UN Refugee Agency Provides Shelter to Quake Victims (UN Photo/Evan Schneider) available under Creative Commons license on Flickr.

Along with father’s day, June 20th also marked World Refugee Day.  The United Nations Refugee Agency (UNHCR) along with its partners ran week-long awareness raising activities world wide centered around this year’s theme: Home.  The day was commemorated in different ways from a simulated refugee experience in Kuala Lumpur to free concerts and entertainment in Canada as part of Luminato, an annual festival of arts, culture and creativity.

In Syria, which hosts the largest number of Iraqi refugees, UNHCR chief António Guterres stated: “I appeal to the international community to do more to host refugees.” UN Secretary General Ban Ki-Moon also appealed to the international community reiterating this year’s message while “calling for working with host governments to deliver services.” So, the role of governments in this issue has been emphasized but is there a role for business?

One example of an ongoing program run in partnership with UNHCR is UNIQLO’s Clothing Recycling Initiative.  This initiative has been a part of UNIQLO’s Corporate Social Responsibility (CSR) program in Japan since 2001 when they began recycling fleece and expanded to include the rest of their products in 2006.  According to the company:

Refugees in Liberia (UN Photo/John Isaac) available under Creative Commons license on Flickr.

Our initial intention was to recycle the clothes as fuel, but with the cooperation of the United Nations High Commissioner for Refugees (UNHCR), we started donating the clothes to refugee camps. After recognizing once more the great need for clothing and the critical role it plays, our focus has shifted from recycling to reuse. To that end, approximately 90% of the clothing we collect is donated to refugee camps the world over, including those in Nepal, Ethiopia and Georgia. To facilitate our decision-making process, we not only check shortages of clothing but also conduct research on levels of demand, taking into consideration season and size, religiously appropriate color, and details concerning differences in local culture. In addition, to avoid theft and reselling during transit to the refugee camps, we go to the sites ourselves and distribute the items with the cooperation of the UNHCR.

The program is explained by the company:

UNIQLO Recycling Program

Since 2006, UNIQLO has had collection drives in March, June and September and the number of collected items has increased significantly:

UNIQLO Recycling Program: Items Collected

Map: Recipients of UNIQLO Clothing

Beginning in March of this year, UNIQLO is accepting clothes for recycling year round in Japan.  The company also works with Tokyo Metropolitan High Schools and other educational organizations to bring awareness to the All-Product Recycling Initiative.

UNIQLO’s impact on the lives of refugees in 2009:

• September 2009: 150,000 pieces donated to Nepalese refugee camps

• June 2009: 79,000 pieces donated to Pakistani refugee camps

• March 2009: 280,000 pieces donated to Georgian refugee camps

For previous years click here.

According to their 2010 CSR report, UNIQLO collected 7021 items at two high schools in Tokyo after running a high school version of the Initiative.  UNIQLO’s goal is to reach 30 million items within 5 years — one for each refugee around the world. The company also plans to expand beyond donated clothing to include technical training for employment.

The impact of UNIQLO’s project cannot be underestimated.  Other than protection from the elements, clothing plays an essential role in human dignity, self-esteem and self-expression.  Thank you UNIQLO for taking on such an important and sometimes overlooked need for refugees. I hope that this program will expand to include UNIQLO’s  international locations soon.

Sources:

UNHCR

UNIQLO

UNIQLO CSR REPORT :  Section on the Initiative

Here is how it works: “With the CWACPG, visitors can browse and compare CWAC-approved clothing and accessories based on the criteria of their choosing. The idea is have all of the best eco / ethical product in one place, thus taking the hassle out of socially responsible shopping.” (Brad Bennett, Editor at CWAC).

The CWACPG organizes items by “Ethical Attribute,” showcasing only clothing and accessories that have been “CWAC-approved.” Amazing.

Congratulations to CWAC on a fantastic initiative. Check it out!!

The David Suzuki Foundation (DSF) has compiled a list of toxic chemicals to avoid in personal care products.  

