Category Archives: Fibre/Material

Watch: The Green Fashion Shows//Bahar Shahpar and Lara Miller

Check out this video of ethical fashion designers Lara Miller and Bahar Shahpar at the Green Fashion Shows interviewed by Chloé Jo (GirlieGirl Army) and Joshua Katcher (The Discerning Brute). This is only the first video in a series of 5, so stay tuned here for the next installments.

In the first segment, Bahar Shahpar’s explains how design can be utilized to preserve culture and history-without sacrificing the integrity of the garment. She also discussed the role of the designer in communicating such preservation.

 

DBTV: Girlie Girl & The Brute at The Green Shows, Pt 1 from The Discerning Brute on Vimeo

Source: GirlieGirl Army

the Shoelace Rug

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These beautifully unique rugs were created and designed by artists Nate Siverstein and Andrea Paustenbaugh. Each Shoelace Rug is a one of a kind design. All have been created through the upcycling of 100% resused materials (laces), by a fourth generation family owned manufacturer local to the artists, in the USA. The designers view their designs as “multifunctional earth friendly sculptures,” and are passionate about creating responsible designs.

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 “The shoelace rug is a sculpture that evolves beneath your feet. Shape, size, and depth are determined by the user. Machine washable.”

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Since they are machine washable, they can also be washed by hand (no dry-cleaning necessary).

 

Source: Core77 and Shoelace Rug

MADE-BY + EDUN = Improved living conditions in Africa through clean cotton

MADE-BY is celebrating 5 years by partnering with ethical fashion company EDUN for a design competition. The contest will run in October, with the winning design (presented December 16th) will have created a limited edition T-shirt, sold online and through selected retailers throughout Europe.  Partial proceeds will be donated to the Conservation Cotton Initiative (CCI), an initiative dedicated to helping farmers in Africa make the move away from conventional cotton, and toward pesticide-free organic cultivation.

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Source: Centre for Sustainable Fashion

Fairtrade Urban Shoes: Canadian Newcomer Oliberté and Veteran Veja

Rovia (mens) Grey Suede4

Thanks to Ethical Style for letting us know about Canadian designer Tal Dehtiar’s new shoe line, Oliberté. Oliberté claims to be the first footwear company to make urban shoes exclusively in Africa – based on Fairtrade principles. The shoes are made from locally sourced materials (leather and rubber) in West Africa (starting in January). Speaking on the issue of poverty in the continent, Dehtiar argues that “the only real way to alleviate poverty on this beautiful continent is to build a middle class that includes fair paying jobs.”

Rovia (mens) Grey Suede5

It will be interesting to see how this line develops. As of yet, there are no real details on the Fairtrade and/or environmental nature of its supply chain (i.e. wages or factory conditions- tanning leather is often associated with pretty nasty chemicals, as well as the harsh glues that may be used in assembly, etc.), as the company is not yet certified Fairtrade. I expect that more information on production will be made available on the website soon: Treehugger has reported that “[t]he company is working in partnership with factories to improve their environmental footprint. As they say: ‘we still have a long way to go, but we will continue to do all we can improve our materials, our production and our shoes.’ Oliberte will be supporting local training in the communities where they work.” Treehugger also reports that Oliberté is “consulting with the tanneries to meet environmental standards.” Thus, stay tuned for updates from this Canadian company.

One urban footwear company that has seemingly managed to maintain it’s foothold in Fairtrade manufacturing is Veja.

Veja Volley

 

If you aren’t already familiar with Veja, be sure to check them out straight away. Asking the question “Is another world possible?” Veja uses and supports wild latex production in the Amazonia to fight against deforestation:

Veja The GridVeja soles are made of natural latex coming straight from the Amazon Forest in the Chico Mendes reserve. The Amazon is the only place on earth where wild rubber trees are to be found […] Their activity, which does not require putting down any tree, is a great way to preserve the world’s largest forest. Natural rubber is renewable and biodegradable, as opposed to synthetic rubber or plastic, which is produced by using fossil and non-renewable materials. 

