Category Archives: DESIGN

Ethical Sourcing Forum North America 2010

The Ethical Sourcing Forum is a unique industry event that brings together members of the global sustainability community in order to address emerging sustainability and ethical supply chain challenges.

Here is the Agenda (subject to change):

Day 1: Thursday, March 18th, 2010.

7:45 AM  –  8:30 AM: Registration & Breakfast

8:30 AM  –  9:15 AM: Welcome Note and ESF Community Poll Findings

What are YOUR top sustainability issues and management challenges? (Kathrin Bohr, Director, ISS Advisory Services)

9:15 AM  –  10:30 AM: ‘VISUALIZE’ Panel Discussion

The Arc of Sustainability Progress: What have we achieved, where are we going and where do we need to be?

  • David Schilling, Program Director for Human Rights at Interfaith Center on Corporate Responsibility (Moderator)
  • Matt Kistler, SVP Sustainability, Walmart
  • Linda Yanz, Director, Maquila Solidarity Network
  • Stephen Howard, CEO, Business in The Community
  • Amy Hall, Director of Social Consciousness, Eileen Fisher
  • International Labor Affairs Bureau, U.S. Department of Labor

10:30 AM  –  10:45 AM: Spotlight on Innovation: Walmart’s Sustainability Index

  • Matt Kistler, SVP Sustainability, Walmart

10:45 AM  –  11:00 AM: Coffee Break/ Networking

11:00 AM  –  1:00 PM: RE-THINK LABS

Mini-Lab 1: Social Networking for Effective Stakeholder Engagement
(Kevin Long, Co-Founder, JustMeans & Brian Walsh, Head of Global Social Engagement, Liquidnet for Good)


Mini Lab 2: Collaboration: Potential and Pitfalls
(Scot Sharland, Executive Director, Automotive Industry Action Group & Monique Oxender, Global Manager, Supply Chain Sustainability, Ford Motor Company)


Mini Lab 3: Role of investment in driving CSR progress
(Garry Bell, VP Global Marketing for Gildan Activewear & Curtis Ravenel, Analyst at Bloomberg)


Mini Lab 4: Measuring and Reporting Environmental & Social Impacts
(TBC)

1:00 PM  –  2:15 PM: Lunch

Joe Sibilia, Chief Visionary Officer of CSRWire and David Mager, President, Major Environmental Solutions  and Co-organizer of Earth Day preview their new book: Street Smart Sustainability – The Entrepreneurs Guide to Profitably Greening Your Organization’s DNA

2:15 PM  –  4:15 PM: RE-THINK LABS

Mini-Lab 5: New Models for Sustainable Purchasing and Factory Compliance (Amy Hall, Director of Social Consciousness, Eileen Fisher  & Julie Yan, Manager, Hudson Bay Company)

Mini Lab 6: New Approaches to Factory Compliance
(Marie David, Director, Corporate Strategy & Sustainability, Walmart)

Mini Lab 7: Transparency in Supply Chain (Chuck Goncalves, Director of Global Responsibility for the America’s Region, Gap)

Mini Lab 8: Managing Supply Chain Environmental Risk: ” Both Win” Tools and Approaches (Jia Liu, Intertek Sustainability Solutions with Supplier (TBC), moderated by The Home Depot)

4:15 PM  –  4:30 PM: Coffee Break/ Networking

4:30 PM  –  5:30 PM: Panel Disussion: What Combination of Strategy and Tactics Really Drives CSR Progress?

  • Moderator: NY Bureau Chief, major international magazine (To be confirmed)
  • Genevieve Taft, Global Workplace Rights, The Coca-Cola Company
  • Sherlyn Broderson, Ethical Sourcing and Sustainability Manager, Cadbury
  • Frank Rexach, VP and General Manager, Haworth
  • Judi Kovacs, VP EHS Programs, NBC Universal

5:30 PM  –  7:00 PM Cocktail Reception

Day 2: Friday, March 19th, 2010

8:00 AM  –  8:30 AM: Breakfast

8:30 AM  –  9:00 AM: Keynote Presentation
TBC

9:00 AM  –  10:00 AM: Presentation: Child/Forced Labor Preview of New Anti-Child/Forced Labor Supply Chain Management Criteria

CREA (Center for Reflection, Education and Action) will preview its work on developing ethical supply chain management criteria (contracted by the U.S. Dept. of Labor)

10:00 AM  –  10:15 AM: Coffee Break/ Networking

10:15 AM  –  12:15 PM: SOLUTION LAB – Backcasting: Developing Your Sustainable Roadmap

A hands-on collaborative sustainability decision-making / solution session involving the technique of reframing – a model for examining challenges from multiple stakeholder vantage points in order to uncover previously unseen perspectives and decision paths.

