Category Archives: Product Design

Call for Participants// Synthetic Aesthetics

Synthetic Aesthetic asks: How would you design nature?

The project is a collaborative effort between artists/designers and scientists/engineers that strives “to bring creative practitioners and those who are expert at studying, analysing and designing the synthetic/natural interface together with the existing synthetic biology community to help with the work of designing, understanding and building the living world.” (Synthetic Aesthetic)

Through the creation of “balanced exchanges” artists/designers will spend time in bioengineering labs, and scientists/engineers will spend their time in design studios, for 12 unique residencies.

The application deadline is fast approaching (March 31st), but there is still time to apply for this amazing project.

Call for participants:

We seek participants for a project on synthetic biology, design, and aesthetics. The project will provide funding to bring together scientists and engineers working in synthetic biology with artists, designers, and other creative practitioners. 

Resources will be made available for twelve funded ‘embedded residencies’, in which six artists and designers will spend two weeks in laboratories, and six scientists and engineers will spend two weeks in artistic studios and design workspaces (institutions or independent studios). The participants will be in six exchanges (synbio/creative), each pair spending four weeks working together over the project.  It is our intention that such collaborations will lead to presentable results, although the form these take is entirely open to the participants. Travel and accommodation expenses will be covered by the project.

We aim to construct the groundwork for future collaborations that could inform new types of engineering, new schools of art and design, and innovative approaches to the study of synthetic biology in society.

For application details, and for more information, click here.

Source: Core77

Scanning the Transdisciplinary

“To mark the launch of the new Graduate Program in Transdisciplinary Design, this year’s Stephan Weiss Lecture Series in The School of Design Strategies is dedicated to the theme of transdisciplinary design. The series will explore the shifting of boundaries of design in a complex world. Designers are rethinking their practices as they increasingly confront a world in which the complexity and interconnectedness of its people, infrastructures, networks, and economies challenges traditional, disciplinary responses. Designers are increasingly designing businesses, services, experiences, policies, and even emergent social forms; and along the way they are inventing new methods, new tools, and new ways of conceiving design. This year’s series will include a diverse range of designers and design thinkers who are reflecting on these new conditions and envisioning future practices. Staged as a series of four moderated conversations, the Stephan Weiss Lecture Series for 2010 will present multiple vantages on the state of design today and the possibilities for design tomorrow.” (Parsons, MFA Transdisciplinary Design)

If you missed the first lecture, Transformational Networks, on Feb. 23rd, you can still catch the next two in the series:

Transfiguring Practices, Thursday, March 25, 6-8 pm

What are the pressures on design consultancies and businesses as the rules of the game are shifting in unpredictable ways? How are design-led businesses succeeding at defining new territories to work in and new ways of operating?

Transitional States, Tuesday, April 6, 6-8 pm

Can design play a role in governmental and non-governmental delivery of things like infrastructure, education, and health care? What kinds of alliances and collaborations are forming to bring design-led practices into large scale social and technological services?

Source: Parsons, MFA Transdisciplinary Design

Social Alterations// Slides

Nadira and I both promised to make the slides from our presentations at the FEI conference available online, and here they are, along with a slideshow of some of the images we captured from the event. I’ve reposted the videos of the presentations for convenience.

Thanks to everyone who offered feedback, we were so grateful for your considerations. Please, keep let’s keep the conversation going!

Be sure to contact us with any questions!

Social Alterations @ FEI from Social Alterations on Vimeo.

CSR Trends in China’s Apparel Supply Chain from Social Alterations on Vimeo.


Find more photos like this on Social Alterations

READ// Kate Fletcher, Matilda Lee, and Sandy Black

 

The ‘Open Space’ at the FEI conference featured celebrated authors Kate Fletcher, Sustainable Fashion and Textiles: Design Journeys, Matilda Lee, Eco-Chic: The Savvy Shoppers Guide to Ethical Fashion, and Sandy Black, Eco-Chic: The Fashion Paradox. You can find these texts and others in our reading section.

 

FEI set the stage for the Open Space format as an opportunity for conference participants to network, strategise, learn, share, challenge, be inspired and stimulate one another in a supportive environment. Fletcher, Lee and Black each presented their own discussion question, and participants were also given the chance to create posed further questions and create discussion groups.

Here is what they came up with:

1. How can we communicate providence to consumers?

2. International cooperation on ethical fashion

3. Raising awareness of organic cotton, and the impact on farmers

4. How do we get youth more involved?

5. How do we encourage behaviour change amongst consumers?

6. Scale-how big, how much? (Kate Fletcher)

7. How to get the media to be a driver for sustainable fashion? (Matilda Lee)

8. Design education-encouraging designers (Sandy Black)

9. How to bring ethics into fashion education internationally

Participants could move around and exchange ideas for a period of over two hours. To close the Open Space, a representative from each ‘talk’ presented key insights.

For those of you that weren’t following along on twitter, here are a few edited highlights that came out of the discussions.

  • What would happen if we could control scale in fashion?

             What about considering ‘Post-fashion stress disorder’?

             Fast fashion, can we raise awareness, similar to smoking bans?