Veja also uses organic cotton, supports family agriculture and local cooperatives and uses ecological leather rather than chrome tanned leather (Veja has defined ecological leather as “chrome-free leather tanned with organic compounds only”). For more up-to date information on the happenings over at Veja, be sure to follow their blog.

Sidebar: Veja has just launched its first line of ethical bags, four years after introducing its trainers.

Veja Projet Numero Deux2

About these bags: organic cotton and leather tanned without chromium.

 

 

Source: Ethical Style, Treehugger, Oliberté, The Globe and Mail, PR Web and Veja

Images courtesy of: Oliberté and Veja

A closer look into Gap Inc.’s new Clean Water Program

Gap Image from Greenbiz

Gap Inc.’s Clean Water Program, established in 2004 to monitor water contamination, has now grown into a system that advertises zero waste from the factory. Inside the pocket of each pair of 1969 jeans you will find this statement:

“The water used in the process of washing & dying these jeans has been specially treated to ensure it is safe & clean when it leaves the factory.”

Here’s a closer look at how Gap Inc. breaks down its environmental footprint:

Gap Inc Supply Chain

“The first phase of our environmental footprint assessment focuses on regions and facilities where we control operations and can make changes most easily. It includes our 11 headquarters (HQ) buildings, five design studios, seven distribution center campuses, and more than 2,800 stores in our North American fleet. Scheduled to be completed in 2009, this first phase will examine energy, water usage, effluents and waste (including wastewater, solid waste and hazardous waste).

The second phase of our assessment will focus further into our supply chain, where we have less direct influence but greater opportunity for impact. We expect to begin the second phase to begin in early 2010”

Gap Inc Supply Chain

Unfortunately, the company does not appear, as of yet, to have goaled itself to take on the materials end of its supply chain. This is an oversight in responsible water-use, considering that 1kg of cotton requires 8000 litres of water. Not only does the materials end of the spectrum use a lot of water, but conventional cotton, with its heavy use of chemicals, results in dirty effluents.

On the Raw Materials end of the spectrum, low-water use cotton may be one option the company will be investigate in the future. Low-water use cotton is often rain-fed. Rain-fed cotton, however, risks the outcome of having a lower quality to it due to irregular water patterns (Fletcher). It will be interesting to see how the company tackles this phase of the lifecycle in the years ahead.

Lifecycle analysis should follow the impact of a garment at every stage: material, production, transportation, use, and disposal. One look at Gap Inc.’s supply chain and it becomes clear that the consumer is not considered in the environmental impact assessments. This is another oversight in the clean water program. Using the example of a simple T-shirt, Kate Fletcher states that consumer use

“has the highest impact and the effect of reducing the energy used in washing, drying and ironing […] dwarfs the possible effects of changing production methods.” (Fletcher)

This suggests that no matter what changes a company makes to clean-up water on the production side, heavy water use and dirty effluence on the consumer end may render such changes minimal when considered against the entire lifecycle of a garment.

One way the company could reduce both water use and contamination immediately is to start promoting responsible laundry habits, and engage consumers in the process. This could be as simple as creating a user friendly online site recommending best practices for each style of jean. This would involve simply directing customers to site for information and instructions.

In the future, why not add some responsible water care labels to each garment tag (a responsible extension off the already present ‘how to care for this garment’ instructions). For example, recommended laundry detergents, how much soap to use, and instructions on ways to avoid the dryer. (A common complaint about jeans that have been left to hang dry is that they wind up feeling stiff. Simple tip to avoid this is to air dry first, and then, if you have to, pop them in the dryer to soften them up for a few minutes before you wear them).

Of course there may be no real way of tracking consumer progress on the user end, but that’s no reason not to get behind consumer education when it comes to water consumption and the laundry machine.