12:15 PM  –  1:45 PM: Lunch/ Closing Remarks


Source: Ethical Sourcing Forum Agenda

Title: Ethical Sourcing Forum North America 2010
Location: New York
Link out: Click here

Start Date: 2010-03-18
End Date: 2010-03-19

Can Design Change Behaviour?

This question was answered recently by Banny Banerjee, Director of the Stanford Design Program and Associate Professor of Mechanical Engineering.  In short, his answer is YES!

““Our behavior is deeply influenced by the norms and frameworks that surround us and design can be used to create systems and experiences that work with an underlying understanding of human behavior and cause people to fall into entirely new patterns of behavior,” says Banerjee, an associate professor of mechanical engineering.

Because behavior can be influenced—not just observed—it provides an important opportunity for tackling complex challenges such as sustainability.”

“That opportunity is perhaps best addressed with design. Uniquely trained to simultaneously consider human factors, technology and business factors, designers can help identify a behavioral goal (e.g. reduce energy use) and then work from that to employ the best systems, ideas, experiences, and technologies to enable alternate realities in the future.”

Banerjee’s work, which is related to energy consumption in the home, has shown that designers should focus on ways to appeal to the ‘irrational‘ side of consumers.  That’s the side that chooses to buy the designer t-shirt even though a generic brand t-shirt of equal quality is available at a much lower price.  According to ethnographic research,

“…consumers are not swayed to adopt solar power based on a rational comparison of dollars per watt, as much as on whether their neighbors have taken the plunge. Also, people do not have an intuitive understanding of energy like they do with time and money. It does not appear to be enough to flatly inform people of the facts of their energy usage. Instead emotional motivation, habits, and tiny choices that people make in their day-to-day lives without necessarily being conscious of them are important factors in how a crucial resource such as energy gets used.”

Can these ideas be applied to fashion design?  Absolutely!  Think of the previous passage like this:

…consumers are not swayed to adopt solar power ethical fashion based on a rational comparison of dollars per watt unit, as much as on whether their neighbors have taken the plunge. Also, people do not have an intuitive understanding of energy the impact of their consumption decisions like they do with time and money. It does not appear to be enough to flatly inform people of the facts of their energy usage the impact of their consumption decisions. Instead emotional motivation, habits, and tiny choices that people make in their day-to-day lives without necessarily being conscious of them are important factors in how a crucial resource such as energy gets used consumption decisions favour sustainability.

The current fashion industry is largely driven by a ‘fast-fashion’ trend.  A popular arguments is that the consumer is driving this trend and companies that do not comply will fail miserably.  The problem with this argument is that it assumes that the consumer is at the bottom of a pyramid of responsibility and the designer is, of course, at the top simply creating products needed craved by consumers.  But, if designers, through their actions (read: designs), can change behaviour, responsibility is suddenly shared between parties involved in the system (including brands).

In a conversation with Mary Hanlon, she brought up the idea of applying design concepts to address sustainability.  Using end-user experience as a focus, Mary made the following point:

“When we consider that the impact of a garment on the user side of the life-cycle is often larger than on the production side, it becomes clear that the consumer experience cannot be ignored.  We need to change the norms and frameworks that surround consumers to create systems that move toward sustainability.  If fashion designers are able to change consumer perception through aesthetic based frameworks, they have the responsibility to change behaviour.”

