Category Archives: Landfill

Community News

Urgent Appeal: Haiti Earthquake

Red Cross: Canada, United States, United Kingdom

The United Nations: United Nations Foundation, UNHCR: The UN Refugee Agency, World Food Programme (WFP), UNICEF

If you a business, please visit the United Nations-Business website, Partnering for a Better World, and learn more about what your organization can do to offer much needed humanitarian relief and assistance both in Haiti and elsewhere.

Both Gildan and Hanesbrands were quick to pacify their shareholders this week, announcing how they would handle the situation. How will the earthquake impact workers? Here is what Michael Flanagan at Clothesource had to say:

“It’s impossible to know with any certainty how much devastation the recent earthquake has caused in Haiti. But, just a day after the quake hit, two unspoken tragedies are revealing themselves.

The first lies in our industry’s response. Clients of the country’s 25 garment factories have first to reassure the market that the earthquake is not going to damage buyers’ own commercial viability. Issuing statements about moving production to Asia or the Dominican Republic sounds harsh and unfeeling: but companies making these statements have no real alternative: US stock market rules require them to inform shareholders of important events that affect them – and if it’s known you’ve got or use a factory in Haiti, you really have to tell the market what you’re doing about the fact that goods can’t move in or out.

The tragedy isn’t that Hanesbrands and Gildan have announced they’re moving production so quickly: it’s what’s going to happen to the workers.” (Michael Flanagan, Clothesource)

Click here to read the full article, “Haiti’s unspoken tragedies”. 

Now, here is a small roundup of some of the stories, headlines, and updates you may be interested in from in and around the community of socially responsible fashion design.

Articles of interest:

Now deluding a new group. This decades new Shangri-La myth

Colin Firth’s wife Livia’s green carpet challenge

Which is better for the environment, fake fur or real fur?

Green Q&A: How eco-friendly is the fashion industry?

Why We Need a Cultural Revolution in Consumption

H and M Says It Will No Longer Destroy Unworn Garments

Core 77

Absence makes for appreciation: A theatre director reflects on design

“Design Thinking” Today

Ecouterre

Does the Art of Craft and Handmade Matter in Fashion?

16 Eco-Fashion Predictions for 2010

Treehugger

Fashion New York 2020 to Bolster Disposable Buying Cycle?

Where New York’s Unsold Clothing Is Suppose To Go

Centre for Sustainable Fashion

4 Minute Wonder

The Centre for Sustainable Fashion’s Nina Stevenson, in response to the video below: “Seriously, how can we not be asking questions about the production conditions of a £4 pair of badly fitting jeans?” She recommends that DIY’ers everywhere use this video as a prompt to alter garments they already have, and not to purchase new ones.  

In SA news, we have (at last) jumped on the Facebook bandwagon. Click here to become a fan!

WATCH//Beyond Green

Presenting at Beyond Green this past November at Amsterdam Fashion Institute, Kate Fletcher, author of Sustainable Textiles: Design Journeys (2008), spoke on the topic of “Fashion and Sustainability,” Adri­aan Beuk­ers, a full-time Pro­fes­sor on Com­pos­ite Ma­te­ri­als & Struc­tures at the Fac­ul­ty of Aerospace Engi­neer­ing at Delft Uni­ver­si­ty of Tech­nol­o­gy and a part-time pro­fes­sor for Engi­neer­ing with Com­pos­ites at the Ma­te­ri­als De­part­ment of the Leu­ven Uni­ver­si­ty, as well as co-au­thor of the books Light­ness (1998) and Fly­ing Light­ness (2005) spoke on “Light Weight,” Fashion Designer Mark Liu on “Zero Waste,” and Carolyn Strauss of slowLab presented “Slow-Design-Slow Fashion.”  

Beyond Green has made some of the presentations available for viewing online. Check them out!

Consumer Education

Curb Your Consumption’s Katie Hart, recently asked my opinion on the three most important things consumers need to know, and the difference it would make to the fashion industry if consumers were more educated and conscious about the clothes they buy.

Here are my answers:

What do you think are the 3 most important things consumers need to know?

Consumers need to know and understand their role in, and association with, the social and environmental problems that occur in the lifecycle of a product. In this way, consumers need to take on part of the responsibility for the social and environmental impacts associated with the products they purchase. I don’t see anyway around this. Furthermore, it is crucial that consumers take on this responsibility in terms of their impact in the user end stage of the lifecycle (in laundering habits, for example).  Having said that, it’s equally important for consumers to stay away from feelings of guilt over their purchasing and behavioural decisions, and instead move forward towards feelings of empowerment. How does a consumer gain control, however, when the “best” responsible product on the market only truly represents “the best of the worst”?