             Can we change the discourse of fast fashion?

  • How can we communicate providence to consumers??

             Changing the discourse depending on who you’re speaking with:

             In some circles fashion is a bad word, so talk garment and apparel and clothing etc…

  • How to connect consumers to the cotton farmer?

             Spread the word, tell stories and stay focused.

  • Design educators encouraging designers:

             Make the experience real

             Connect the designer to the factory

             Make it exciting w/ different design strategies: design for disassembly, for example

What are your thoughts on these issues and questions? Feel free to leave a comment below!

WATCH// Social Alterations @ FEI

Here are just two of the videos we took at the conference. We have more videos to come, so stay tuned for those.

The first video is of my Pecha Kucha talk. I’ll be posting the slides and my notes a little later on. Please contact us if you have any questions on the works cited in the presentation.

Social Alterations @ FEI from Social Alterations on Vimeo.

The Environmental Justice Foundation (EJF) held the table next to ours during the Market Place on day two of the conference. We asked them what exactly responsible fashion meant to the EJF, and for their thoughts on why designers should care.

FEI Conference 006 from Social Alterations on Vimeo.

Pesticide Action Network (PAN) was also there, asking participants “what organic cotton means…..to me”. Pictured above is Nadira Lamrad (right) with her answer.

Hacking Fashion w/ Otto von Busch

One of the headliners at the conference was Otto von Busch (Haute-Couture Heretic – critically hacking and re-forming the operating system of fashion and the industrial modes of production). The presentation “Hacking Fashion” was absolutely fabulous, and when it came time for Otto to close his presentation, nobody wanted it to end!

Investigating ‘rituals of fashion,’ Otto discussed the role of fashion in activism and asked: are we still open to invest emotionally in fashion?

With fashion week, we celebrate the arrival of spring, and then when the new season comes into play, we ritualistically slaughter off the old to celebrate the new.

According to Otto, designers believe in intelligent design, meaning that what they do is extremely unique.  

He asked some interesting questions:

  • Why do we slaughter fashion at the end of fashion?
  • What does this repetitive ritual mean?
  • Has the emotion been lost?

Other questions surrounded the consequences of the democratization of fashion, and so much more.

This is just a small reflection on Otto’s presentation. Stay tuned for a full roundup of Hacking Fashion: How can we participate in fashion differently to build an industry that nurtures both maker and wearers?

In the meantime, check out >self_passage<, a project that explores empowerment, self-development, and personal growth through fashion.

“The selfpassage projects try to bend the power of fashion into a force to achieve a positive personal and social condition with which the Everyperson is free to grow to his/her full potential by means of engaged fashion practices” (>self_passage<)

Tracing Trash

Trash of Your Society (T.O.Y.S.), an art project of theSYNdicate, is on tour investigating the after-life-cycle of products, or artefacts (a.k.a. trash). Do you know what happens to your products once you’ve tossed them?

Here is part of ‘The Concept’:

The footsteps or traces that refuse leaves internationally, are the subject of the art project of theSYNdicate: how countries deal with refuse in different parts of the world; the global cycle of refuse; the dimensions of European refuse in Africa.

Transport routes of primary products as well as of finished consumer goods cover long distances, in this globalised world, with many stages, and with goods passing through many hands: sometimes transported goods describe a cycle, other times goods travel in a more one-dimensional perspective.

At the end of a cycle, for example, a number of high quality goods from the southern parts of the world land in Europe, to be sold at high prices, with a hefty profit margin – which drives turnover and stock exchange assets. African countries (and other continents and countries with similar social and economic conditions) are the destination, the recipients, of refuse: the results of agrarian over-production, electronic junk, garments (often second hand clothes), and many similar goods. In this cycle, the places that are the countries of origin (right at the start of the cycle), are left mainly with refuse and package material. Africa – the First World‘s testing ground or laboratory, and self-service shop.

You can buy stock in the project for 35Euro, and receive a piece of upcycled art.

Follow along their journey through the TOYS Blog. The images and stories may surprise you!

Source: psfk

Images via the TOYSTOUR

Washing Machine + Soccer Ball + Hippo Roller + Storage Unit = ‘Swirl’

Meet Design Affairs’ ‘Swirl’!

Here is the product description:

Swirl is a human focused design that simplifies washing in developing countries. The overall design resembles a ball containing a swirled sphere shaped basket and lid, connected to a steel tube handle. Washing is accomplished through the rotation of the “washing ball” – using long distance travelling to and from water supply to wash the clothes. The user can also wash by just rolling it back and forth in slow rotation cycles. At home, after the basket is filled with clothes, the lid should be screwed and the handle locked in. Transportation can easily be done by pulling or pushing the handle. At the water source, the basket should be filled with water and the product is ready to wash.

The design resembles Project H’s Hippo Roller. Speaking of Project H… they are in the running to win an amazing prize that would help them to:

Start a high school design/build program in rural North Carolina….

  • To cultivate a culture of creative capital in a struggling economy.
  • To provide a hands-on learning path for low-performing students.
  • To teach design and vocational skills as creative problem solving.
  • To activate a poor and rural community through high school service.
  • To complete real-world, built projects with high school students.