Changes in consumer behavior can be done through a variety of strategies including the choice of materials and effective labelling of care requirements which was discussed before on SA.  Some other strategies can be found here.  Perhaps the most recent example is that of Brazilian company Tristar Jeans which advocates freezing your jeans instead of washing them which is only necessary to remove stains.  Also, their jeans are reversible allowing longer wear time between washes.  For more on Tristar click here.

Midway: Message from the Gyre

“We’ve lost our sense of outrage” (Chris Jordan, TEDtalk, June 23, 2008).

How do we change? We change through behaviour, says photographer Chris Jordan.

His book, Running the Numbers: An American Self Portrait, is available for direct purchase through his website, and also via Amazon, through the SA [reading list].

This short film speaks for itself:

Jordan presents his research and master imagery in TEDtalk: Picturing Excess:

Source: chris jordan photographic arts

Update// Noko is a No Show!!

If you read our website regularly, you may have seen a post in December about Noko Jeans, a company manufacturing jeans in North Korea (DPRK).  At the end of that post I wrote:

“To tell you the truth, I don’t really know what to think about this so, I emailed Noko jeans earlier today asking about their Code of Conduct and also asking them for an interview.

If you have any questions that you would like me to ask, please let me know.  Stay tuned for an update to this fascinating story!!”

I thought it only fair to give you an update on this story.  Mary Hanlon and I worked on a set of questions (see below) that would cover both design and responsibility.  We wanted to ask questions that have not been asked before that would clearly match the focus of our website.  The design questions are very much focused on the influence of the design process and design choices.  The other questions were focused on the challenges and the impact of manufacturing in the DPRK and the way that the internal realities of the country influenced the manufacturing process and CSR.  We also asked questions that explored the relationship between brands, trade and ‘pariah states.’

I got in touch with Noko Jeans in December.  In particular, I had an email exchange with Jacob Åström and sent him 20 questions about their interesting project.  He promised to send us responses to these questions in a week.  We waited, the responses didn’t come so I sent them a reminder.  After that I received another promise that they will respond at the beginning of 2010.  So we waited and again, no response.  I have emailed Noko jeans repeatedly over the past 2 months requesting a response to the following questions:

  1. Why did you choose jeans?  It has been discussed in the media (BBC, Washington Post) that NoKo Jeans are available in black, and not blue, because blue jeans too closely signal ‘American’ culture. Why is colour more significant than the material (denim) itself?
  2. What design knowledge was disseminated and how?  What other information was shared?
  3. What were some of the challenges you encountered in the process of disseminating your design?
  4. What was the level of government involvement in this project?
  5. Could you take us through the Code of Conduct (CoC) step by step, from “Legal rights” (section 1) to “Inspections, questions, and demands for Pants Provided” (section 7), and explain some of the challenges you encountered along the way. For example, the CoC relies heavily on ‘national laws.’ How were such laws clearly outlined to both you and your workers?
  6. The CoC refers to North Korean laws, understandably, we don’t know much about these legal obligations, could you outline the labour laws and environmental laws your manufacturers are expected to meet?
  7. Did you develop the CoC yourself?  If so, did you seek consultation from any group or organization for help?  If not, how did you decide on the content?
  8. One of the signatories on the CoC signed with multicoloured pen. The other’s signature has been doctored for public viewing. Any thoughts as to why?
  9. What are the differences between manufacturing in China and manufacturing in North Korea?
  10. Was corruption ever an issue during this project?  How did you handle those situations?
  11. Knowing what you know today, is there anything in the CoC you would change or alter if you were to continue production in North Korea?  Is there anything you would have done differently?
  12. You were being monitored while you were monitoring production, how did that affect you, your work and the workers?
  13. Considering the reality of living in North Korea, did the workers understand the difference between your monitoring (protection) and government monitoring (watching)?
  14. What are the major challenges you faced during this process and what made this experience worth the time, energy and effort that you put in?
  15. How do you respond to claims that producing in North Korea is irresponsible?
  16. Will you continue to produce in North Korea?  Why?
  17. Do you think that larger brands should source from so-called ‘pariah states’ like North Korea in order to trigger positive changes in the countries?
  18. How do you think this “trade-plomacy” can trigger change?
  19. What are some of the key lessons coming out of this experience that you would like to share with this community?
  20. Any final comments?

