Category Archives: Product Design

ATTEND // Beauty by Design: Fashioning the Renaissance

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This past weekend, I headed to the Scottish National Portrait Gallery in Edinburgh to check out the exhibit Beauty by Design: Fashioning the Renaissance.

I’m so glad I did. The show challenges current assumptions of beauty by exploring how perceptions of body image have changed over time:

“The theme of body image is central: the historic paintings have been approached both as a means of challenging current perceptions of physical beauty, and as inspiration for a more diverse and emotionally considerate practice on the part of today’s fashion designers.” (National Galleries Scotland)

Leading the project is the Programme Director for Fashion at Edinburgh College of Art (ECA) at the University of Edinburgh, Mal Burkinshaw, and Dr Jill Burke of the School of History of Art. The work is the result of a collaboration between National Galleries of Scotland and ECA, and has been in the works since 2012, when the project first launched.

The exhibit runs until 3rd May 2015, but if you’re not near Edinburgh, you can read more about the project here, and here. I’ll upload some photos to our Facebook page to check out as well.

The Fair Wear Formula

The Fair Wear Foundation (FWF) has recently produced a short film which presents a clear summary of what they do, how they do it, and the reasons why. The organisation works towards fair labour conditions for garment workers. To define this they identify eight labour standards based upon the UN human rights principles. These objectives include maintaining a living wage, an end to child labour and the right for workers to form or join a union. The FWF supports brands in achieving these aims in an open manner and provides consumers with the information they need to shop ethically.

The position of the FWF is one of rational and constructive action, working in collaboration with many stakeholders to implement and monitor clear strategies for improvement. Brands who sign up may find they have work to do, but by signing up they are showing a genuine commitment to change. This is in contrast to the reactionary cut and run approach that is sometimes taken in response to exposure for labour rights abuses which can be more damaging to the workforce and does not help to address the long term issues.

When doing some customer research last year, I found that a lack of transparency in garment supply chains hampers efforts for change. I was told by many people that they didn’t have the information they needed to make ethical purchases. There was also a lot of confusion about what to believe, for example, when a brand’s ethical policy did not seem to reflect the reports in the news. The FWF provides consumers with a verification of labour conditions, however in the UK, there are still only a handful of brands signed up. This leads to another opinion repeatedly expressed to me: the lack of choice for ethical shoppers. If we as consumers want transparency and choice in the purchases we make, then maybe we should be the ones asking brands demonstrate their commitment to ethically produced fashion. One way may be to sign up for the FWF code.

 

Source: Fair Wear Foundation

From Understanding to Design and Back Again // Denver Cumulus

The Cumulus conference will be held in Denver from Sept. 29 – Oct.2, under the theme From Understanding to Design and Back Again.

Designers can no longer be spectators. The boundaries we are used to have disappeared and as human beings we ‘play’ a real role in designing the world around us.” (Cumulus)

Cumulus is a global association serving art and design education and research.

The Paper Lectures and Discussion Sessions look very interesting. Here are just some that caught my eye:

  • Ethics Matters! Re-Thinking the Moral Discourse in Design: Lorenzo Imbesi, Carleton University Canada
  • Visions of Environmental Art Education – Environment Means Responsibility and Art Stands for Freedom: Markku Matti Hakuri, Aalto University Finland
  • Designers as Agents of Sustainable Change: Siriporn Peters, King Mongkut’s Institute of Technology Thailand
  • Values Added: The Legacy of Design Responsibility: Patricia Beirne, Parsons The New School for Design United States of America
  • Revision the Future of Design: SEED (Social Economic Environmental Design)

Click here to check out the program.

Students—there is a discounted rate for you!

 

Autodesk streamlines responsible design education with innovative video lecture series

With a little help from Mr. Imagination, Dawn Danby, Sustainable Design Program Manager at Autodesk, and Jeremy Faludi, Sustainable Design Expert and Stanford University Lecturer,  deliver video tutorials on responsible design through Autodesk’s Education Series: Design for Product Lifetime Strategies.

