Seriously...how cute is this!!

UPDATE: Sweaters for Skeinz have reached critical mass! If your still keen to knit a sweater, contact the organizations directly (information below) to make sure they are still in demand. 

Here’s the update from Skeinz: “we do have crital mass of jumpers – but don’t worry if you have just completed yours – still send it in to us as we will keep stocks available for the Wildlife Rescue Team to draw from if required.”

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As you may have heard, there’s been a devastating accident and subsequent oil spill off the coast of Tauranga in New Zealand. This is pretty devastating as the environmental impact is huge! Sometimes in these situations, it feels like since we’re so far away, all we can do is watch totally helpless! But, it turns out, there is something we can do. There’s been a call by Skeinz.com for people to help the blue penguins affected by the oil spill by knitting them some little sweaters. Apparently, the sweaters help keep the penguins warm while they recover from the health impacts of being coated by toxic oil. It also help to stop them from preening themselves thereby preventing them for ingesting said oil. Once they’re strong enough, the sweaters are removed and the penguins are washed using a mild detergent.

So, if you know how to knit and have other friends who know how to knit, or you’re taking a knitting class or are a member of a knitting club…or anything along those lines…why not have a knitting party!! What a great way to spend a Sunday brunch! Merino and mimosas

And just to help you along, here are a few patterns and instructions:

Skeinz Newsletter

Penguins Foundation

Etsy Blog

Once you have your sweaters collected, you can forward them to

1. Skeinz at the following address:

2. Penguins Foundation at the following address:

C/- P.O. Box 97 Cowes

Victoria Australia

3922

Phone: +61 3 591 2800

Other than the links above, also check out Grist.org, Audubon Magazine, and Gawker.com.

Special thanks to our friend Kathleen Matthews for bringing our attention to this story on facebook. 

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Fast Facts // Cambodia

“The face of the Cambodian garment worker is that of a young, rural female.” (Tearing Apart at the Seams, Yale Law: Pg. 8 )

• 350,000 apparel and footwear workers, less than 8 percent of the country’s working-age individual
• 90% of garment workers are women
• The garment industry accounts for 86% of the country’s total exports
• 30 percent of Cambodia’s population lives on less than 50 US cents a day
• $US 61/month = national minimum wage
• $US 71.99/month = $ needed to sustain a garment workers basic well-being and that of their dependents
• $US 86.88/month = average take-home pay for a garment worker is dependent on significant overtime

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Earlier this month, while investigating the faintings, the International Labour Committee’s Better Factories Cambodia (ILO-BFC) program offered various recommendations to factories, including the obvious suggestion that they adhere to full compliance with the Cambodian Labour Law (Media Update 06-08 August 2011 “Actions Have to Be Taken to Prevent Mass Fainting”: ILO-BFC)

Speaking of the Cambodian Labour Law…

Cambodian garment workers have seen a difficult year. Back in September, guest writer Dr. Robert Hanlon informed us on how the Cambodian court was cracking down on garment worker protests. The Clean Clothes Campaign still continues to fight for the reinstatement of workers who were fired during the protests: “Over 300 Striking Garment Workers Still Victimised.”

Add to this a recent report out of Yale Law School’s Allard K. Lowenstein International Human Rights Clinic, “Tearing Apart at the Seams: How Widespread Use of Fixed-Duration Contracts Threatens Cambodian Workers and the Cambodian Garment Industry.”

The report highlights an amendment to relax restrictions on fixed-duration contracts would compromise the rights of garment workers under both Cambodian and international law. As a result, the authors advise the government not to amend the current labour law.

“The Cambodian government has been considering amending the labor law to ease restrictions on fixed-duration contracts. The country’s apparel industry is already facing heightened international scrutiny because of the mass firings of workers who participated in a strike last year over low wages. One of the main competitive advantages of the Cambodian garment industry is its reputation for progress on protecting workers’ rights, so it is important to understand the human rights consequences of using FDCs and the impact that permitting their expansion could have on Cambodia’s competitiveness.” (James Silk, director of the Lowenstein International Human Rights Clinic)

The study calls for the ILO-BFC program, along with other relevant parties, to work with stakeholders to support long-term contracts. In return, the program has stated it will investigate “how the general trend in using short term contracts can be converted in the industry wide understanding of the long term benefits of changing over to longer term employment relationships” (Media Update 17 August 2011, “Yale Law School releases a report on Fixed Duration Contracts”: ILO-BFC).

