Category Archives: Fashion Design

The Call of Juarez // Profit in Violence

Since 1993, more than 1,400 women have been violently murdered in Ciudad Juarez, Mexico (Maquila Solidarity Network). Thousands more remain missing. These femicides have gone unsolved since the murders have not been properly investigated by local and/or international authorities. While the found bodies of women rest buried in mass graves, the killers roam free. Ciudad Juarez is a war-zone— no one is protected from the systemic violence and corruption that plagues its citizens.

In 2010 MAC cosmetics and American design house Rodarte partnered to deliver a limited edition line of cosmetics inspired by the plight of the Juarez woman. Products in the line were given names like “Factory” and “Ghost Town” and advertisements featured a young model looking…well, dead.

Despite being well received by industry, outcry from within the fashion blogosphere resulted in the cancelation of the line. As one commentator stated in response to the collection, “in a sweep of total insouciance, for chic U.S. women, ‘Factory’ is an abstract consumable concept, a shade of mint frost, whereas for Mexican women in maquiladoras, it’s a sweaty, oppressive place where they’re frequently harassed, threatened, raped, and killed.” (Sarah Menkedick) Both MAC and Rodarte have since issued apologies, with the cosmetics company promising to donate profits from the line (once it has been renamed) to a legitimate organization working within the region. There is still no word on these details, however.

Of course, women are not the only victims in Juarez. The city is home to one of the largest drug turf wars in the world. In the last four years, more than 8,000 people have been killed (averaging 8 murders per day). Last week alone, between Thursday and Saturday, 53 people were gunned down (NPR).

Set to profit from the violence this summer through the release of their new game Call of Juarez: The Cartel is the French video game company Ubisoft, There has already been outcry over the game, with critics claiming it dehumanizes victims. No apology from Ubisoft; they claim the game is purely fictional—take a look at the trailer and see for yourself.

Despite the violence and controversy surrounding this socially devastated region, some companies have decided to (re)invest in the maquiladoras there. According to Bob Cook, president of the Regional Economic Commission in El Paso, Texas, one of the draws to manufacturing in Juarez is that the violence has seemingly not targeted industry.

The violence has not targeted industry? Are factory workers not included in this category?

On October 28th of last year four people were killed when “gunmen opened fire on a trio of buses carrying nightshift maquiladora workers to communities outside the city.”

When the mass killings of women (it is estimated that over 1/3 of these women were working in maquiladoras) first surfaced over a decade ago, industry did little to protect workers, claiming it was not their responsibility because the attacks did not take place on their property.

“Maquila owners provide little help to resolve the infrastructure and social services crisis in Juárez that they helped create. In 2001 at the height of the factories’ prosperity, their owners gave Juárez only $1.5 million in a voluntary tax, according to the New Mexico State University-based research publication Frontera Norte-Sur. At the same time, according to the Canadian organization Maquila Solidarity Network, maquila exports from the Juárez region totaled more than $10 billion.” (Amnesty International USA)

To say that industry needs to step it up when dealing with Juarez would be an understatement.

The 100th anniversary of International Women’s Day (IWD) has come and gone (March 8th). With this year’s theme, equal access to education, training and science and technology: pathway to decent work for women, we remember the women and men of Juarez.

An excerpt from the controversial corrido “Las mujeres de Juaréz” by popular Mexican band Los Tigres del Norte:

Que hay varias miles de muertas en panteones
clandestinos muchas desaparecidas que me resisto
a creer… (es el reclamo del pueblo
que lo averigüe la ley….)

English translation: There are several thousand dead women, in secret cemeteries. So many women have disappeared, it is hard to believe. These people demand that the law must investigate. (Mariana Rodriguez, “¡SOMOS MÁS AMERICANOS!”: The music of Los Tigres del Norte as Grass Roots Activism)

New York Fashion Week vs. the Ready Made Garment Sector in Bangladesh: whose interests are protected when ‘special’ police hit the streets for fashion?

The fashion industry is often seen as a complicated paradox. So much so that many professionals working in the field of worker rights and environmental security frequently shy away from using the word ‘fashion’ itself. In its place, they vote for ‘garment,’ ‘apparel,’ ‘textile,’ etc. While it’s natural for industry jargon to vary—different circles will have their own set of terminology—it is important to recognize that in the end we are all talking about the same thing: fashion.

Fashion, after all, designs the stage and sets the pace for the performance. For our part, if we cannot connect human and environmental security issues taking place within the industry’s supply chain to the fashion runway, we haven’t dug deep enough.