We invite Noko jeans to respond to our questions.  There is no time limit on this interview.  We would love to learn more about your point of view.

As for our readers, we would also love to hear more from you!!  You can let us know what you think in the comments below, on the SA forum or on our facebook fan page.

Made in…where!?!

Friday, December 4, 2009

By nadiralamrad

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Yesterday, just before going to bed, I was reading the BBC news website and came across an odd article announcing the release of premium jeans in Sweden.  Normally, something like this wouldn’t be big news but, the title of the article begins with the words “North Korean designer jeans…” !?!

The jeans, named Noko Jeans, are being released today in Sweden and will cost 1,500 Swedish kronor ($220; £132).  The whole adventure started with an email sent to North Korea in 2007 asking about the possibility of shifting some of their production from Southern China.  According to the BBC article:

“North Korea’s biggest garment company turned the idea down, but eventually they struck a deal with the state’s largest mining group, Trade 4, which runs a textile operation on its site.”

Interesting…

The email that started it all!

The email that started it all!

So the email started a relationship that resulted in an official diplomatic invitation to North Korea.

What spurred this?

“The reason we chose North Korea was, and is, because we had had an interest in the country for quite some time. North Korea is one of the few blank spots on the map, both figuratively and literally—Noko Jeans was a way to gain access to an otherwise isolated country. A way to learn more about it. There’s little to none infrastructure for producing JEANS since it’s a product they’ve never done before, but they DO have up-to-date factories in the Pyongyang-vicinity (where our factory is!).”

Maybe denim production is lacking in the Hermit Kingdom because the dress code forbids them.  In fact, Noko jeans are only available in black because blue denim is too ‘American.’

Naturally, after I recovered from the shock of this information, I wondered, how can they justify it?  We may not know much about North Korea but we have heard a few things here and there.

I did a quick search and found that a few others have asked the same question.  On their facebook page, Noko Jeans responded to a query about the money trail (where does it go?):

“Noko Jeans

You are completely right, North Korea is a country where many atrocities happen, almost on a daily basis. I, and we, do, however, believe that it is better to do something, than nothing at all.

As you’ve written, and we firmly believe, projects like this is a way to influence. Even though we work in a very “micro” context, we believe we bring something to to the table. Outer influences are only a good thing. Be it through detailed CSR/code of conducts agreement, or the fact that we’re physically present throughout ALL our production, our collaborators are – kindly, of course – forced to work in a different way than when, for example, Chinese or South Korean companies produce clothes there.

We worked more than 2,5 years (still without any salary for any of us) to realize this project so I really hope that you understand that this is much more than us going to North Korea for ten days and setting up a jeans factory….. We stayed at the factory for the whole time during the production to make sure that our code of conduct was followed to the point. I don’t know any other example of any other garment producer in the world who show that kind of dedication in making sure that the CSR-policy is more than a piece of paper….…

The price of the jeans is to cover our expenses, but since the interest for the jeans seems to be huge at the moment we might have some money left beginning of next year. And some of that money will of course be given back to the country and/or the factory somehow. We’re working on how to do this in a proper way, for example in reinvesting in the machinery of the factory — or in person give something back to the people who made the pants.

We WILL find a way to give something back in the right way, but at this point ANY input/suggestions is very much welcome…

Sorry for wall of text :—)

Love ♥ ♥ ♥ ♥ , Noko Jeans”

They also have this video on their Vimeo account showing their factory.

This is Our Factory from Noko Jeans on Vimeo.

To tell you the truth, I don’t really know what to think about this so, I emailed Noko jeans earlier today asking about their Code of Conduct and also asking them for an interview.

If you have any questions that you would like me to ask, please let me know.  Stay tuned for an update to this fascinating story!!

Go Green Week, 2010 // The University of the Arts

Timo Rissanen offers a great post with his notes on ‘The Sustainability Equation: Ethics and Aesthetics in Contemporary Fashion’ and on the ‘Ethics and Aesthetics = Sustainable Fashion’ exhibit at Pratt on his personal blog “Timo Rissanen: Fashion Creation Without Fabric Waste Creation.”