While we wait to learn how all of this will continue to play out, we thought we’d leave you on a positive note, and (re)draw your attention to an important health and safety education initiative we posted on our Facebook page a couple of weeks ago: The ILO-BFC’s Garment Workers Open University 2011.

“Each Sunday, nearly 500 workers, from 20 garment factories, attended a full-day training to learn some basic knowledge about the Cambodian Labour Law, and obtain information about social protection services available to them.” (ILO-BFC)

Check out the training resources available through the ILO-BFC, as well as their 2011 tentative training schedule. Click here for the list of active factories registered and monitored through the ILO-BFC.

The Made-by  Environmental Benchmark for Fibres has been updated to reflect new research. The benchmark considers six categories: greenhouse gas emissions (GHG) until spinning, human toxicity, ecological toxicity, energy and water input and land use (Made-by).

“In response to feedback we have included new fibres in this updated Benchmark; mechanically and chemically recycled polyesters are now differentiated to represent the different environmental impacts of the recycling technologies used, and recycled wool has been added in Class A. Whilst we are keeping an eye on this area, there have been no new studies made publically available to help us review the current classification of virgin wool.” (Made-by)

Please note: This is an environmental benchmark, and does not include information on any labour rights issues that may or may not be associated with the growing, processing, or manufacturing of the fibres.

For more information, click here.

The Research Journal of Textile and Apparel is seeking papers for two Special Issues:

1) Fashion and Textile Strategies for Sustainable Design and Consumption

Submission of original papers: December 2011

Reviewer’s feedback and evaluation: February/March 2012

Notification of acceptance: April 2012

Publication: August 2012

2) The influence of natural colorants in modern textile design and production

Submission of original papers: September 2011

Reviewer’s feedback and evaluation: November/December 2011

Notification of acceptance: January 2012

Publication: March 2012

Submissions for each are encouraged (but not limited to) the following topics:

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1) Fashion and Textile Strategies for Sustainable Design and Consumption:

• New sustainable textile and fashion design strategies combined with new materials or technologies
• Emerging fashion and textile strategies in the context of sustainable design
• Fashion and textile design systems which aim for sustainable consumption
• New eco-materials for textile and fashion manufacturing
• Green economic systems in the field of fashion and textile design
• Product service systems PSS for textiles and clothing
• Sustainable innovations in the field of textiles and fashion
• Consumer perspectives towards sustainable textile and fashion design

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2) The influence of natural colorants in modern textile design and production:

• colorant production, dyes, pigments
• techniques of applications, dyeing and printing techniques
• design for natural dyed and printed textiles
• quality of final textile products
• consumer perspectives towards natural dyed and/or printed textiles
• economical aspects of the usage of natural colorants
• environmental aspects of the usage of natural colorants
• cultural aspects of the usage of natural colorants
• green textiles and natural colorants

Click through for the details, and to meet the editors. Good luck with your research!

Source: Cumulus – International Association of Universities and Colleges of Art Design and Media

No matter where we sit—consumer, designer, marketer, researcher, educator, etc.—on the global apparel supply chain, our understanding of responsibility stems from our values, individual or shared.

“By design, we start with values” (William McDonough)

We must constantly ask ourselves: “What are my values? What are my intentions? Do they align? How do they translate in practice?” Easier said than done? Not with Cradle to Cradle (C2C) design theory: C2C encapsulates values in design, by design.

Designers Accord – Sustainability in 7 – Bill McDonough from Core77 on Vimeo.

Image Source: “Am I happier now?” image by Carlotta Cataldi, of Slow Fashion Forward

Video Source: Core 77, Sustainability in 7 (via the Designers Accord)

Earlier this year, Fashioning an Ethical Industry (FEI) and London College of Fashion joined forces to produce Steps Towards Sustainability: Snapshot Bangladesh — A resource for fashion students and educators.