We were reminded further of this truth this week with a recent Ethical Style post on the special NYPD ‘fashion’ police slated for New York Fashion Week. According to the article, the plain clothed officers are placed amongst the crowd (positioned on either side of the runway), to keep the peace from anti-fur activist protesters.

Continuing our coverage on Bangladesh, we’ve been meaning to write a story on the government’s reported consideration of a special “industrial police,” dedicated to keeping workers in the ready made garment (RMG) sector in line with an “iron hand,” according to a newspaper in Bangladesh (Clean Clothes Campaign).

So, on either side of the supply chain, the industry flexes its muscles against unrest. But, when it comes to the systemic oppression of basic human rights, coupled with unchecked environmental degradation, whose interests are being protected?

The truth is, when it comes to security there is no real paradox—the violations may be clear as mud, but we know where there are and how they got there.

Image Source: Anna Wintour targeted by PETA via Ethical Style and Bangladeshi garment workers via Fashioning an Ethical Industry

Call for Submissions // CoDesign: Special Issue for Socially Responsive Design

CoDesign, the International Journal of CoCreation in Design and the Arts, has a call for papers out under a special theme:

Socially Responsive Design – understanding the differences between service design, social design and social innovation and identifying tools and methods for designing and evaluating social change.

Click here to read the full details of this call for submissions.

Deadline for submission: 28 January 2011

Proposed timetable to publication thereafter:

Post-review notification of decisions: 30 April 2011
Deadline for submission of revised papers: 30 June 2011
Final selected papers to production: 9 September 2011
Publication of Special Issue: December 2011

Contact Professor Lorraine Gamman l.gamman at csm.arts.ac.uk with any questions about the Special Issue.

Take Action // President of Garments Workers Unity Forum (GWUF) arrested, Bangladesh

Social Alterations has learned that Moshrefa Mishu, the president of the Garments Workers Unity Forum (GWUF) in Bangladesh has been arrested.

While Mishu was reportedly wanted by authorities in connection with the protests earlier this year, it has been reported that she was taken from her home on the night of December 14th, without an arrest warrant.

On Saturday, December 18th, teachers, writers, artists and cultural activists will gather in a Protest Rally to demand the immediate release of Moshrefa Mishu and an investigation into the cause of the recent factory fire that claimed the lives of at least 28 garment workers.

Speak up and out on behalf of garment workers: join the #SABangladeshProject by uploading your photo to flickr (tag #SABangladeshProject), twitter (@SA_FashionLab) or to our Facebook page.

Educating and Engaging // Shared Talent India, Centre for Sustainable Fashion

Shared Talent India encourages “fashion designers to exchange expertise with other protagonists across the supply chain, transcending traditional divisions, be they linguistic, geographic, or discipline based.” (Shared Talent India)

Designers can now access much needed information on opportunities and limitations of materials in India such as cotton and silk (among others). While designers may feel discouraged when they learn that genetically modified (GM) cotton “has found its way into almost every Indian supply chain,” they will no doubt understand the opportunity for change, as it exists in India, when they learn that “[s]eed exchange projects empower farming communities” (Shared Talent India).   

The project also provides information on the historical and cultural significance of skills such as weaving and knitting, dyeing and printing, embroidery, etc., as well as information on their processes. And, most important to designers, Shared Talent India presents a platform not only for education, but for engagement with direct access to suppliers on the ground.

Visit the project, get informed and join in on the industry conversation!

Congratulations to the Shared Talent India design team, their partners and funders and to the Centre for Sustainable Fashion for making this brilliant project happen.

‘Taking Liberties’ // Garment workers in Gurgaon earn poverty wages, facing violence and threats

Workers’ children in the area are not admitted in the Government schools in Delhi as they cannot provide the documents the Delhi Government Schools ask for.” (Worker X, Case Study: Taking Liberties)

Labour Behind the Label and War on Want are reporting gross violations of workers rights in two Delhi factories producing garments for M&S, Debenhams, Next Monsoon and Arcadia.

Taking Liberties, cites exploitative labour practices such as unregistered living in slum housing, precarious labour through non-contractual temporary employment, threats and violence against workers through hired security in anti-union workplace environment, poverty wages (workers paid less than ½ a living wage), and forced overtime.

The report is asking M&S, Debenhams, Next Monsoon and Arcadia to:

Take action! Click here to download the report have your say! Speak out against worker violations and speak up for workers rights!

Special Focus // Slow Fashion Forward, strategically mobilizing a responsible fashion industry

We consider the Slow Fashion movement as a viable alternative for achieving sustainability in the fashion industry.” (Slow Fashion Forward)

Carlotta Cataldi, Maureen Dickson and Crystal Grover of Slow Fashion Forward have recently published an important industry report—Slow Fashion: Tailoring a Strategic Industry Approach towards Sustainability.