“Introduction to Design for Product Lifetime” (embedded below) is just one of many lectures up and running, including “Design for Durability” and “Design for Disassembly and Recycling.”

Head on over to Autodesk’s Education Community to learn more, and check out the YouTube channel!

Designing values, Cradle to Cradle

No matter where we sit—consumer, designer, marketer, researcher, educator, etc.—on the global apparel supply chain, our understanding of responsibility stems from our values, individual or shared.

By design, we start with values (William McDonough)

We must constantly ask ourselves: “What are my values? What are my intentions? Do they align? How do they translate in practice?” Easier said than done? Not with Cradle to Cradle (C2C) design theory: C2C encapsulates values in design, by design.

 

Designers Accord – Sustainability in 7 – Bill McDonough from Core77 on Vimeo.

Image Source: “Am I happier now?” image by Carlotta Cataldi, of Slow Fashion Forward

Video Source: Core 77, Sustainability in 7 (via the Designers Accord)

 

Interactive lesson plans educate learners on responsible fashion

The Creative Commons is embedded into our responsible education ethos; we have researched and aggregated content to create educational resources because we believe that accessibility leads to accountability. Of course knowledge is power, but without access to knowledge we will not move forward.

In 2009 we brought you “[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon” and our “Fibre Analysis”. In 2010 we worked further to bringing you lessons on the social, cultural, economic and environmental interdisciplinary challenges facing the value system that is the global apparel supply chain.

Social Alterations 2010 //

[Lesson 4] Corporate Social Responsibility

[Lesson 3] Global Governance and the Corporation

[Lesson 2] Connect // Key Players

[Fashion High] Understanding the Impact of your Clothing (pre-16 learners)

Social Alterations 2009 //

 

[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon

Fibre Analysis

Check out this how to on navigating our site:

Social Alterations 2010 // Program Guide from Social Alterations on Vimeo.

VOICES // Sourcing Change — Charlie Ross, Offset Warehouse

This post was written by Charlie Ross, Founder of Offset Warehouse and tells the story of one woman’s determination and drive for change. VOICES // a feature space on SA where community members are invited to share their journey in responsible design. What’s your story?

The first time ethical design came onto my radar was whilst I was studying for my BA in Fashion and it immediately struck a chord. Inspired by a friend to find out more about the social and environmental horrors underlying much of the fashion industry, I made an early decision to do everything I could to avoid contributing to it myself, with my own designs.

Having made the decision to ensure that everything I produced was as ethical as possible, I quickly discovered first hand how problematic this can be.  I was desperate to ensure that my graduate collection was both environmentally and socially responsible, but I soon found that trying to find ethical suiting fabric light enough, let alone affordable, was impossible.  Even hours of pleading with suppliers for sponsorship was to no avail (which, incidentally, is why I’m so keen to begin our sponsorship scheme, and have started a mailing list for all those interested!).

The closest I came to fulfilling my ambition of being truly ethical, was when I was given an opportunity to work with Reiko Sudo, founder of Nuno in Japan.  She supplied me with recycled polyester for my shirts, and a recycled content fabric that could be manipulated with heat.  The collaboration also came with a free ticket to Tokyo, so I attended the opening night of the exhibition where all the pieces were on display.  The whole experience was inspirational and made me realise that my dream of a world of ethical fashion could become a reality.

The second part of my studies was a Masters in menswear design at the Royal College of Art.  As wonderful as the opportunity was (and we all know how many famous designers started their careers there) I found myself constantly swimming against a strong current of professors and peers who didn’t agree with or understand my “green” thinking.  It certainly didn’t correspond to their idea of “fashion”, but undeterred, I set to work creating a collection that would challenge their preconceptions: I would create a collection that was ethical and beautiful and fashion forward.  And according to most, I succeeded.

