Author Archives: Mary Hanlon

Bangladeshi labour activists face trial and wrongful detention on fabricated charges

The Clean Clothes Campaign (CCC) has reported today that Kalpona Akter and Babul Akhter of the Bangladesh Workers Solidarity Center (BCWS), alongside other Bangladeshi labour leaders, will be forced back into court next month to face fabricated charges filled against them by apparel suppliers such as Walmart.

You may recall their 30 day wrongful imprisonment last summer, coming out of the wide-scale worker protests that rocked the garment sector, or the illegal detention of BCWS organiser Aminul Islam and recent 4 month unlawful detention of Mushrefa Mishu of the Garment Workers Unity Forum.

The CCC reports that “[a]ll cases consist of a range of charges with punishments ranging from three months to ten years to life in prison. Some of the charges are punishable by death.” (CCC)

Although Walmart has claimed that their supplier has dropped the charges, CCC claims this is not the case.

Walmart is the largest buyer of Bangladeshi-made clothing. Speak up on behalf of these workers: take action.

Remember, you can still upload your photo and message to the SA Visual Lab in support of these workers. Visit the SA Bagladesh Project for more details.

We are not powerless…

Suzanne Lee’s BioCouture grows clothes

Suzanne Lee, Senior Research Fellow at Central Saint Martins, University of the Arts London and author of Fashioning The Future: tomorrow’s wardrobe, is brilliantly combining fashion and biology in search of alternative fibre/material.

BioCouture is currently on display:

Trash Fashion: designing out waste

Antenna Gallery, The Science Museum London, until June 2011

 

The Future That Never Was: Alter Nature

ModeMuseum Hasselt, Belgium, until June 2011

Listen in on her recent TED talk:

Week of Action on Killer Jeans, Labour Behind the Label

Like that faded denim look? Think again…

Labour Behind the Label (LBL) has launched a week of action today (May 30th – June 6th) to raise awareness on the dangers of sandblasting, a deadly hidden narrative of denim production.

“The sandblasting technique aims to remove the dark indigo pigmentation from the garment. Propelling a stream of abrasive material (sand) against the fabric under high pressure gradually softens and lightens the denim.” (LBL, Killer Jeans)

Visit www.KillerJeans.org to take action, hear company responses (communication and implementation) and learn what you can do to help ban sandblasting in denim production internationally.

Fast Facts on Sanblasting, via LBL Killer Jeans Campaign //

  • Sandblasting as a process is typically outsourced to unregistered third party facilities, proving it difficult to monitor
  • Without proper ventilation and worker protection, crystalline silica dust particles are inhaled by workers
  • Linked to Acute silicosis, a fatal lung disease
    • Garment workers in Turkey, Bangladesh, China, Pakistan, Syria, Indonesia and countries in northern Africa, are at risk—with little information on worker safety

Click here to view an Animoto by Anna McMullen at LBL on how to take action.

LEARN // Sasha Duerr takes on responsible design at UC Berkeley Extension

Will you be in San Francisco this summer? Make sure to check out Sasha Duerr’s course on Eco Fashion at UC Berkeley Extension, running June 14th to July 19th.

Course Description // X402.6 (1 semester unit in Architecture)

Learn fashion with human health and the environment in mind. Evaluate the culture of fashion, learn about green materials, and understand socially responsible supply chains. This class is ideal for anyone in the industry who wants to make sustainability fashionable.

Duerr is the founder of Permacouture Institute and the author of The Handbook of Natural Plant Dyes: Personalize Your Craft with Organic Colors from Acorns, Blackberries, Coffee, and Other Everyday Ingredients.

Don’t miss it!

Source: UC Berkeley Extension

A Toast to Freedom // Amnesty International celebrates 50th anniversary

On May 28th Amnesty International turned 50! In celebration of this tremendous achievement, they have collated their historic campaigns in one amazingly interactive timeline.

This recourse is an ideal learning tool for any classroom, with videos, links and photos.