Taken further, each Gap Inc. store would be able to provide consumers with the correct information on laundry detergents that are appropriate for the local water system in that particular area. Gap Inc. certainly has the resources to implement a program like this. Whether or not consumers will follow recommendations, is another story all together! Imagine the possibilities for a program like that.

Regardless of any oversights in the program, kudos to Gap Inc. not only for taking on this initiative, but for effectively implementing the goals it set out to achieve. This program will no doubt inspire competitors to think about water effluents and waste in their own supply chain.

Source: GreenBiz and Gap Inc.

Work Cited: Fletcher, Kate. Sustainable Fashion and Textiles: Design Journeys. London: Earthscan, 2008.

Digital Patterns: Downloading the Future of Design

 

This is a design concept that attempts to decrease waste on the manufacturing and transportation end of the lifecycle of a garment and eliminate mass production. In the process, SANS has encouraged a new way for consumers to relate to their clothing to develop a relationship with the garment itself. Means of production and transportation, as well as material selection, are in the hands of the consumer. The result: “extravagant” and “complex” clothing does not need to come at such a high price (social, environmental, or $$$).

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Source: Core77 and SANS

Social Alterations is now on Ning!

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You can use this space to share and upload curricula ideas, lesson plans, visual aids, research and projects, or to just discuss the current happenings in the industry with respect to social issues and environmental concerns, as well as the latest trends in socially responsible design.

 

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“See” you in the Forum! Oh…and don’t forget to pick up your Social Alterations Badge!

 

Visit Social Alterations

FIBERcast 3: Environmental Sustainability in the Apparel Industry

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The 3rd installment of FIBERcast went live on July 31, 2009. This episodes theme? Environmental Sustainability in the Apparel Industry. Thought I might offer some notes that stood out from the 1st half of the broadcast.

Moderator: Marsha Dickson, Professor and Chairperson of the Department of Fashion and Apparel Studies, University of Delaware

Guest Speakers: Will Phillips, Manager, Environmental Strategy, Under Armour Inc., Rick Horwitch, Vice President, Solutions Business Development and Marketing, for Bureau Veritas – Consumer Products Services, Dr. Suzanne Loker, Professor, Cornell University, Huantian Cao, Associate Professor, University of Delaware

The talk started off with Professor Huantian Cao breaking down the UDSAI Policy Guide (which mainly focuses on the environment).

Dr. Suzanne Loker defined sustainability broadly as “economic development, the environment, the impacts of people in their consumption choices, and technological advancement.” This signifies “improving, building upon and overall achieving responsible practices that are mentioned over the long term. Sustainability is at the foundation of social and environmental responsibility, yet it may not be achievable. Rather, we should strive for improvement” (Loker).

Loker cites a quote taken from Yvon Chouinard, the Founder and Chairman of Patagonia, as stated in the Preface of the book Sustainable Fashion: Why Now?

“To be sustainable means that you would take-out of a system the same amount of energy as put in, with no pollution or waste. A sustainable process is one you can do forever without exhausting resources or fouling the environment […] There has never yet been, nor is there now a sustainable business or sustainable fashion on this planet, and no one should ever pretend in setting out for a place that you’ve actually gotten there.”

Sustainability is a continuous goal, one that can never be achieved. Rather, it is something to strive towards. In this way, it needs to be larger than individual businesses.

Huantian Cao covered 3 equally important pillars of sustainability:

  • Economic
  • Environmental
  • Social

Speaking in detail on what companies can do today to get started on their environmental sustainability in terms of scope of business activities, both Loker and Rick Horwitch, Vice President, Solutions Business Development and Marketing, for Bureau Veritas – Consumer Products Services stressed their belief that every member of the supply chain has a contributing role in decreasing the environmental impact through input and matching production to consumption.

To get started immediately, Horwitch suggests companies tackle the issues through design, production, supply chain, and corporate perspective:  

Design perspective

  • AFA: Restrictive Substance List (RSL) (all globally encompassing it covers the apparel and textile and footwear industry) get rid of the bad substances in your products.
  • Packaging: reduce ratios. Look for biodegradable content, energy efficient.

