Category Archives: Health and Safety

Bangladeshi garment workers denied rights, War on Want reports

War on Want has published a new report outlining current conditions for garment workers in Bangladesh—Stitched Up: Women workers in the Bangladeshi garment sector.

Of the many issues addressed in this report, the research outlines the true impact of short lead times, explaining how wages earned can depend on whether or not a worker meets production deadlines. It also showcases certain worker rights that have been denied as a result of an absent rule of law.

The research conducted for this report reveals that women in the garment sector have been systematically denied their rights to maternity leave under Bangladeshi law.” (Stitched Up: pg 8 )

The report investigated 41 garment factories (there are an estimated 4,825 garment factories in Bangladesh) and interviewed nearly 1000 workers (there are an estimated 3 million garment workers in Bangladesh) (Stitched Up: pg 2). 86% of the mostly women interviewed (988/1000) were between the ages of 18-31 (Stitched Up: pg 2).

Head on over to War on Want to read the report and to learn more.

Fashioning an Ethical Industry and London College of Fashion report // Steps Towards Sustainability: Snapshot Bangladesh

 

Earlier this year, Fashioning an Ethical Industry (FEI) and London College of Fashion joined forces to produce Steps Towards Sustainability: Snapshot Bangladesh A resource for fashion students and educators.

the seeds for creating a vibrant, more sustainable fashion industry in Bangladesh have started to be sown

(Steps Towards Sustainability: Snapshot Bangladesh: pg. 4)

This must read report presents case studies as a snapshot that “[e]ducators and students can explore them from design, business and apparel management perspectives.” (Steps Towards Sustainability: Snapshot Bangladesh: pg. 6)

Case Study 1

People Tree: Designing differently

Case Study 2

New Look and Echotex: Addressing long hours, low pay and buying practices

Case Study 3

Aranya Crafts: Pioneers in natural dyes

 

Citation: Parker, E. (2011) Steps towards Sustainability in Fashion: Snapshot Bangladesh, edited by Hammond, L., Higginson, H. and Williams,D., London College of Fashion and Fashioning an Ethical Industry.

Advocates for child rights in India compromised — BBC apologises

You may recall the BBC One documentary “Panorama: Primark – On the Rack” (June 2008) that, allegedly, uncovered Primark subcontractors exploiting children in India for cheap labour.

Well, if you’ve been following the latest in the BBC/Panorama/Primark scandal, you’ve likely heard the news this month that footage from the BBC report is now said to have been fraudulent.

According to the BBC Trust, “Primark complained about the programme to the BBC Executive and then appealed to the Editorial Standards Committee of the BBC Trust (“the Committee”) against the decision of the BBC Executive’s Editorial Complaints Unit (“the ECU”).”

The Committee determined that Dan McDougall’s reporting was, essentially, staged; “the Committee concluded that, on the balance of probabilities, it was more likely than not that the Bangalore footage was not authentic.”

UK Guardian reporter James Robinson writes “[t]he decision by the trust is understood to have infuriated BBC News staff, who privately say that the Primark case has demonstrated that the corporation’s complaints procedure is flawed.”

What did McDougall have to say on the Committee’s findings? McDougall claims to “have rarely seen a finding so unjust in outcome, flawed in process, and deeply damaging to investigative journalism.”

It’s important to remember that the reporting in question was the footage from Bangalore alone, and that there was other footage within the documentary depicting work done by children and homeworkers:

  • 23 February – In a refugee camp on the outskirts of Tirupur, the Journalist films two children working on the Complainant’s garments.
  • 24 February – In Pollachi, the Journalist finds the Complainant’s sequinned vest tops outsourced to home workers.

(Source: Finding of the Editorial Standards Committee of the BBC Trust:  Pg. 15)

And so, in the end, the BBC says it will apologize to Primark for claiming the company was guilty of using child labour in India….when the company is allegedly guilty of using child labour in India? Right.

Well, at least we know the Indian Government will be happy; a recent post by Clothesource Comments breaks down the true impact a scandal like this has in the Indian context quite poignantly, claiming the incident has crippled the tireless efforts of organizations working to eradicate child labour within the country.

Be sure to keep your eye on this story—only time will tell how it all will play out.

Kalpona Akter calls on Wal-Mart shareholders to stand-up for garment workers internationally

This past Friday, Kalpona Akter, of the Bangladesh Center for Worker Solidarity (BCWS), addressed Wal-Mart shareholders at their annual meeting to present the NYC Pension Funds’ shareholder proposal for Wal-Mart Supplier Human and Workers’ Rights Reporting, with the support of New York City Comptroller John C. Liu.