To Amnesty International—Surely we are incapable of describing in words the true meaning of all that you have accomplished, and continue to work towards – so we’ll simply say thank you. Thank you for being an ultimate educator in systemic change for social justice.

A Toast to Freedom—Happy 50th!

Timeline Screenshots //

Vancouver Fashion Bistro: Visioning a better future

In Celebration of Fashion // Fashion Bistro from Social Alterations on Vimeo.

On April 16th, fashion marketers, students, educators, consumers, business owners, designers and media attended Vancouver’s Fashion Bistro, presented by Social Alterations and Slow Fashion Forward, in celebration of fashion. The four-hour interactive workshop focused on sustainability challenges and principles, slow fashion values, hidden narratives, value chains, transparency and accountability.

We’d like to thank our special guests, Hélène Day Fraser, Faculty of Design & Dynamic Media, Emily Carr University of Art & Design and Katherine Soucie Sans Soucie(zero.O.lab). We’d also like to thank TRIUMF for graciously donating their auditorium for this special event.

The Vancouver event was the first held in a workshop series, with upcoming workshops in Barcelona, Chicago and London. Once the other cities have closed, we will share outcomes from the events, cross-pollinate ideas and present a report.

The workshop closed with a World Café visioning exercises. Participants were divided into groups and had lively conversations around one key question:

In the year 2025, what does a sustainable and socially responsible fashion industry look like?

To build a sustainable and socially responsible fashion industry in Vancouver, we need both a vision of where we want to be in the future and a plan for getting there.  The World Cafe exercise was one step in this process as participants co-created a shared vision. Participants were asked to let go of any current barriers or assumptions about the future, and to brainstorm creative and thoughtful ideas for what a sustainable and socially responsible industry looks like.

Here is a raw account of just some of the conversations that took place in Vancouver.

Table 1

The New Consumer:

-asks questions and utilizes consumer reviews to normalize responsible fashion

-an increased demand for sustainable & responsible fashion

-government and industry leaders are encouraging (consumers) to change behaviour
Responsibility:

-informed consumers

-informed communities

-informed dialogue

Local:

-community & education

-relationship building and teamwork

-economies & job creation

-garment production

-sourcing raw materials locally (desire for fibre rotation systems, materials that preserve  biodiversity)
Sharing:

-basics (sharing basic wearable items)

-’pants on demand’ – moving away from mass production and placing garment orders only when a customer demands a new item

-new/innovative technologies  – for example Air Dye

Table 2

Sustainable and socially responsible fashion industry will have:

-faith

-small clothing cooperatives

-small cooperative development

-traditional practices

-open design – collective design

-design as social and environmental action

-clothing lines designed to decompose

-wearables

-language

-local presence – political and environmental

-conversations

-garment makers provoke new ways of living

-SustainABLE

In 2025 there will be more:

-recycling and education

-transparency in business

-responsible us of social media
Use of Hactivism – will have revised the sustainABLE and social responsible industry

Table 3

2025 will see ideas in action:

-continuous understanding of social and environmental issues

-continuous growing and continuous learning

-both top down and bottom up approach is used to create a sustainable industry

-responsible media and marketing

-communication – through social media there will be transparent communication within the industry and to consumers

-life cycle analysis = core

Table 4

Now 2025
No trust
-reactive stance towards responsibility
-transparency is still “new”
-values and modes of production in question
-There is a need for:

-skill development

-education

-dialogue

-sharing resources

-knowledge transfer

– consumers have low to no garment making skills

Trust
-proactive stance within the industry
-social and environmental transparency is the norm
-quality vs. quantity
-people love their garments
-people are skilled and knowledgeable in creating their clothing
-bartering and skill trading
-royalties on brand names/designer clothing, similar to the music industry – second hand sales, royalties are given to
-sales people are knowledgeable about clothing production and process and can share that info when you are in the store
-clear government support for local/sustainable fashion
-there will be significantly less choice in new materials, companies/designers will HAVE to use more sustainable materials
-rebuilding community through fashion
-developed skills
-from consumerism to creative culture
-skill sharing
-participation
-customization
-responsible governance

VOICES // Sourcing Change — Charlie Ross, Offset Warehouse

This post was written by Charlie Ross, Founder of Offset Warehouse and tells the story of one woman’s determination and drive for change. VOICES // a feature space on SA where community members are invited to share their journey in responsible design. What’s your story?