Production

  • Look at energy efficiency. Horwitch recommends companies check out The Footprint Chronicles over on the Patagonia site.

Supply chain

  • Look at transportation
  • Look at social compliance. Social compliance is critical. Ethical sourcing is critical to a sustainable supply chain.

Corporate perspective

  • Be a good citizen.
  • Communicate that the issues are important to you.
  • Do large scale changes, but do not ignore the small changes, such as changing the light bulbs.

What is the business case to engage in this shift?

Horwitch maintains that while the front end may be more expensive,  “sustainability is about the triple bottom line and a for profit solution. Sustainable process is an efficient process.”

Triple bottom line? Remember those three pillars Huantian Cao mentioned:

  • Economic
  • Environmental
  • Social

For more information, you can listen in on this FIBERcast, as well as previous broadcasts, here.

Resources to walk away with:

University of Delaware’s Sustainable Apparel Initiative

Sustainable Fashion: Why Now?

Restricted Substance List (RSL)

Patagonia: The Footprint Chronicles

FIBERcast

Source: FIBERcast

Nike: Considered Design Ethos, Steve Nash and the “Sixty Million Dollar Man”

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Nike's Considered Design shoebox

Nike has adopted an interesting approach to corporate social responsibility (CSR). As previously mentioned, the company has seemingly managed to connect its sustainability platform to its innovation platform. Trash Talk is one example, the packaging the shoe comes in is another:

The shoe will also be packaged in a new Considered Design shoebox. Like Nike’s first recycled content box in 1995, this new box is still made from 100 percent recycled fiber, but now features a new design which reduces the fiber content by approximately 30 percent.  (CSRwire)

Considered Design

"Considered is not Compromising. It's rethinking." (Nike)

 

According to the company, “Nike’s Considered ethos challenges designers to use environmentally-preferred materials, reduce waste, create sustainable manufacturing processes and use innovation to help reduce our overall environmental impact.”

 You can learn more about Nike’s Considered Design Ethos by visiting their Considered Design Index.

In terms of lifecycle analysis, however, Nike has set some goals that I believe are worth considering:

  • footwear to be Considered by 2011
  • apparel to be Considered by 2015
  • equipment to be Considered by 2020

All this will be done through the company’s Considered Design Ethos:

  • less toxics
  • less waste
  • more environmentally-preferred materials
  • sustainable product innovation

Are you up for the challenge? I’m not convinced the marketing campaign (below) will help motivate you…but hey, why not.

 

Source: CSR Wire, Nike, Nike and more Nike

Nike Talks Trash

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Andrew Hartman, Design Director from Philips Design, Claudia Kotchka, Former Head of Design at Procter & Gamble, and Valerie Casey, Lead of Digital Experience Practice at IDEO and Founder of the Designers Accord, were among 20 star designer judges at the IDEA 2009: Designing a Better World competition that took place in May of this year.

  • Hartman stressed the importance for designers to deliver an experience to their client, rather than just an instance.
  • Kotchka expressed her belief that design thinking is a necessary tool for solving design challenges.
  • Casey spoke on the prioritization of sustainability as moving beyond trend. Casey referenced Nike’s success in marrying sustainability with innovation. This is not surprising considering the company won the International Design Excellence Award (IDEA) “Best in Show” for its Trash Talk shoes made from manufactured waste.

Nike Trash Talk

Gold Award/Best in Show
Category:
Ecodesign
Design: Kasey Jarvis, Andreas Harlow, Fred Dojan, and Dan Johnson, Nike (U.S.)

This performance basketball shoe is made from manufacturing waste. It incorporates leftover materials—leather and synthetic leather, foam, and rubber—into new shoes without sacrificing any of the performance aspects that come from shoes made from virgin materials.

 

Source: BusinessWeek