Through conceptual frameworks and systems thinking, the report outlines key insights and strategic recommendations, such as Basic Principles for Sustainability and 10 Slow Fashion Values.

Click here to download the final industry report.

We ask that you follow and support their continued work and research here, on their main site.

Fashioning an Ethical Industry launches Scottish Ethical Fashion Education Network alongside continued UK training

Over 75% of fashion businesses think it is important for new recruits to have knowledge regarding social, environmental and ethical issues.” (FEI) 

Over the coming year Fashioning an Ethical Industry (FEI) will be working with Scottish universities and colleges to establish a network interested in teaching, learning and sharing about ethics in the fashion industry. With the support from FEI the Network will host events, develop resources and share best practice related to corporate social responsibility in the fashion industry. Find out more and join the network.

FEI student workshops will equip your graduates with information and skills in this important emerging area. Staff training sessions will give teaching staff the resources and confidence to effectively deliver the subject area. For further information and booking please see the website.

*The contents of this post was directly sourced through the FEI Bulletin*

Panel & Audience Q & A // ECO Fashion Week Vancouver

ECO Fashion Week Vancouver, September 30th, 2010 // Day three: Panel & Audience Q&A

Panel & Audience Q&A

 
Panel Members //
  • Myriam Laroche, President, ECO Fashion Week Vancouver
  • Summer Rayne Oakes, Source4Style
  • Jeff Garner, Prophetik
  • Paul Raybin, AirDye®
  • Mark Trotzuk, Boardroom Eco Apparel
  • Nicole Bridger
  • Lindsay Coulter, David Suzuki’s Queen of Green
Q&A //
Lindsey, David Suzuki Foundation

Q: Does the David Suzuki Foundation have any plans to launch a consumer awareness campaign on the impacts of the fashion industry? Similarly to the sustainable seafood initiative?

A: Not at this time, we are focusing on improving the policies of the beauty and cosmetics industry and informing consumers on the toxics and chemicals in their personal care products

Paul Raybin, Air Dye

Q: Can you tell me more about the air dyeing process and the benefits?

A: AirDye reduces water consumption by almost 95%. The conventional textile dyeing industry is a major contributor to water pollution worldwide, so Air Dye is focusing on improving this and providing the industry with a solution. They also have developed an inventory system, where they only make what is sold to reduce waste, water consumption and pollution

Mark Trotzuk, Boardroom Eco Apparel – commenting on the question

His company is a Bluesign brand member, so the manufacturing facilities adhere to the highest environmental standard for textiles in the world and are certified. Water, energy and carbon consumption is reduced.  His company works to reduce the environmental impacts at each stage of the garment life-cycle, but this is not easy. It is also expensive to have the facilities certified.

Myriam Laroche, President, Eco Fashion Week

Her biggest focus is on teaching consumers to reuse clothing and buy vintage/second-hand clothing. She has reduced her own impact by buying less, and she feels that consumers can all do their part by starting with buying one less item, or buying vintage clothing instead of new

Question from Nicole Bridger to Jeff Garner on how to inspire change in the industry

Jeff, there needs to be more awareness, he is working to inspire other designers through his own practices

Paul Raybin, Air Dye

Q: Do you have any samples of the air dye technology in use?

A: Designers can take the technology and imagine it in their own way. It is a way to reduce material use. You can take the fabric and turn it inside out, so designers can be innovative with how they use it

It is a way to reduce water consumption and pollution. With an example from China on the scope of the problem, 50% of China’s water supply is unsuitable for drinking AND 3.5 trillion gallons of water are polluted from dyeing. In conventional dying, water is used as a solvent to carry the dyes. For “Solution dyes”, the dye is injected into the fibre, to create prints, you need to weave fibres. With the air dye technology, you don’t make the fabric/product unless it is being consumed – this reduces pollution.

Q: Nicole asks Jeff about his work with natural dyes

A: Jeff Garner, Prophetik grows his own plants on his Tennessee farm. Japanese indigo is used to dye his fabric. This process is labour intensive

He has a team of two women who work specifically on the natural dyeing process. He also has a community garden where they grow the plants for the dyes

Q: How do you set the natural dyes so that they do not run and last a long time?

A: we use hemp fabric, so this absorbs the dyes well. We also use vinager to hold the dyes in place. But, each piece is unique and different because natural dying is not consistent and it is done by hand. Depending on the air temperature, and if it was dyed during winter or summer, the gradient also changes. This creates a story behind the garment that he can tell to his customers.

