epitomized the Shanghai New Woman. She lived in both the fantasy world of popular culture and on the streets of everyday Shanghai. Photographs in the magazine ranged from glamorous movie stars to the actual authors of articles, and from society ladies to students. Just as the Ling long woman had multiple identities, the magazine called her a variety of both Chinese and English names: xin nuxing  and xin nuzi  (new woman); xiandai nuzi  (contemporary woman); modeng nuxing  (modern woman, modern girl, girl of this age, and girl of today).”

This is such a great resource for all sorts of fields from social science to design to advertising to linguistics. There are some English translations of articles on the website. But, it is a lot of fun to just peruse the magazines for the fashion trends and old ads. It’s interesting to notice some differences and similarities between the Eastern and Western models and movie stars. For example, I noticed that there’s a lot less smiling from the Chinese women than the Western women [at least in the magazines I looked at]. The website also provides a great list of resources for people interested in learning more about the Shanghainese woman in that era.

This is definitely a fun find!

If you’re in New York, check out (sustainable) Fashion’s Night Out, hosted by EcoSalon, Of Rags, NYC Fair Trade Coalition and Textile Arts Center.

Not just for an evening of shopping and celebrating, but also education! FREE education!

“(sustainable) Fashion’s Night Out is a collaboration that celebrates sustainability’s place in the fashion world and in the global economy. The term sustainable is in parenthesis for the event title because this word itself is not the focal point of the event, rather, the evening aims to show that anything fashionable should simply make a positive impact and not need a qualifier to differentiate it.” (Ecosalon)

Click here for the details, and enjoy the festivities!

In a recent project, Otto hacks fashion theory through a series of small booklets. We’ve just added them to our required reading list and so should you!

“Fashion is the celebration of the immediate future. By being constantly new, fashion indicates that the future can be something else, and it pulls us there, by force almost, promising the endless possibilities of the new, the unwritten, our possible better self.” (The Virus of Fashion, Axel Trumpfheller and Otto von Busch: Pg. 27)

Click here to access and download the booklets.

Thanks to TED for sharing this project with us (stay tuned for the launch of their new site), and congratulations to Otto on his new post as Associate Professor of Integrated Design at Parsons New School of Design in New York!

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Fast Facts // Cambodia

“The face of the Cambodian garment worker is that of a young, rural female.” (Tearing Apart at the Seams, Yale Law: Pg. 8 )

• 350,000 apparel and footwear workers, less than 8 percent of the country’s working-age individual
• 90% of garment workers are women
• The garment industry accounts for 86% of the country’s total exports
• 30 percent of Cambodia’s population lives on less than 50 US cents a day
• $US 61/month = national minimum wage
• $US 71.99/month = $ needed to sustain a garment workers basic well-being and that of their dependents
• $US 86.88/month = average take-home pay for a garment worker is dependent on significant overtime

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Earlier this month, while investigating the faintings, the International Labour Committee’s Better Factories Cambodia (ILO-BFC) program offered various recommendations to factories, including the obvious suggestion that they adhere to full compliance with the Cambodian Labour Law (Media Update 06-08 August 2011 “Actions Have to Be Taken to Prevent Mass Fainting”: ILO-BFC)

Speaking of the Cambodian Labour Law…

Cambodian garment workers have seen a difficult year. Back in September, guest writer Dr. Robert Hanlon informed us on how the Cambodian court was cracking down on garment worker protests. The Clean Clothes Campaign still continues to fight for the reinstatement of workers who were fired during the protests: “Over 300 Striking Garment Workers Still Victimised.”

Add to this a recent report out of Yale Law School’s Allard K. Lowenstein International Human Rights Clinic, “Tearing Apart at the Seams: How Widespread Use of Fixed-Duration Contracts Threatens Cambodian Workers and the Cambodian Garment Industry.”

The report highlights an amendment to relax restrictions on fixed-duration contracts would compromise the rights of garment workers under both Cambodian and international law. As a result, the authors advise the government not to amend the current labour law.

“The Cambodian government has been considering amending the labor law to ease restrictions on fixed-duration contracts. The country’s apparel industry is already facing heightened international scrutiny because of the mass firings of workers who participated in a strike last year over low wages. One of the main competitive advantages of the Cambodian garment industry is its reputation for progress on protecting workers’ rights, so it is important to understand the human rights consequences of using FDCs and the impact that permitting their expansion could have on Cambodia’s competitiveness.” (James Silk, director of the Lowenstein International Human Rights Clinic)

The study calls for the ILO-BFC program, along with other relevant parties, to work with stakeholders to support long-term contracts. In return, the program has stated it will investigate “how the general trend in using short term contracts can be converted in the industry wide understanding of the long term benefits of changing over to longer term employment relationships” (Media Update 17 August 2011, “Yale Law School releases a report on Fixed Duration Contracts”: ILO-BFC).