The first time ethical design came onto my radar was whilst I was studying for my BA in Fashion and it immediately struck a chord. Inspired by a friend to find out more about the social and environmental horrors underlying much of the fashion industry, I made an early decision to do everything I could to avoid contributing to it myself, with my own designs.

Having made the decision to ensure that everything I produced was as ethical as possible, I quickly discovered first hand how problematic this can be.  I was desperate to ensure that my graduate collection was both environmentally and socially responsible, but I soon found that trying to find ethical suiting fabric light enough, let alone affordable, was impossible.  Even hours of pleading with suppliers for sponsorship was to no avail (which, incidentally, is why I’m so keen to begin our sponsorship scheme, and have started a mailing list for all those interested!).

The closest I came to fulfilling my ambition of being truly ethical, was when I was given an opportunity to work with Reiko Sudo, founder of Nuno in Japan.  She supplied me with recycled polyester for my shirts, and a recycled content fabric that could be manipulated with heat.  The collaboration also came with a free ticket to Tokyo, so I attended the opening night of the exhibition where all the pieces were on display.  The whole experience was inspirational and made me realise that my dream of a world of ethical fashion could become a reality.

The second part of my studies was a Masters in menswear design at the Royal College of Art.  As wonderful as the opportunity was (and we all know how many famous designers started their careers there) I found myself constantly swimming against a strong current of professors and peers who didn’t agree with or understand my “green” thinking.  It certainly didn’t correspond to their idea of “fashion”, but undeterred, I set to work creating a collection that would challenge their preconceptions: I would create a collection that was ethical and beautiful and fashion forward.  And according to most, I succeeded.

But my commitment to being ethical meant I doubled my workload. As most of the fabrics I chose were organic, and therefore only came in neutral tones, I spent hours dyeing them to match my colourways, whilst at the same time ensuring I had used the minimum quantities I needed, to limit the amount that would be put back into the “cycle”.  I also ended up spending hours sifting through recycle banks to reclaim textiles – not to mention, the weeks of research it took to source the fabrics and services I needed.  I had to find leathers that were by-products and vegetan, spray paint old tarpaulins to make into jackets, source vintage buttons and pieces I could use for clasps … and all this before I even started the pattern cutting!

I realised very quickly that there needed to be a central source to go to for materials and information, if there was any chance of convincing those less committed than myself to take the ethical route in fashion. Yes, there were plenty of forums, but no solid solutions.

So, when I graduated from the RCA, I set about finding solutions to all the problems I had been faced with and Offset Warehouse was born.  My idea was to make a wide range of ethical textiles available to buy in one place and also to offer the resources needed for research, as well as access to the ethical services and businesses needed to be able to manipulate the textiles – ethical dye labs, embroiderers, fair trade manufacturers, laser cutters, pattern cutters… you name it!

And of course, as proof that ethical fashion can be fashion forward and affordable, I also decided to include a boutique. It’s also proving a great solution for ethical students who want to sell their graduate collections!

I had a few struggles initially.  Funding, of course, was a particular concern, but I finally decided that given the global nature of both my suppliers and potential users of the service, the most sensible place to set up the business was online. So that’s what I did and in turn, lowered the overheads of the business considerably.