In the context of choice, consumers might feel forced to choose between people or planet: People: [social (ex. human rights), cultural (ex. artistic traditions and language), political (ex. corruption), economical (ex. micro-finance), etc.] and Planet: [environment (genetic modification, chemicals, petroleum dependant materials, carbon footprint, environmental impact, biodegradability, etc.), animals (cruelty free, vegan, etc.)]  Consumers are beginning to feel like they can’t have it all—that when they make one good decision, like supporting a cruelty free product, in the context of animal rights, they have endorsed the use of a completely toxic chemical, that hurts both people and planet (take PVC, for example). Consumers need to know the truth, and the truth is that they can have both— it is possible. People are a part of this planet. They cannot be separated, and should not be separated at any stage in any products phase of life. ‘Cradle to Cradle’ design theory embraces this relationship, with respect for “all the children, of all species, for all time” (McDonough and Braungart, 14).

Both consumers and designers need to understand that, when dealing with a corporation, profit will always come before people and planet, so long as the market designer allows. SA supports the theory that designers have to be good enough to create profit without compromising people or planet. Again, it is possible.

Both consumers and designers need to not only understand  the crucial role they play in determining the impact within the lifecycle of a product, but also understand that they don’t necessarily have access to the information needed to make properly informed decisions on the actual social and environmental consequences of that product.

Both consumers and designers need to know that they have a choice. The choice for the consumer is to consume less and demand better. The choice for the designer is to learn more and do better. In doing so, they will each have taken on part of the responsibility for the social and environmental impacts associated with these products and taken responsibility for the social and environmental impacts associated with the products they purchase in terms of their impact on the user end of the lifecycle.

What difference will it make to the fashion industry if consumers are more educated and conscious about the clothes they buy?

Consumers play a crucial role in transforming the fashion industry; without them on board and engaged in the process of transformation, responsible products will ultimately fail. The consumer is the user, after all. If they are not happy, they will look for something else—something better. When consumers become more educated and conscious about the clothes they buy, they become empowered and seek out products with more confidence. SA believes that designers have a responsibility to be more educated and conscious, a responsibility to design something else—something better. Once educated on the issues, consumers can help facilitate change through their purchasing power as the end user.

The customer is King. The customer is the one who sets the rules. The customer is the one who can have an impact on any company.” (Designer Peter Ingwersen, Noir)

To learn more about Noir and what Ingwersen calls “social ethics” click here, and watch the short Documentary for Illuminati II: From the Heart of Africa.

Image Credit: Noir Illuminati II via Inspire Me Please

National Design Triennial: Why Design Now?

In 2009, Cynthia E. Smith, Curator of Socially Responsible Design at the Cooper-Hewitt hosted a discussion on responsible design, with Emily Pilloton, author of Design Revolution and Allan Chochinov, founder of Core77. The discussion was moderated by Susan Szenasy, Editor in Chief of Metropolis Magazine. Take a look!

If you find yourself in New York sometime between May 14, 2010–January 11, 2011, be sure to check out “Why Design Now” at the Cooper-Hewitt, National Design Museum.


“Inaugurated in 2000, the Triennial program seeks out and presents the most innovative designs at the center of contemporary culture. In this fourth exhibition in the series, the National Design Triennial will explore the work of designers addressing human and environmental problems across many fields of the design practice, from architecture and products to fashion, graphics, new media, and landscapes. Cooper-Hewitt curators Ellen Lupton, Cara McCarty, Matilda McQuaid, and Cynthia Smith will present the experimental projects and emerging ideas for the period between 2006 and 2009.” (Cooper-Hewitt, National Design Museum)

Title: National Design Triennial: Why Design Now?
Location: New York
Link out: Click here
Description: On view May 14, 2010–January 11, 2011

Ethical Fashion Symposium, Scotland

Title: Ethical Fashion Symposium, Scotland
Location: Scotland
Link out: Click here

Edinburgh College of Art, in collaboration with Fashioning an Ethical Industry and the Scottish Academy, are hosting a two day symposium for students and tutors on fashion related courses in Scotland on ethics in fashion.

Day 1
The fashion cycle: Interactive introduction to the symposium and to the social and environmental issues in the fashion industry
Liz Parker, Fashioning an Ethical Industry

Communicating sustainability
Helen Spoor from sustainability communications company Futerra.