You can listen in on her empowered speech here (you’ll have to move ahead in the video—she addresses the shareholders from 2:14:30 – 2:19:22). You can also hear from Akter in a recent interview on Free Speech Radio News.

As we have reported, Akter is facing a potential life sentence, even possibly the death penalty, on what she says are fabricated charges from an alleged Wal-Mart subcontractor, among others.

Why is Wal-Mart such a big player to have on board in the struggle for decent work in Bangladesh? According to Akter, 12-15% of garments made in the country are produced for Wal-Mart. What’s more, of the 11 cases filed against labour activists as a result of the large-scale protests last year, 4 have allegedly come from a Wal-Mart subcontractor.

The New York Times reports that the Pension Funds’ shareholder “proposal states that there is a ‘significant gap between general policies against labor and human rights abuse and more detailed standards and enforcement mechanisms required to carry them out.’

It asks vendors to publish yearly reports that ‘include the supplier’s objective assessments and measurements of performance on workplace safety, and human and worker rights, using internationally recognized standards, indicators and measurement protocols.’ (New York Times)

Wal-Mart’s initial response claimed that such a policy would threaten access to certain products, acknowledging the difficulty in convincing their suppliers to get on board. “The company contends that even if it could enforce such a plan, to do so might threaten the availability of certain products from those who did not comply.” (New York Times)

Interactive lesson plans educate learners on responsible fashion

The Creative Commons is embedded into our responsible education ethos; we have researched and aggregated content to create educational resources because we believe that accessibility leads to accountability. Of course knowledge is power, but without access to knowledge we will not move forward.

In 2009 we brought you “[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon” and our “Fibre Analysis”. In 2010 we worked further to bringing you lessons on the social, cultural, economic and environmental interdisciplinary challenges facing the value system that is the global apparel supply chain.

Social Alterations 2010 //

[Lesson 4] Corporate Social Responsibility

[Lesson 3] Global Governance and the Corporation

[Lesson 2] Connect // Key Players

[Fashion High] Understanding the Impact of your Clothing (pre-16 learners)

Social Alterations 2009 //

 

[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon

Fibre Analysis

Check out this how to on navigating our site:

Social Alterations 2010 // Program Guide from Social Alterations on Vimeo.

Bangladeshi labour activists face trial and wrongful detention on fabricated charges

The Clean Clothes Campaign (CCC) has reported today that Kalpona Akter and Babul Akhter of the Bangladesh Workers Solidarity Center (BCWS), alongside other Bangladeshi labour leaders, will be forced back into court next month to face fabricated charges filled against them by apparel suppliers such as Walmart.

You may recall their 30 day wrongful imprisonment last summer, coming out of the wide-scale worker protests that rocked the garment sector, or the illegal detention of BCWS organiser Aminul Islam and recent 4 month unlawful detention of Mushrefa Mishu of the Garment Workers Unity Forum.

The CCC reports that “[a]ll cases consist of a range of charges with punishments ranging from three months to ten years to life in prison. Some of the charges are punishable by death.” (CCC)

Although Walmart has claimed that their supplier has dropped the charges, CCC claims this is not the case.

Walmart is the largest buyer of Bangladeshi-made clothing. Speak up on behalf of these workers: take action.

Remember, you can still upload your photo and message to the SA Visual Lab in support of these workers. Visit the SA Bagladesh Project for more details.

We are not powerless…

VOICES // Sourcing Change — Charlie Ross, Offset Warehouse

This post was written by Charlie Ross, Founder of Offset Warehouse and tells the story of one woman’s determination and drive for change. VOICES // a feature space on SA where community members are invited to share their journey in responsible design. What’s your story?

The first time ethical design came onto my radar was whilst I was studying for my BA in Fashion and it immediately struck a chord. Inspired by a friend to find out more about the social and environmental horrors underlying much of the fashion industry, I made an early decision to do everything I could to avoid contributing to it myself, with my own designs.

Having made the decision to ensure that everything I produced was as ethical as possible, I quickly discovered first hand how problematic this can be.  I was desperate to ensure that my graduate collection was both environmentally and socially responsible, but I soon found that trying to find ethical suiting fabric light enough, let alone affordable, was impossible.  Even hours of pleading with suppliers for sponsorship was to no avail (which, incidentally, is why I’m so keen to begin our sponsorship scheme, and have started a mailing list for all those interested!).

The closest I came to fulfilling my ambition of being truly ethical, was when I was given an opportunity to work with Reiko Sudo, founder of Nuno in Japan.  She supplied me with recycled polyester for my shirts, and a recycled content fabric that could be manipulated with heat.  The collaboration also came with a free ticket to Tokyo, so I attended the opening night of the exhibition where all the pieces were on display.  The whole experience was inspirational and made me realise that my dream of a world of ethical fashion could become a reality.