“the seeds for creating a vibrant, more sustainable fashion industry in Bangladesh have started to be sown”

(Steps Towards Sustainability: Snapshot Bangladesh: pg. 4)

This must read report presents case studies as a snapshot that “[e]ducators and students can explore them from design, business and apparel management perspectives.” (Steps Towards Sustainability: Snapshot Bangladesh: pg. 6)

Case Study 1

People Tree: Designing differently

Case Study 2

New Look and Echotex: Addressing long hours, low pay and buying practices

Case Study 3

Aranya Crafts: Pioneers in natural dyes

Citation: Parker, E. (2011) Steps towards Sustainability in Fashion: Snapshot Bangladesh, edited by Hammond, L., Higginson, H. and Williams,D., London College of Fashion and Fashioning an Ethical Industry.

“To sustainably reduce poverty, guarantee food and nutrition security and provide decent employment for growing populations, we must make the most intelligent use of our natural capital.” (UN Secretary-General, Ban Ki-moon)

Achim Steiner UNEP Executive Director from UNEP on Vimeo.

WED Challenge behind the scene from UNEP on Vimeo.

Happy World Environment Day! Environmental security is a human right!

What can you do? Get involved and register your activity or pledge an action here.

One of the best ways to take action is to spread the word! Educators, there are a ton of resources over on the United Nations Environment Program (UNEP) site to assist you in your classroom—like the Forest Facts page, for example.

The Creative Commons is embedded into our responsible education ethos; we have researched and aggregated content to create educational resources because we believe that accessibility leads to accountability. Of course knowledge is power, but without access to knowledge we will not move forward.

In 2009 we brought you “[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon” and our “Fibre Analysis”. In 2010 we worked further to bringing you lessons on the social, cultural, economic and environmental interdisciplinary challenges facing the value system that is the global apparel supply chain.

Social Alterations 2010 //

[Lesson 4] Corporate Social Responsibility

[Lesson 3] Global Governance and the Corporation

[Lesson 2] Connect // Key Players

[Fashion High] Understanding the Impact of your Clothing (pre-16 learners)

Social Alterations 2009 //

[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon

Fibre Analysis

Check out this how to on navigating our site:

Social Alterations 2010 // Program Guide from Social Alterations on Vimeo.

Suzanne Lee, Senior Research Fellow at Central Saint Martins, University of the Arts London and author of Fashioning The Future: tomorrow’s wardrobe, is brilliantly combining fashion and biology in search of alternative fibre/material.

BioCouture is currently on display:

Trash Fashion: designing out waste

Antenna Gallery, The Science Museum London, until June 2011

The Future That Never Was: Alter Nature

ModeMuseum Hasselt, Belgium, until June 2011

Listen in on her recent TED talk:

The first time ethical design came onto my radar was whilst I was studying for my BA in Fashion and it immediately struck a chord. Inspired by a friend to find out more about the social and environmental horrors underlying much of the fashion industry, I made an early decision to do everything I could to avoid contributing to it myself, with my own designs.

Having made the decision to ensure that everything I produced was as ethical as possible, I quickly discovered first hand how problematic this can be.  I was desperate to ensure that my graduate collection was both environmentally and socially responsible, but I soon found that trying to find ethical suiting fabric light enough, let alone affordable, was impossible.  Even hours of pleading with suppliers for sponsorship was to no avail (which, incidentally, is why I’m so keen to begin our sponsorship scheme, and have started a mailing list for all those interested!).

The closest I came to fulfilling my ambition of being truly ethical, was when I was given an opportunity to work with Reiko Sudo, founder of Nuno in Japan.  She supplied me with recycled polyester for my shirts, and a recycled content fabric that could be manipulated with heat.  The collaboration also came with a free ticket to Tokyo, so I attended the opening night of the exhibition where all the pieces were on display.  The whole experience was inspirational and made me realise that my dream of a world of ethical fashion could become a reality.

The second part of my studies was a Masters in menswear design at the Royal College of Art.  As wonderful as the opportunity was (and we all know how many famous designers started their careers there) I found myself constantly swimming against a strong current of professors and peers who didn’t agree with or understand my “green” thinking.  It certainly didn’t correspond to their idea of “fashion”, but undeterred, I set to work creating a collection that would challenge their preconceptions: I would create a collection that was ethical and beautiful and fashion forward.  And according to most, I succeeded.