Not to be confused with the Pratt exhibit, that runs until the 20th of February, the graduate students of the MA in Fashion and the Environment over at the London College of Fashion will host “[a]n informal evening called Ethics+Aesthetics = Sustainable Fashion, […] on Friday 12th February at the HUB” for Go Green Week 2010, along with other awareness campaigns such as a fashion swapshop and workshops.

Here is message from the MA Fashion and the Environment students via the Centre for Sustainable Fashion with all of the details:

“Fashion is saving the world this week at the University of the Arts! The first UAL Go Green Week of 2010 at The University of the Arts is fast approaching, held the week of the 8th until the 12th February, and the students from the LCF course MA Fashion and the Environment, who are advocates of an ethical and sustainable fashion industry; based at the Centre for Sustainable Fashion, are raising awareness throughout the University of the exciting and innovative developments of sustainable design within the fashion and textile industries.

We have a couple of, what promise to be, exciting and informative events organised for Go Green week, in order to increase public consciousness of environmental issues that are becoming increasingly prominent of late in the industry. Over the course of the week, the Fashion and the Environment students are out to spread the word about what you and I can do to make our wardrobes greener, so to speak! Green is the new black, darling!

A Fashion Swapshop is organised for Thursday the 11th Feb, at the HUB, at the Davies Street between 6pm and 9pm. We are invited to search our wardrobes for garments we never wear, bring them along, and swap them for ones we will wear and love. The Swapshop is not the only focus of the evening, as it will also include speakers from textile recycling company TRAID who aim to protect the environment by diverting clothes from landfill, clothing customising workshops, and, for one night only in London, a vintage clothing stall all the way from Italy–Mercatino Michela.

An informal evening called Ethics+Aesthetics = Sustainable Fashion, will be held on Friday 12th February at the HUB, at the Davies Street between 7pm and 9pm (the bar will be open) introducing and exploring the diverse and innovative areas of sustainability within the Fashion and Textile Industry. This event will be personally hosted by MA Fashion and the Environment students from LCF in collaboration with the Centre for Sustainable Fashion. Open to all students from around the university , we are invited to come along to learn more and find out why this is such a vitally important area of contemporary design, ask questions and even get advice regarding sustainable design for our own projects. This evening promises a scintillating line up of from ethical clothing companies such as: People Tree, Ethical Fashion Forum and, Environmental Justice Foundation (also selling their t-shirts) who will be discussing the work they do to play an important role in a changing industry. The evening will also include a short film made by the MA Fashion and the Environment students, showcasing the variety of work and unique individual talents all working towards securing a more sustainable fashion future.”

More info at SU Arts University Student Union.

Source: CSF

Gallatin Eco-Fashion Week

“Save the dates for a dynamic line-up of informative lectures and panels, roundtable discussions, educational workshops, presentations, art installations, and fashion shows that will uncover the trends emerging throughout the world of eco-fashion. The majority of ideas featured at Gallatin Eco-Fashion Week 2010 will highlight the unique, original research of Gallatin community members.

Gallatin Eco-Fashion Week not only recognizes environmentally and socially responsible fashion, but also critically examines what the terms “eco” and “green” really mean within the fashion world. The event is organized by a diverse committee comprised of students, alumni, faculty, and administrators.” (NYU, Gallatin Eco-Fashion Week)

Here is the Schedule:

Monday, January 25

Opening Night
“Eco Chic: Art Representation & Green Living” panel discussion
5:30 – 8 p.m.

Tuesday, January 26

Gallatin Galleries Exhibit
Eco-inspired works by the Gallatin community
9 a.m.–7 p.m.

“Shades of Green”
Eco Talks
10 a.m. – 12 p.m.

“Shades of Green” lunchtime roundtable discussions
12:30 p.m. – 2 p.m.

Fashion Workshop
“Working with Sustainable Materials”
2 p.m. – 5 p.m.
Please RSVP

Wednesday, January 27

Fashion Workshop
“Fashion Sketching for the Aspiring Designer”
12 p.m. – 2 p.m.
Please RSVP

Workshop
“Up-cycling for Accessories”
3 p.m. – 5 p.m.
Please RSVP

“Haute Eco-uture” Fashion Show
Featuring designs by Gallatin students and alumni
6:30 p.m.