The second part of my studies was a Masters in menswear design at the Royal College of Art.  As wonderful as the opportunity was (and we all know how many famous designers started their careers there) I found myself constantly swimming against a strong current of professors and peers who didn’t agree with or understand my “green” thinking.  It certainly didn’t correspond to their idea of “fashion”, but undeterred, I set to work creating a collection that would challenge their preconceptions: I would create a collection that was ethical and beautiful and fashion forward.  And according to most, I succeeded.

But my commitment to being ethical meant I doubled my workload. As most of the fabrics I chose were organic, and therefore only came in neutral tones, I spent hours dyeing them to match my colourways, whilst at the same time ensuring I had used the minimum quantities I needed, to limit the amount that would be put back into the “cycle”.  I also ended up spending hours sifting through recycle banks to reclaim textiles – not to mention, the weeks of research it took to source the fabrics and services I needed.  I had to find leathers that were by-products and vegetan, spray paint old tarpaulins to make into jackets, source vintage buttons and pieces I could use for clasps … and all this before I even started the pattern cutting!

I realised very quickly that there needed to be a central source to go to for materials and information, if there was any chance of convincing those less committed than myself to take the ethical route in fashion. Yes, there were plenty of forums, but no solid solutions.

So, when I graduated from the RCA, I set about finding solutions to all the problems I had been faced with and Offset Warehouse was born.  My idea was to make a wide range of ethical textiles available to buy in one place and also to offer the resources needed for research, as well as access to the ethical services and businesses needed to be able to manipulate the textiles – ethical dye labs, embroiderers, fair trade manufacturers, laser cutters, pattern cutters… you name it!

And of course, as proof that ethical fashion can be fashion forward and affordable, I also decided to include a boutique. It’s also proving a great solution for ethical students who want to sell their graduate collections!

I had a few struggles initially.  Funding, of course, was a particular concern, but I finally decided that given the global nature of both my suppliers and potential users of the service, the most sensible place to set up the business was online. So that’s what I did and in turn, lowered the overheads of the business considerably.

Has it been an easy road?  No, by no means. Surprisingly perhaps, in this day and age, I have found being a woman and only 26 has caused problems.  It probably doesn’t help that I look younger than I am, but it makes me mad when I am patronised by individuals who assume that I am naive about the business.  More fool them! Attending the RCA allowed me experiences far beyond those one might expect of someone of my age. I’ve had exposure working alongside and pitching to companies including Umbro, Brioni, Thierry Mugler, Zandra Rhodes and Vogue.  Not to mention one to ones with the head designers of Versace, Givenchy and Valentino, and styling the rather difficult, Jonny Borrell (Razorlight) amongst other musical talents. Of course, it’s also part of my nature – I approach life with not just a “can do” attitude, but an “I can do it all” attitude.  Since I launched Offset Warehouse, I’ve become my own buyer, a journalist, a web designer and developer, law copyrighter, marketeer, PR person (including making my own promotional videos), and SEO writer… it’s amazing the things you can learn from a few books, free workshops and youtube!

But this immensely steep learning curve shouldn’t have been necessary – I’m a great believer in passing on knowledge, which is why Offset Warehouse promotes learning and presents its own lectures and workshops.  Knowledge is power, and understanding all aspects of being ethical – from the market, to what makes a fibre ethical, is, in my opinion, key to being a successful ethical designer.  Passing on knowledge is central to our ethos, and we don’t just lecture about ethical issues, but also present workshops that will help designers further their careers – we review lots of CVs and portfolios of designers who want to be part of the Ethical Directory, and you wouldn’t believe how many applications could be improved with simple tricks!

Since our launch, we’ve had a huge response.  It’s clear that we’re filling a gap in the market.

One unexpected development has been the demand for Offset Warehouse to provide consultancy. In response to the many requests we have had, I decided to establish a pool of consultants, all experts in their fields, who we can call upon to provide support to our clients.  Ranging from referring a fair trade manufacturer (which we don’t charge for), to developing a range of ethical accessories.  It’s been a fantastic addition to the business – and has left me wondering where we might go next… watch this space!

So here we are.  Looking back, we have come farther than I could have dreamed at this point.  It has not been an easy ride by any means and, looking forward, there is a long way to go for the industry to truly make a difference to the way it operates and the way it is perceived.  I personally am very proud of how far we have come but Offset Warehouse still has much to do and I suspect the challenges will be different but no less demanding.  Bring it on!