Q: Asked to the entire panel, do you encounter regulations and do you need to work with governments?

A: Summer Rayne Oaks, she is interested in finding local material sources and has also created a global network for fabric suppliers and designers (Source4Style). She is dealing with regulators for this initiative, because integrating the duty fees across boarders affects the prices of the materials. For example the price of organic cotton vs. silk from India is different, but they also have different duty fees. She is working with industry associations in the United States, who then liaise with governments on regulations and policies

A: Myriam Laroche, she is working with the regional government, Vancouver Economic Development Commission, they are a major supported, along with the City of Vancouver, for ECO Fashion Week.

 

Photo Credit: ECO Fashion Week

Paul Raybin presents ‘Lifecycle Assessments – Water & Textiles’ // ECO Fashion Week Vancouver

ECO Fashion Week Vancouver, September 29th, 2010 // Day two: Paul Raybin  

Paul Raybin –  Lifecycle Assessments  – Water & Textiles 
 

 

BIO //
Paul Raybin is Chief Sustainability Officer and Chief Marketing Officer of Colorep, which created the revolutionary AirDye® technology. AirDye technolgoy manages the application of color to synthetic textiles without the use of water, providing a sustainable alternative to traditional dyeing processes. The process does not pollute water, greatly reduces energy use, lowers costs, and satisfies the strictest standards of global responsibility. It is a world-changing technology for both business and consumers. Paul has over 30 years experience in the printing industry. At Colorep, Paul managed a comparative Life Cycle Assessment project to understand and document the impact of AirDye technology on the printing and coloration of textiles.  
NOTES //
–          Textile industry is the worlds 3rd largest consumer and polluter of the worlds water

  • Growing and processing, dyeing and then after sale care
  • For example, Levi Strauss did a study that found that 919 gallons of water is used per pair of jeans – ie, flusing the toilet 575 times.
    • With this, Levi is starting to cut their water use in growing, dyeing and post consumer use.

–          Traditional dye Process:

  • Water based dyeing + dye setting + hydro washing = textile + Water treatment
  • Many of the chemicals used can never be removed from the water, making it unusable industrious water.
  • It takes on average 125 to 250x the weight of the fabric worth of water to dye a garment.
  • More than 3.5 trillion gallons used each year for dyeing. Enough to provide 111.4 billion days of water for the average urban dweller. And this pales in comparison to water needs for growing crops and post consumer use (ie, washing, drying)
  • Aral Sea in Russia used to be world’s 4th largest lake. Today it almost doesn’t exist due to water being diverted for use of the area to grow cotton. The water that remains is poisonous; the land left over is highly contaminated from heavy fertilization and over production.
  • The textile industry is the 2nd largest polluter in China
  • Every year 1.5 million children under 5 die due to lack of clean drinking water. More than 1 Billion people do not have access to clean drinking water.
  • Textile Industry Risks:
    • Rising costs. Right now water is heavily subsidized, particularly for business.
    • Resource allocation choices. For example, in California a few years ago water scarcity led to a choice that had many of the agricultural areas being deprived of water as urban dwellers were chosen to receive the scarce resources.
    • Government action
    • Business risk. In India Coke and Pepsi both temporarily lost their licenses to extract ground water due to overproduction. Communities boycotted the brands.

–          Industry Progress

  • Conventional Methods:
    • Reverse osmosis
    • Reusing water – using the same water from batch to batch
    • Reduce dye liquor ratio
    • Recycled water – using industrial non-potable water
  • Waterless Processes
    • AirDye – the protected technology of Colorep
    • DryDye (Yeg (spelling?) group out of Bangkok, using supercritical CO2 to transfer the dye into the fabric while capturing remaining dye and CO2 to be reused on future garments).

–          AirDye LCA (Life Cycle Assessment)

  • Comparative LCA
    • ENEA: Toward Effluent Zero
      • 10 dyeing and printing plants in Europe that did a study on their environmental impact. This study was used by AirDye as a benchmark against which they could measure their own environmental impact, helping them complete their LCA.
  • Their LCA was conducted by Five Winds International & PE Americas.

–          What can we all do:

  • Leadership
  • Raise Awareness
    • Consumer
    • Retailers (ie, Wal Mart and H&M making commitments to reducing their environmental impacts in China last week at Clinton Global Initiative)
    • Supply Chain – create a point of reference for consumers (such as Bluesign or a 3rd party reviewed LCA)
  • Ask Questions
    • LCA from your supply chain
  • Demand improvements in farming and manufacturing
  • Policy consideration – ie, is water a human right? How should it be priced?
    • We need to understand these initiatives and move towards them in our own ways.