While we wait to learn how all of this will continue to play out, we thought we’d leave you on a positive note, and (re)draw your attention to an important health and safety education initiative we posted on our Facebook page a couple of weeks ago: The ILO-BFC’s Garment Workers Open University 2011.

“Each Sunday, nearly 500 workers, from 20 garment factories, attended a full-day training to learn some basic knowledge about the Cambodian Labour Law, and obtain information about social protection services available to them.” (ILO-BFC)

Check out the training resources available through the ILO-BFC, as well as their 2011 tentative training schedule. Click here for the list of active factories registered and monitored through the ILO-BFC.

Join Jen Ballie, PhD Candidate with Chelsea College of Art and Design at the University of the Arts London, in London on August 26th and 27th for a workshop on co-design at V&A.

DRESS UP/DOWNload Workshop 

Sackler Centre Reception
Friday 18.30–19.30 & 20.00–21.30
Saturday 13.00–16.30

DRESS UP/DOWNload is an open source fashion concept, which invites you to be part of the design process: produce a series of prints using simple garments as a canvas. Designed and delivered by textile designer and Ph.D. student Jen Ballie, the co-design workshop allows you to create a design for a garment using collage techniques. Leave with a fashion illustration of your very own creation.

Before heading to the workshop, be sure to check out this slideshare by Ballie, presented in June: Co-everything: Defining co-design for fashion and textiles.

Follow Ballie on twitter: @jenballie

Find Ballie through Considerate Clothing, the Textile Futures Research Student Group and of course on www.jenballie.com

The Centre for Sustainable Fashion has partnered with i-D to deliver a 12 part series designed to transform the way we buy, wear and consider fashion.

In i-Sustain: Issue III—the third instalment— Alex McIntosh investigates marketing, consumption and notions of a collective conscious while featuring designer Ruth Ferguson’s responsible swimwear collection: Olga Olsson

“We’re not foolish enough to think that in a few hundred words it’s possible to shed light on the ethical black hole from which the ‘democratically’ priced fashion we crave emerges but one thing is for sure, as long as we keep demanding it faster and cheaper that hole is going to get deeper.” (Alex McIntosh)

We’re already looking forward to the next issue. Be sure to follow this exciting project.

Past issues //

i-Sustain: Issue I, featuring Borders & Frontiers

i-Sustain: Issue II, featuring Partimi designer Eleanor Dorrien Smith

Source: The Bulletin, The Centre for Sustainable Fashion  

Oxfam Australia has launched a new online campaign: Sneaky Business—a virtual march touring protesters across factories in Southeast Asia, China and Central America, all the way to the headquarters of leading shoe manufacturer, Nike. The march is a call for action for workers rights in the global footwear industry. As I write this post, there are 205 virtual protesters marching through Indonesia.

“The journey shows that poor working conditions are a global problem. Worker exploitation exists whether in Australia, South East Asia or Central America. However Sneaky Business also demonstrates that there are companies doing the right thing— ensuring that footwear workers are treated with dignity and have access to their rights.” (Oxfam Australia)

When the march finishes up in the next few months, Oxfam will deliver the messages of each protester to the shoe manufacturers. Teachers, this sounds like a perfect project to get your class involved with come September.

To join the march, simply choose your message and upload a picture of your sneakers!

Bloggers, be sure to check out the Sneaky Business Toolkit.

Great work Oxfam!

The Cumulus conference will be held in Denver from Sept. 29 – Oct.2, under the theme From Understanding to Design and Back Again.

“Designers can no longer be spectators. The boundaries we are used to have disappeared and as human beings we ‘play’ a real role in designing the world around us.” (Cumulus)

Cumulus is a global association serving art and design education and research.

The Paper Lectures and Discussion Sessions look very interesting. Here are just some that caught my eye:

• Ethics Matters! Re-Thinking the Moral Discourse in Design: Lorenzo Imbesi, Carleton University Canada

• Visions of Environmental Art Education – Environment Means Responsibility and Art Stands for Freedom: Markku Matti Hakuri, Aalto University Finland

• Designers as Agents of Sustainable Change: Siriporn Peters, King Mongkut’s Institute of Technology Thailand

• Values Added: The Legacy of Design Responsibility: Patricia Beirne, Parsons The New School for Design United States of America

• Revision the Future of Design: SEED (Social Economic Environmental Design)

Click here to check out the program.

Students—there is a discounted rate for you!