At least 28 Garment Workers Die in Bangladeshi Factory Fire, Clean Clothes Campaign Reports

We are stricken by the news out of the Bangladesh today, where at least 28 garment workers have died in a factory fire. As you know, we have been campaigning for these workers, with your support. Our campaign is ongoing, and we will keep you posted on how to get involved as the story develops. In the meantime, please read the below message from the Clean Clothes Campaign.

The Guardian reports: Workers jump to their deaths as fire engulfs factory making clothes for Gap

The Associated Press, via npr: Dozens Killed In Bangladesh Factory Fire; 100 Hurt

______________________________________________________________________

The folowing text is an urgent message from the Clean Clothes Campaign:

AT LEAST 28 MORE GARMENT WORKERS DIE IN BANGLADESHI FACTORY FIRE

Labour rights groups: “Failure of brands, government and manufacturers to take preventive action condemns more workers to die”.

Amsterdam/Toronto/Washington D.C., December 14, 2010

The Bangladeshi garment industry is notorious for its chronic safety problems, including locked or inaccessible fire escapes and malfunctioning fire equipment, which often lead to fatal accidents.” (Clean Clothes Campaign)

At least 28 more Bangladeshi garment workers have died and dozens more have been injured after a fire broke out today on the 9th and 10th floors of the “That’s It Sportswear Ltd” factory located 16 miles from the capital Dhaka. Several workers appeared to have suffocated, while others jumped to their deaths trying to escape the burning building or were trampled by their colleagues as they rushed towards the exits.

The factory was reportedly producing for major international buyers including Gap (confirmed) and Wrangler (VF Corporation), as well as for Hong Kong buying house BF Fashion. It belongs to the well-known Ha-meem group, one of the biggest manufacturers in the country, which has a dubious labour rights track record. The company is known for unauthorized subcontracting, meaning the factory may have also been producing for brands which are unaware of their production there.

The Clean Clothes Campaign (CCC) and other labour rights organisations have regularly contacted buyers sourcing from Ha-meem about violations of freedom of association and other labour standards at the company’s factories. According to the Ha-meem Group website their buyers are presently Walmart, H&M, Next, JC Penney, Kohl’s, Squeeze, Sears, Target Store, Charming Shoppes, Carrefour, Inditex, Miss Etam, Migros and Celio.

First eyewitness reports indicate that at least 2 of the 6 exits were locked, and that this was a common occurrence in the building.  The Bangladeshi garment industry is notorious for its chronic safety problems, including locked or inaccessible fire escapes and malfunctioning fire equipment, which often lead to fatal accidents. Said Scott Nova of the Worker Rights Consortium, “Labor rights organizations have pleaded for years with US and European clothing brands to take aggressive steps to address the grossly substandard fire and building safety practices of their business partners in Bangladesh. The brands have failed to act and, once again, we see the gruesome consequences of this inaction.”

Following the deaths of 21 workers in the “Garib and Garib” factory in February of this year, virtually all of the buyers of Hameem group were contacted by the CCC, the International Labour Rights Forum (ILRF), the Worker Rights Consortium (WRC), and the Maquila Solidarity Network (MSN) with a set of recommendations* outlining specific measures that should be taken to eliminate the systemic problems underlying these deadly tragedies. “More needs to be done by all concerned to ensure further disasters are prevented” the buyers were told, but brands, employers and the government failed to take the necessary action to avoid these preventable tragedies.

Measures proposed by the labour groups included a thorough review of all multi-story garment production facilities, expert fire safety inspections and ensuring that workers are allowed to report and challenge health and safety violations by supporting their right to organize.

“Workers keep dying while the brands, the government and the employers drag their feet and try to shift the responsibility upon each other” says Ineke Zeldenrust from the CCC. “We’ve warned the brands repeatedly that this would keep happening again and again, but they’ve chosen to respond only in a minimal fashion,” she added.

The CCC, ILRF, WRC and MSN also call upon the brands sourcing from the Hameem group to make sure that the injured receive all the medical care needed and that they and the relatives of the victims are compensated for current and future loss of income.

To read the full set of recommendations made by the CCC, ILRF, WRC and MSN to eliminate systemic safety problems in the Bangladeshi garment sector please visit: http://www.cleanclothes.org/news/action-for-safe-factories-in-bangladesh-on-5th-anniversary-of-spectrum-disaster

(Source: Clean Clothes Campaign)

‘Taking Liberties’ // Garment workers in Gurgaon earn poverty wages, facing violence and threats

Workers’ children in the area are not admitted in the Government schools in Delhi as they cannot provide the documents the Delhi Government Schools ask for.” (Worker X, Case Study: Taking Liberties)

Labour Behind the Label and War on Want are reporting gross violations of workers rights in two Delhi factories producing garments for M&S, Debenhams, Next Monsoon and Arcadia.