All events will be held at the NYU Gallatin School of Individualized Study / 1 Washington Place, New York, NY, 10003 (valid ID required toenter building).

For more information: contact Jessica Lee.

Title: Gallatin Eco-Fashion Week
Location: New York
Link out: Click here
Start Date: 2010-01-25
End Date: 2010-01-27

Source:  NYU and Ecouterre

Green Carpet Challenge

“We can’t celebrate good intentions, we have to celebrate beauty” (Dilys Williams, London College of Fashion)

We’ve really been enjoying watching Mr. Darcy actor Colin Firth’s wife Livia Firth challenge herself to take on ethical fashion this award season. Livia is no stranger to ethical style, however, considering she’s the owner of ethical shop Eco Age in London.

She’s been blogging about the Green Carpet Challenge over at Vogue UK, so that we can follow along with her on this incredible journey. Along the way, she’s been interviewing ethical fashion gurus like London College of Fashion Dilys Williams and ethical designer Christopher Raeburn.

Be sure to follow her as she takes on this challenge!

Create10// Call for Papers, Research + Student Design Competition

“The CREATE conference is all about creating innovative interactions, whether digital consumer products, interactive services or interaction paradigms.The event is an opportunity to share and discuss the design opportunities and dilemmas that are currently being addressed by practitioners and researchers from the commercial, public and academic sectors.

As well as presentation of academic research and student work, the event will provide real learning opportunities through hands-on workshops, case studies and demonstrations. We also welcome theoretical and research perspectives on the process of design innovation and approaches to creativity in HCI; how human factors can be integrated within a creative design process, methods that encourage creativity in interaction design, and the challenges of working in multi-disciplinary teams.” (Create 10)

Title: Create10
Location: Edinburgh Napier University, UK
Link out: Click here
Start Date: 2010-06-30
End Date: 2010-07-02

Student Design Competition

“This competition is aimed at students from a wide range of disciplines, for example: interaction design, product design, industrial design, communications design, architecture, fashion, multimedia, HCI, and related fields. Students, both undergraduate and postgraduate, can enter for up to a year after completing their studies.” (Create 10)

Design Brief:

“The conference theme of ‘transitions’ is the inspiration for this competition brief. We want to receive entries that scope, explore, define and prototype interactions that make transitions visible. These could be transitions that investigate the relationship between the analogue and digital realms, or systems that make visible transitions across time, place or information spaces.

For this competition you are asked to design an interactive artefact, interface, installation or experience. If selected, you will be invited to display your working design, or a tangible prototype, in a high profile public exhibition space, so you must consider how it may be displayed.”

Initial submissions

Submissions can be made individually or as group work (max 4 participants).
Should consist of:
1.    An extended abstract (500 – 1,000 words) describing your design and any design principles or theories that have informed your approach to this project. You should include discussion of your research process, paying particular attention to your intended user group, whether this is a specific user or a wider group. If you are submitting as a group you should include a brief description of the roles of each member of the group.
2.    Appropriate images of your work, (max 3 sheets of A4) clearly illustrating the design’s interactivity, and also your inspirations and/or research process. You may also include digital files on disk to support the hard copies, these should be cross-platform.
3.    An explanation (1 page A4) of how the work would be displayed in a public exhibition.
4.    A completed application form, this will be available to download soon from the conference website.

All individual items should be clearly marked with your name(s), institution, course, name of your academic supervisor or tutor, and year of study.

Final format

If your work is selected for display at the Create10 exhibition you will be expected to provide:
1.     An A0 poster describing the development process from concept to finished project.
Plus at least one of the following:
2.     A video of the project, showing it working in context.
3.     A finished working (hi-fidelity prototype) that can actually be exhibited as working at the exhibition.
Conference attendance

If your work is selected for exhibition, you will be expected to register, at the student rate, to attend the Create10 conference at the end of June. In the case of group submission, at least one student per submission must register.