Has it been an easy road?  No, by no means. Surprisingly perhaps, in this day and age, I have found being a woman and only 26 has caused problems.  It probably doesn’t help that I look younger than I am, but it makes me mad when I am patronised by individuals who assume that I am naive about the business.  More fool them! Attending the RCA allowed me experiences far beyond those one might expect of someone of my age. I’ve had exposure working alongside and pitching to companies including Umbro, Brioni, Thierry Mugler, Zandra Rhodes and Vogue.  Not to mention one to ones with the head designers of Versace, Givenchy and Valentino, and styling the rather difficult, Jonny Borrell (Razorlight) amongst other musical talents. Of course, it’s also part of my nature – I approach life with not just a “can do” attitude, but an “I can do it all” attitude.  Since I launched Offset Warehouse, I’ve become my own buyer, a journalist, a web designer and developer, law copyrighter, marketeer, PR person (including making my own promotional videos), and SEO writer… it’s amazing the things you can learn from a few books, free workshops and youtube!

But this immensely steep learning curve shouldn’t have been necessary – I’m a great believer in passing on knowledge, which is why Offset Warehouse promotes learning and presents its own lectures and workshops.  Knowledge is power, and understanding all aspects of being ethical – from the market, to what makes a fibre ethical, is, in my opinion, key to being a successful ethical designer.  Passing on knowledge is central to our ethos, and we don’t just lecture about ethical issues, but also present workshops that will help designers further their careers – we review lots of CVs and portfolios of designers who want to be part of the Ethical Directory, and you wouldn’t believe how many applications could be improved with simple tricks!

Since our launch, we’ve had a huge response.  It’s clear that we’re filling a gap in the market.

One unexpected development has been the demand for Offset Warehouse to provide consultancy. In response to the many requests we have had, I decided to establish a pool of consultants, all experts in their fields, who we can call upon to provide support to our clients.  Ranging from referring a fair trade manufacturer (which we don’t charge for), to developing a range of ethical accessories.  It’s been a fantastic addition to the business – and has left me wondering where we might go next… watch this space!

So here we are.  Looking back, we have come farther than I could have dreamed at this point.  It has not been an easy ride by any means and, looking forward, there is a long way to go for the industry to truly make a difference to the way it operates and the way it is perceived.  I personally am very proud of how far we have come but Offset Warehouse still has much to do and I suspect the challenges will be different but no less demanding.  Bring it on!

Fashion Bistro | A workshop hosted by Social Alterations and Slow Fashion Forward

Will you be in Vancouver on April 16th?

With Special Guests Hélène Day Fraser, Faculty of Design & Dynamic Media, Emily Carr University of Art & Design and Katherine Soucie Sans Soucie(zero.O.lab)

Click here to purchase your ticket to this intimate international workshop! Space is limited so be sure to register!

Stay tuned for details on Chicago, Barcelona and London events! For those of you who are unable to join us in these cities, look for a final research report once the workshops have closed; we will be sharing ideas & discoveries from these cities after the workshops – sparking a larger movement for a socially responsible & sustainable fashion industry.

We’re thrilled to have partnered with Slow Fashion Forward for this international project!

Feel free to get in touch if you have any questions.

Kindly,

Your Vancouver hosts,

Mary Hanlon & Nadira Lamrad | Social Alterations

Maureen Dickson | slowfashionfwd@gmail.com

Triangle // A Call for Remembrance, A Call for Action

Let this 100th anniversary of Triangle be both a call for remembrance and a call to action.

This is the most necessary social movement of our generation (Charles Kernaghan, NLC)

This important documentary from the National Labor Committee connects the fire of 1911 to the Hameem group factory fire in Bangladesh that took place just a few short months ago.

In 2010 alone, nearly 50 Bangladeshi garment workers lost their lives in factory fires. While the labour movement in America grew in large part from the Triangle fire, the situation for these workers in Bangladesh has not changed— in fact it is worse.

Join our campaign to raise awareness. That no worker—under any circumstance, in any country—find themselves trapped without an exit (literally or figuratively) is not too much to ask of our global economy.

Further Reading //#Bangladesh

Bangladesh // The Details (July 29, 2010)

SA Visual Lab // The Bangladesh Project (July 22, 2010)

Bangladeshi garment workers fight for their rights, will you? (July 14, 2010)