Research has shown that “one in eight of the 82,000 ingredients used in personal care products are industrial chemicals, including carcinogens, pesticides, reproductive toxins, endocrine disruptors, plasticizers, degreasers, and surfactants.” (DSF)

You’ll notice that Formaldehyde has made the list. Please note that this chemical, a known human carcinogen, is widely used in permanent press fabric.  

Here’s who made the list:

BHA or BHT // Siloxanes // DEA // Dibutyl Phthalate // Formaldehyde-releasing Preservatives // Fragrance or Parfum // Coal Tar Dyes // Parabens // PEG compounds (e.g., PEG-60) // Petrolatum // Sodium Laureth Sulfate // Triclosan

Click here for more info.

Who’s your favourite responsible Canadian designer?

Fashion Takes Action (FTA) has officially launched Canada’s 1^st annual eco design award, Design Forward.

I had the pleasure of working on this project, and I am so excited that Social Alterations could support this important initiative in Canada,  and I will explain the extent of our participation in an upcoming post, so stay tuned!

Here are the nominees:

• Thieves
• Elladora  
• Elroy
• Paper People Clothing
• Laura Chenoweth
• Revolve Clothing Co.
• Nicole Bridger
• Salts Organic
• Preloved
• Lav & Kush
• deux fm
• Nixxi
• flora&fauna
• We3 (twigg&hottie)

All the information you need has been made available to you, the public, and you are invited to vote online for the designer you believe best represents ‘eco design’ in Canada. Once you have cast your vote, the decision will be left in the hands of the jury, who will select their winning choice from the top three finalists.

The criterion for voting is based on production, material, design, and special features. Take your time getting to know each designer: you only get one vote, so make it count!

Check out the prize, valued at approximately $50,000!

• A free membership in Fashion Takes Action
• A three-month national PR campaign, provided by Third Eye Media
• Feature in EcoSalon – the number one green fashion blog!
• Participation at Nolcha Fashion Week’s Ethical Fashion Preview in NYC in September 2010
• Travel and accommodations for two, provided by Air Miles Reward Program
• 75 meters of eco-friendly fabric, supplied by Telio (to make a sample collection to show in NYC)
• Look book photo shoot with full creative team including photographer, models, hair & makeup and stylist
• Look book graphic design by pencil design
• $1,000 towards Fair trade and Organic certification, provided by Ecocert.

The voting will close @ midnight on Friday, April 16^th.

To all the designers, we wish you luck!

Thanks to everyone who offered feedback, we were so grateful for your considerations. Please, keep let’s keep the conversation going!

Be sure to contact us with any questions!

Social Alterations @ FEI from Social Alterations on Vimeo.

CSR Trends in China’s Apparel Supply Chain from Social Alterations on Vimeo.

Find more photos like this on Social Alterations

The ‘Open Space’ at the FEI conference featured celebrated authors Kate Fletcher, Sustainable Fashion and Textiles: Design Journeys, Matilda Lee, Eco-Chic: The Savvy Shoppers Guide to Ethical Fashion, and Sandy Black, Eco-Chic: The Fashion Paradox. You can find these texts and others in our reading section.

FEI set the stage for the Open Space format as an opportunity for conference participants to network, strategise, learn, share, challenge, be inspired and stimulate one another in a supportive environment. Fletcher, Lee and Black each presented their own discussion question, and participants were also given the chance to create posed further questions and create discussion groups.

Here is what they came up with:

1. How can we communicate providence to consumers?

2. International cooperation on ethical fashion

3. Raising awareness of organic cotton, and the impact on farmers

4. How do we get youth more involved?

5. How do we encourage behaviour change amongst consumers?

6. Scale-how big, how much? (Kate Fletcher)

7. How to get the media to be a driver for sustainable fashion? (Matilda Lee)

8. Design education-encouraging designers (Sandy Black)

9. How to bring ethics into fashion education internationally

Participants could move around and exchange ideas for a period of over two hours. To close the Open Space, a representative from each ‘talk’ presented key insights.

For those of you that weren’t following along on twitter, here are a few edited highlights that came out of the discussions.

• What would happen if we could control scale in fashion?