Sustainable Design
Jessica Hemmings, Associate Director, Centre for Visual & Cultural Studies

Bringing responsiblity into fashion business
Speaker to be confirmed

Fashion Future: What can you do at university, as consumers and once in business?
Liz Parker, Fashioning an Ethical IndustrySpeakers include

Day 2 – putting ideas into practice
Students and tutors will work together in multi-disciplinary, multi-university teams on the brief: ‘Universities and colleges in Scotland are working together to promote ethics and sustainability in fashion. In teams, develop a product, idea or strategy for engaging students with fashion ethics and sustainability’.

Students will present their work in a format of their choice, for example, a poster, visualisation board, campaign idea, presentation or garment design.

The event will take place on Monday 18th January and Tuesday 19th January 2010 from 10.00am – 4.00 in Lecture Theatre E22 at Edinburgh College of Art.

18th and 19th January 2010: 10.00am – 4.00pm

For more information and to register please click here.
Start Date: 2010-01-18
End Date: 2010-01-19

Fast Forward: Fashioning an Ethical Industry International Conference

Fashioning an Ethical Industry Conference_Fast Forward

Title: Fast Forward: Fashioning an Ethical Industry International Conference
Location: London
Link out: Click here

“In a time when we are increasingly concerned with the impact of the fashion industry on people and the planet students need to be equipped to design the way we make and consume fashion differently.

This two day international conference will bring together educators, industry experts, academics and selected students to explore how fashion can be taught to inspire responsibility for the rights of workers making our clothes.” (FEI)

SPEAKERS confirmed include:
Otto Von Busch – Haute-Couture Heretic
Alex Mcintosh – Centre for Sustainable Fashion
Nieves Ruiz Ramos – Bibico
Sophie Koers – Fair Wear Foundation
Academics and students will present papers peer reviewed by a panel
chaired by Doug Miller Professor in Ethical
Fashion at Northumbria University

SPECIAL EXHIBITION
Local Wisdom by Kate Fletcher, Reader in Sustainable Fashion at London
College of Fashion

This event is by invitation only. Invites have now been sent out by
post. If you have received at invite please RSVP by 13th January. If you have not received an invitation but would like to join us at this event please register your interest online.
Start Date: 2010-03-02
End Date: 2010-03-03

Roundup II //Holiday Gift Guide

CwaC_Avatar

 

It is entirely possible to be well dressed without compromising your morals, or spending beyond your means. All it takes is a little research.” (Commerce with a Conscious)

 

 

 

 

 

 

 

 

Commerce with a Conscious: Ethical fashion for the fastidious gentleman has developed beautiful guides to Good Giving

On Their Person// Belts and Ties// Wallets and Cases// Hats, Scarves and Gloves

CwaC has even selected some Editor’s Picks, just in time for you to add them to your holiday wish list.

At Social Alterations, our favourite pick this season for wo/men is Vancouver based Red Flag Design. Here is a snapshot of the company’s design ethos, in the context of Abandoned Materials:

Textile innovation in the industrial world has created fabrics that surpass our expectations of performance. The desire to be stronger, lighter, faster, etc. drives a continual reinvention of materials. This constant growth leaves a trail of obsolescence; as each new material is introduced, an old one is left behind. Red Flag Design has created the ALTERNATE USE MATERIAL (AUM) line to take advantage of the abandoned materials generated through this process of evolution. Through the AUM concept, Red Flag has taken upon itself the exploration of the vast potential laying dormant in the unconsidered applications of recycled materials. The first AUM product line is made from recycled sailcloth.” (Red Flag Design, About)

The Musette

Their last minute holiday sale ends today @7pm. BUT, according to their website, they are open to personal sale extensions based on your busy holiday schedule! So if you can’t make it down today, give them a call.

Also, check out Ethical Style’s blog post Green Gift Guides Galore, were they break down their favourite holiday gift guides. Their holiday issue is out tomorrow (Thursday), so be sure to follow them! AND they have just launched a holiday giveaway in partnership with Brilliant Earth! Beautiful!

Watch// Compostmodern09

Designers think that they are in the artefact business, but they’re not, they’re in the consequence business.” (Allan Chochinov, Compostmodern09)

Some readers might recall that I attended Compostmodern09 via webcast back in February. Social Alterations was developed in many ways as a response to the call to action presented by the 09 speakers. Without shying away from the im/possible challenges of responsible design, they not only made change seem necessarily tangible and achievable, but did so with immense passion and, of course, sarcasm and wit.