Important dates

Initial submission deadline: March 31st 2010

Successful exhibitors will be notified by the end of April 2010

Call for full papers, workshops, short presentations, demonstrations and exhibits:

THEME  : :  Transitions

Analogue <> Digital
Academic <>Practice
Place <> Time
Real <> Virtual
Create10 is seeking original, unpublished work under the following categories :
– High quality academic papers for peer review (max 6 pages)
– Practical workshops
– Short papers and/or case studies from practitioners within the field
– Short presentations and/or posters from students
– demonstrations and/or videos of installation-based exhibits or  creative work in progress

IMPORTANT DATES

Submissions of :
1 page abstracts for papers : 15th March 2010
2 page proposals for all other submissions : 15th March 2010
Notification of acceptance :  Early April 2010
Full paper submission :  End of April 2010
For further information please contact Ingi Helgason : i.helgason@napier.ac.uk

Source: Puff and Flock and Create10

Vanished Bodies and Eternal Presence, Monumenta 2010

If you find yourself in Paris sometime before February 21st, make sure to check out Monumenta 2010: Christian Boltanski’s Personnes at the Grand Palais.

In Personnes, Boltanski asserts that relics have become “vestiges of anonymous people, traces of strangers, with which it seems to be a question of communicating.” He cites Rolland Barthes, in the context of photography to support this question: ““A photo is literally an emanation from the referent. From a real body which was there, proceed radiations which ultimately touch me, who am here; the duration of the transmission is insignificant; the photograph of the missing being will touch me like the delayed rays of a star.” What “happens” therefore escapes any rational reduction: it is a matter of structuring the vanished body and eternal presence around a certain idea of the exhibition, a way of making manifest which opens the door to emotion.”

I stumbled upon this exhibit via Style Bubble. Here is what fashion blogger Susie Bubble had to say: “I’m simultaneously bemused and slightly saddened though that the next time I’m in the Grand Palais in March, all of this will be gone and in its place will be whatever runway setup Chanel decides upon for their A/W 10-11 show…”

Allan Chochinov at Core77 is often quoted for this statement: “Designers think they are in the artifact business, but they’re not; they’re in the consequence business.” (You can read more on responsible design in Chochinov’s Manifesto, found in the SA Reading section.) Although for me, obviously subjective in the SA context, Personnes reminds me of both artifact and consequence. It has me asking “What is the relationship between artifact and consequence in Boltanski’s work?” Seen through the lens of social, cultural and environmental responsibility, the exhibit is perhaps even more striking—more appalling (again, subjectively speaking). So I’m interested readers, what are your thoughts?

Image Source: Flickr via Style Bubble

SHIFT

“As part of SHIFT from 29 January – 1 February the Centre for Sustainable Fashion will present:

The first ever graduate showcase from London College of Fashion’s MA Fashion & the Environment
The work on display will explore a range of opportunities and design challenges where ingenuity and resourcefulness are inspired through living within nature’s limits, putting human wellbeing at the heart of creativity and questioning the current status quo.
On Monday 1 February we are inviting industry representatives, press and prospective students to hear presentations from the students on their work. Contact us if you would like to attend.
More on MA Fashion & the Environment

Highlights from Fashioning the Future 2009 – The international student awards for sustainability in fashion
Fashioning the Future brings together a global community of creative thinkers and doers, designers, innovators and entrepreneurs with many different skills, locations and perspectives on the many facets of fashion. The winners of the 2009 awards will be profiled alongside information on how to apply for the 2010 awards.
More on Fashioning the Future

Local Wisdom by Kate Fletcher
Local Wisdom seeks to recognise and honour sustainability activities in fashion that exist at the level of the user. This project captures and celebrates personal stories relating to garments, giving fashion a platform to flourish and inspire. Reader in Sustainable Fashion Kate Fletcher will be leading a live session on 30 January from 12.00 – 17.00 where members of the public are invited to share the story of their clothes with the project team and be photographed wearing them.
More on Local Wisdom” (CSF)

Title: SHIFT
Location: London
Link out: Click here

Friday 29 January 17.00 – 22.30
Saturday 30 January 12.00 – 22.30
Sunday 31 January 12.00 – 22.30
Monday 1 February 12.00 – 17.00

Start Date: 2010-01-29
End Date: 2010-02-01