But my commitment to being ethical meant I doubled my workload. As most of the fabrics I chose were organic, and therefore only came in neutral tones, I spent hours dyeing them to match my colourways, whilst at the same time ensuring I had used the minimum quantities I needed, to limit the amount that would be put back into the “cycle”.  I also ended up spending hours sifting through recycle banks to reclaim textiles – not to mention, the weeks of research it took to source the fabrics and services I needed.  I had to find leathers that were by-products and vegetan, spray paint old tarpaulins to make into jackets, source vintage buttons and pieces I could use for clasps … and all this before I even started the pattern cutting!

I realised very quickly that there needed to be a central source to go to for materials and information, if there was any chance of convincing those less committed than myself to take the ethical route in fashion. Yes, there were plenty of forums, but no solid solutions.

So, when I graduated from the RCA, I set about finding solutions to all the problems I had been faced with and Offset Warehouse was born.  My idea was to make a wide range of ethical textiles available to buy in one place and also to offer the resources needed for research, as well as access to the ethical services and businesses needed to be able to manipulate the textiles – ethical dye labs, embroiderers, fair trade manufacturers, laser cutters, pattern cutters… you name it!

And of course, as proof that ethical fashion can be fashion forward and affordable, I also decided to include a boutique. It’s also proving a great solution for ethical students who want to sell their graduate collections!

I had a few struggles initially.  Funding, of course, was a particular concern, but I finally decided that given the global nature of both my suppliers and potential users of the service, the most sensible place to set up the business was online. So that’s what I did and in turn, lowered the overheads of the business considerably.

Has it been an easy road?  No, by no means. Surprisingly perhaps, in this day and age, I have found being a woman and only 26 has caused problems.  It probably doesn’t help that I look younger than I am, but it makes me mad when I am patronised by individuals who assume that I am naive about the business.  More fool them! Attending the RCA allowed me experiences far beyond those one might expect of someone of my age. I’ve had exposure working alongside and pitching to companies including Umbro, Brioni, Thierry Mugler, Zandra Rhodes and Vogue.  Not to mention one to ones with the head designers of Versace, Givenchy and Valentino, and styling the rather difficult, Jonny Borrell (Razorlight) amongst other musical talents. Of course, it’s also part of my nature – I approach life with not just a “can do” attitude, but an “I can do it all” attitude.  Since I launched Offset Warehouse, I’ve become my own buyer, a journalist, a web designer and developer, law copyrighter, marketeer, PR person (including making my own promotional videos), and SEO writer… it’s amazing the things you can learn from a few books, free workshops and youtube!

But this immensely steep learning curve shouldn’t have been necessary – I’m a great believer in passing on knowledge, which is why Offset Warehouse promotes learning and presents its own lectures and workshops.  Knowledge is power, and understanding all aspects of being ethical – from the market, to what makes a fibre ethical, is, in my opinion, key to being a successful ethical designer.  Passing on knowledge is central to our ethos, and we don’t just lecture about ethical issues, but also present workshops that will help designers further their careers – we review lots of CVs and portfolios of designers who want to be part of the Ethical Directory, and you wouldn’t believe how many applications could be improved with simple tricks!

Since our launch, we’ve had a huge response.  It’s clear that we’re filling a gap in the market.

One unexpected development has been the demand for Offset Warehouse to provide consultancy. In response to the many requests we have had, I decided to establish a pool of consultants, all experts in their fields, who we can call upon to provide support to our clients.  Ranging from referring a fair trade manufacturer (which we don’t charge for), to developing a range of ethical accessories.  It’s been a fantastic addition to the business – and has left me wondering where we might go next… watch this space!

So here we are.  Looking back, we have come farther than I could have dreamed at this point.  It has not been an easy ride by any means and, looking forward, there is a long way to go for the industry to truly make a difference to the way it operates and the way it is perceived.  I personally am very proud of how far we have come but Offset Warehouse still has much to do and I suspect the challenges will be different but no less demanding.  Bring it on!