The interdisciplinary nature of this conference—the key to its success— is inspirational. In my eager anticipation for compostmodern10, I have enjoyed revisiting the 09 presentations. I hope you will take the time to get to know these speakers, letting them in to inspire you on your journey toward change.

Click on the image below to view each presentation on the Compostmodern website.

compostmodern09

Pop Up Shop ‘Trash Vortex,’ hosted by PARTIMI

Trash Vortex comes from the desire to raise awareness about the impact our waste habits have on our oceans and also the planet as a whole.” (Eleanor Dorrien-Smith, Designer and PARTIMI Creator)  

Eleanor Dorrien-Smith, designer, PARTIMI Creator, and recent prize winner at the Fashioning the Future Awards, is about to launch an Ethical Pop Up Shop in Camden.

The decor for the Pop Up Shop is inspired by the Pacific Trash Vortex and the store will be stocking a range of ethical fashion and accessories designers including Worn Again, Komodo, Kuyuchi, Partimi and Ryan Noon. Here are the details!

LAUNCH PARTY: Friday Dec. 18th 7-10pm

SHORT FILM SHOWCASE: Saturday Dec. 19th 7:30-10pm
HAND KRAFTED FILMS presents a range of short films and animations by professional and up-and-coming filmmakers.

Opening Times:
10am – 10pm Friday 18 and Saturday 19 December
10am – 7pm Sunday 20 – Wednesday 23 December
11am – 3pm Thursday 24 December

Click here, for more information.
partimi-pop-up-poster

Start Date: 2009/12/18
End Date: 2009/12/24

Title: Pop Up Shop ‘Trash Vortex,’ hosted by PARTIMI
Location: Camden
Link out: Click here

Community News

Shifu, via Sri Threads

If a product is not considered, they call it an inconsiderate design (Lorrie Vogel, on Nike designers creating their own vocabulary, Opportunity Green)

A roundup of some of the stories, headlines, and updates you may be interested in from in and around the community of socially responsible fashion design. This week’s roundup has a ton of videos—there is a lot going on in our community!

Core77

Next: “user centered ecosystems designs”

New production method: Enslaved spiders produce huge tapestry

 

Ecouterre

Does Greenwashing Exist in the Fashion Industry?

Ecotextile News

Eco-Textile Labelling Guide 2010

Ethical Style

‘18 Degrees of Inspiration’: 6 Degrees of Cool


More videos like this on www.t5m.com

My question is—will apparel brands and retailers demand new designers, merchandisers, and others who have committed to sustainability? Or will they continue hiring only those prepared to make financially cut-throat decisions for the sake of profits and margins? (Marsha Dickson, Discussion Forum: Just Style.com)

CSR Questions Arise About Project RED

Joel Makower: Two Steps Forward

Copenhagen Gets Down to Business

Just-Style.com

Discussion Forum, INSIGHT: Design education is key to sustainable fashion

MakeShift

Happy 100 Days to the MakeShift Project! SA had the chance to interview designer Natalie Purschwitz—click here to listen to this podcast, and others.

The Story of Stuff

Remembering Bhopal

The Story of Cap & Trade: Why you can’t solve a problem with the thinking that created it

The Uniform Project

Holiday Drive, double your donation: “eBay will match every dollar you donate during this holiday season up to $15k. If you’ve been waiting to donate, there is no better time than now.” (The Uniform Project) Click here to read more about the project.

The Uptake

Hopenhagen? No, thanks: Naomi Klein on COP15

Treehugger

Versace, Valentino, and Prada Packaging Supplier Cuts Ties With Rainforest Paper Producer

The Catwalk at COP15: Sustainable Fashion Design Competition in Copenhagen (Video)

Nike Considered’s Lorrie Vogel at Opportunity Green on Creating a Sustainable Design Ethos (Video)

University  of Delaware, UDaily

Fashion and Apparel Studies instructor promoting sustainability worldwide

Sri Threads

The Art of Shifu: Hiroko Karuno’s Original Interpretation of Traditional Woven Paper

Social Alterations has been in the news over the past few weeks for our upcoming interview with Noko Jeans (stay tuned!), and for Fashioning the Future:

Caution: Shameful Self Promotion Ahead!

CSR Asia

Your jeans are from North Korea

Ex-CSR Asia intern wins Sustainable Fashion Industry Award

Treehugger

London College of Fashion Draws Designs for the Future

Arts Thread

Fashioning the Future 2009 Awards, London

Glass Magazine

Fashioning the Future 2009