Sounds pretty amazing to us! Education is the key point of intervention for responsible design. Click here to vote for their idea. As I type this they are ranked 15th and they must get to at least 10th place to qualify! You can vote everyday until the end of the month.

Source: Inhabitots, Core77 and Design Affairs

Social Biomimicry: Insect Societies and Human Design


How might ‘social biomimicry’ influence design within the context of socially, culturally, environmentally, and economically responsible systems of fashion? While this conference may not directly focus on fashion at the stage of design conception, it does concentrate on other stages, such as manufacturing, communications, transportation, and green building. Indirectly, lessons learned at all stages of the lifecycle should influence the designer at the early phases of initial conception.

“A pioneering collaboration among biologists, designers, engineers, and businesspeople, Social Biomimicry: Insect Societies and Human Design is a conference organized by graduate students and supported by the Frontiers in Life Sciences program at Arizona State University. This conference will explore how the collective behavior and nest architecture of social insects can inspire more efficient and sustainable solutions to human challenges in areas such as manufacturing, communications, transportation, and green building. It will facilitate interdisciplinary exchange of concepts, perspectives, and tools that may enrich biology and advance biomimetic design. Finally, it will address fundamental issues in social biomimicry, including its ethical and psychological implications. We invite you to join us for this exciting event February 18 – 20, 2010 at the Memorial Union, Arizona State University, Tempe Campus.” (ASU)

Title: Social Biomimicry: Insect Societies and Human Design
Location: Arizona State University
Link out: Click here

Start Date: 2010-02-18
End Date: 2010-02-20

Source: Core77 and ASU

Can Design Change Behaviour?

This question was answered recently by Banny Banerjee, Director of the Stanford Design Program and Associate Professor of Mechanical Engineering.  In short, his answer is YES!

“Our behavior is deeply influenced by the norms and frameworks that surround us and design can be used to create systems and experiences that work with an underlying understanding of human behavior and cause people to fall into entirely new patterns of behavior,” says Banerjee, an associate professor of mechanical engineering.

Because behavior can be influenced—not just observed—it provides an important opportunity for tackling complex challenges such as sustainability.

“That opportunity is perhaps best addressed with design. Uniquely trained to simultaneously consider human factors, technology and business factors, designers can help identify a behavioral goal (e.g. reduce energy use) and then work from that to employ the best systems, ideas, experiences, and technologies to enable alternate realities in the future.”

Banerjee’s work, which is related to energy consumption in the home, has shown that designers should focus on ways to appeal to the ‘irrational‘ side of consumers.  That’s the side that chooses to buy the designer t-shirt even though a generic brand t-shirt of equal quality is available at a much lower price.  According to ethnographic research,

“…consumers are not swayed to adopt solar power based on a rational comparison of dollars per watt, as much as on whether their neighbors have taken the plunge. Also, people do not have an intuitive understanding of energy like they do with time and money. It does not appear to be enough to flatly inform people of the facts of their energy usage. Instead emotional motivation, habits, and tiny choices that people make in their day-to-day lives without necessarily being conscious of them are important factors in how a crucial resource such as energy gets used.”

Can these ideas be applied to fashion design?  Absolutely!  Think of the previous passage like this:

…consumers are not swayed to adopt solar power ethical fashion based on a rational comparison of dollars per watt unit, as much as on whether their neighbors have taken the plunge. Also, people do not have an intuitive understanding of energy the impact of their consumption decisions like they do with time and money. It does not appear to be enough to flatly inform people of the facts of their energy usage the impact of their consumption decisions. Instead emotional motivation, habits, and tiny choices that people make in their day-to-day lives without necessarily being conscious of them are important factors in how a crucial resource such as energy gets used consumption decisions favour sustainability.

The current fashion industry is largely driven by a ‘fast-fashion’ trend.  A popular arguments is that the consumer is driving this trend and companies that do not comply will fail miserably.  The problem with this argument is that it assumes that the consumer is at the bottom of a pyramid of responsibility and the designer is, of course, at the top simply creating products needed craved by consumers.  But, if designers, through their actions (read: designs), can change behaviour, responsibility is suddenly shared between parties involved in the system (including brands).

In a conversation with Mary Hanlon, she brought up the idea of applying design concepts to address sustainability.  Using end-user experience as a focus, Mary made the following point:

“When we consider that the impact of a garment on the user side of the life-cycle is often larger than on the production side, it becomes clear that the consumer experience cannot be ignored.  We need to change the norms and frameworks that surround consumers to create systems that move toward sustainability.  If fashion designers are able to change consumer perception through aesthetic based frameworks, they have the responsibility to change behaviour.”

Changes in consumer behavior can be done through a variety of strategies including the choice of materials and effective labelling of care requirements which was discussed before on SA.  Some other strategies can be found here.  Perhaps the most recent example is that of Brazilian company Tristar Jeans which advocates freezing your jeans instead of washing them which is only necessary to remove stains.  Also, their jeans are reversible allowing longer wear time between washes.  For more on Tristar click here.