             What about considering ‘Post-fashion stress disorder’?

             Fast fashion, can we raise awareness, similar to smoking bans?

             Can we change the discourse of fast fashion?

• How can we communicate providence to consumers??

             Changing the discourse depending on who you’re speaking with:

             In some circles fashion is a bad word, so talk garment and apparel and clothing etc…

• How to connect consumers to the cotton farmer?

             Spread the word, tell stories and stay focused.

• Design educators encouraging designers:

             Make the experience real

             Connect the designer to the factory

             Make it exciting w/ different design strategies: design for disassembly, for example

What are your thoughts on these issues and questions? Feel free to leave a comment below!

Here are just two of the videos we took at the conference. We have more videos to come, so stay tuned for those.

The first video is of my Pecha Kucha talk. I’ll be posting the slides and my notes a little later on. Please contact us if you have any questions on the works cited in the presentation.

Social Alterations @ FEI from Social Alterations on Vimeo.

FEI Conference 006 from Social Alterations on Vimeo.

Pesticide Action Network (PAN) was also there, asking participants “what organic cotton means…..to me”. Pictured above is Nadira Lamrad (right) with her answer.

Fashion Futures, a new report out of Forum for the Future in partnership with Levis Strauss & Co., has predicted 4 scenarios for the future of the fashion industry (see below). 

Here is an excerpt from the Executive Summary:

“Fashion Futures is a call for a sustainable fashion industry. We want companies in all sectors to wake up to the immense challenges that are already shaping our world, to address the serious risks and seize the rich opportunities they present. It’s designed to help them take action which will safeguard their future, protect our environment and improve the lives of their customers, workers and suppliers around the world.” (Fashion Futures, pg. 5)

Slow is Beautiful

Slow is Beautiful from Alex Johnson on Vimeo.

Community Couture

Community Couture from Alex Johnson on Vimeo.

Techno-Chic

Techno-Chic from Alex Johnson on Vimeo.

Patchwork planet

Patchwork Planet from Alex Johnson on Vimeo.

Here is part of ‘The Concept’:

The footsteps or traces that refuse leaves internationally, are the subject of the art project of theSYNdicate: how countries deal with refuse in different parts of the world; the global cycle of refuse; the dimensions of European refuse in Africa.

Transport routes of primary products as well as of finished consumer goods cover long distances, in this globalised world, with many stages, and with goods passing through many hands: sometimes transported goods describe a cycle, other times goods travel in a more one-dimensional perspective.

At the end of a cycle, for example, a number of high quality goods from the southern parts of the world land in Europe, to be sold at high prices, with a hefty profit margin – which drives turnover and stock exchange assets. African countries (and other continents and countries with similar social and economic conditions) are the destination, the recipients, of refuse: the results of agrarian over-production, electronic junk, garments (often second hand clothes), and many similar goods. In this cycle, the places that are the countries of origin (right at the start of the cycle), are left mainly with refuse and package material. Africa – the First World‘s testing ground or laboratory, and self-service shop.

You can buy stock in the project for 35Euro, and receive a piece of upcycled art.

Follow along their journey through the TOYS Blog. The images and stories may surprise you!

Source: psfk

Images via the TOYSTOUR

Despite the comments out of Loudermilk’s office, we’re not quite convinced it was a responsible choice. Even if we were to believe that this bamboo was in fact not rayon, meaning that it was mechanically processed, not chemically processed, and that such mechanical processing was done without violating any human rights, we still think it’s an inappropriate fibre to showcase due to the global misconceptions on the use of bamboo as a responsible fibre both within and outside of the ecofashion movement.

Why not utilize the opportunity to showcase this design in linen, hemp or peace silk?

Here is a refresher on the potential social and environmental (not to mention cultural and economic) consequences of the use of Bamboo fibre, taken from our Fibre Analysis:

Still don’t believe us? Still not convinced? Read more on treehugger, the Competition Bureau of Canada, and Ecotextile News (re: FTC).

What do you think readers? When will the bamboo rayon train leave the ecofashion station?!?!

Source: treehugger and Vogue UK