Taking Liberties, cites exploitative labour practices such as unregistered living in slum housing, precarious labour through non-contractual temporary employment, threats and violence against workers through hired security in anti-union workplace environment, poverty wages (workers paid less than ½ a living wage), and forced overtime.

The report is asking M&S, Debenhams, Next Monsoon and Arcadia to:

Take action! Click here to download the report have your say! Speak out against worker violations and speak up for workers rights!

Panel & Audience Q & A // ECO Fashion Week Vancouver

ECO Fashion Week Vancouver, September 30th, 2010 // Day three: Panel & Audience Q&A

Panel & Audience Q&A

 
Panel Members //
  • Myriam Laroche, President, ECO Fashion Week Vancouver
  • Summer Rayne Oakes, Source4Style
  • Jeff Garner, Prophetik
  • Paul Raybin, AirDye®
  • Mark Trotzuk, Boardroom Eco Apparel
  • Nicole Bridger
  • Lindsay Coulter, David Suzuki’s Queen of Green
Q&A //
Lindsey, David Suzuki Foundation

Q: Does the David Suzuki Foundation have any plans to launch a consumer awareness campaign on the impacts of the fashion industry? Similarly to the sustainable seafood initiative?

A: Not at this time, we are focusing on improving the policies of the beauty and cosmetics industry and informing consumers on the toxics and chemicals in their personal care products

Paul Raybin, Air Dye

Q: Can you tell me more about the air dyeing process and the benefits?

A: AirDye reduces water consumption by almost 95%. The conventional textile dyeing industry is a major contributor to water pollution worldwide, so Air Dye is focusing on improving this and providing the industry with a solution. They also have developed an inventory system, where they only make what is sold to reduce waste, water consumption and pollution

Mark Trotzuk, Boardroom Eco Apparel – commenting on the question

His company is a Bluesign brand member, so the manufacturing facilities adhere to the highest environmental standard for textiles in the world and are certified. Water, energy and carbon consumption is reduced.  His company works to reduce the environmental impacts at each stage of the garment life-cycle, but this is not easy. It is also expensive to have the facilities certified.

Myriam Laroche, President, Eco Fashion Week

Her biggest focus is on teaching consumers to reuse clothing and buy vintage/second-hand clothing. She has reduced her own impact by buying less, and she feels that consumers can all do their part by starting with buying one less item, or buying vintage clothing instead of new

Question from Nicole Bridger to Jeff Garner on how to inspire change in the industry

Jeff, there needs to be more awareness, he is working to inspire other designers through his own practices

Paul Raybin, Air Dye

Q: Do you have any samples of the air dye technology in use?

A: Designers can take the technology and imagine it in their own way. It is a way to reduce material use. You can take the fabric and turn it inside out, so designers can be innovative with how they use it

It is a way to reduce water consumption and pollution. With an example from China on the scope of the problem, 50% of China’s water supply is unsuitable for drinking AND 3.5 trillion gallons of water are polluted from dyeing. In conventional dying, water is used as a solvent to carry the dyes. For “Solution dyes”, the dye is injected into the fibre, to create prints, you need to weave fibres. With the air dye technology, you don’t make the fabric/product unless it is being consumed – this reduces pollution.

Q: Nicole asks Jeff about his work with natural dyes

A: Jeff Garner, Prophetik grows his own plants on his Tennessee farm. Japanese indigo is used to dye his fabric. This process is labour intensive

He has a team of two women who work specifically on the natural dyeing process. He also has a community garden where they grow the plants for the dyes

Q: How do you set the natural dyes so that they do not run and last a long time?

A: we use hemp fabric, so this absorbs the dyes well. We also use vinager to hold the dyes in place. But, each piece is unique and different because natural dying is not consistent and it is done by hand. Depending on the air temperature, and if it was dyed during winter or summer, the gradient also changes. This creates a story behind the garment that he can tell to his customers.

Q: Asked to the entire panel, do you encounter regulations and do you need to work with governments?

A: Summer Rayne Oaks, she is interested in finding local material sources and has also created a global network for fabric suppliers and designers (Source4Style). She is dealing with regulators for this initiative, because integrating the duty fees across boarders affects the prices of the materials. For example the price of organic cotton vs. silk from India is different, but they also have different duty fees. She is working with industry associations in the United States, who then liaise with governments on regulations and policies

A: Myriam Laroche, she is working with the regional government, Vancouver Economic Development Commission, they are a major supported, along with the City of Vancouver, for ECO Fashion Week.

 

Photo Credit: ECO Fashion Week