But my commitment to being ethical meant I doubled my workload. As most of the fabrics I chose were organic, and therefore only came in neutral tones, I spent hours dyeing them to match my colourways, whilst at the same time ensuring I had used the minimum quantities I needed, to limit the amount that would be put back into the “cycle”.  I also ended up spending hours sifting through recycle banks to reclaim textiles – not to mention, the weeks of research it took to source the fabrics and services I needed.  I had to find leathers that were by-products and vegetan, spray paint old tarpaulins to make into jackets, source vintage buttons and pieces I could use for clasps … and all this before I even started the pattern cutting!

I realised very quickly that there needed to be a central source to go to for materials and information, if there was any chance of convincing those less committed than myself to take the ethical route in fashion. Yes, there were plenty of forums, but no solid solutions.

So, when I graduated from the RCA, I set about finding solutions to all the problems I had been faced with and Offset Warehouse was born.  My idea was to make a wide range of ethical textiles available to buy in one place and also to offer the resources needed for research, as well as access to the ethical services and businesses needed to be able to manipulate the textiles – ethical dye labs, embroiderers, fair trade manufacturers, laser cutters, pattern cutters… you name it!

And of course, as proof that ethical fashion can be fashion forward and affordable, I also decided to include a boutique. It’s also proving a great solution for ethical students who want to sell their graduate collections!

I had a few struggles initially.  Funding, of course, was a particular concern, but I finally decided that given the global nature of both my suppliers and potential users of the service, the most sensible place to set up the business was online. So that’s what I did and in turn, lowered the overheads of the business considerably.

Has it been an easy road?  No, by no means. Surprisingly perhaps, in this day and age, I have found being a woman and only 26 has caused problems.  It probably doesn’t help that I look younger than I am, but it makes me mad when I am patronised by individuals who assume that I am naive about the business.  More fool them! Attending the RCA allowed me experiences far beyond those one might expect of someone of my age. I’ve had exposure working alongside and pitching to companies including Umbro, Brioni, Thierry Mugler, Zandra Rhodes and Vogue.  Not to mention one to ones with the head designers of Versace, Givenchy and Valentino, and styling the rather difficult, Jonny Borrell (Razorlight) amongst other musical talents. Of course, it’s also part of my nature – I approach life with not just a “can do” attitude, but an “I can do it all” attitude.  Since I launched Offset Warehouse, I’ve become my own buyer, a journalist, a web designer and developer, law copyrighter, marketeer, PR person (including making my own promotional videos), and SEO writer… it’s amazing the things you can learn from a few books, free workshops and youtube!

But this immensely steep learning curve shouldn’t have been necessary – I’m a great believer in passing on knowledge, which is why Offset Warehouse promotes learning and presents its own lectures and workshops.  Knowledge is power, and understanding all aspects of being ethical – from the market, to what makes a fibre ethical, is, in my opinion, key to being a successful ethical designer.  Passing on knowledge is central to our ethos, and we don’t just lecture about ethical issues, but also present workshops that will help designers further their careers – we review lots of CVs and portfolios of designers who want to be part of the Ethical Directory, and you wouldn’t believe how many applications could be improved with simple tricks!

Since our launch, we’ve had a huge response.  It’s clear that we’re filling a gap in the market.

One unexpected development has been the demand for Offset Warehouse to provide consultancy. In response to the many requests we have had, I decided to establish a pool of consultants, all experts in their fields, who we can call upon to provide support to our clients.  Ranging from referring a fair trade manufacturer (which we don’t charge for), to developing a range of ethical accessories.  It’s been a fantastic addition to the business – and has left me wondering where we might go next… watch this space!

So here we are.  Looking back, we have come farther than I could have dreamed at this point.  It has not been an easy ride by any means and, looking forward, there is a long way to go for the industry to truly make a difference to the way it operates and the way it is perceived.  I personally am very proud of how far we have come but Offset Warehouse still has much to do and I suspect the challenges will be different but no less demanding.  Bring it on!

Call for Submissions // CoDesign: Special Issue for Socially Responsive Design

CoDesign, the International Journal of CoCreation in Design and the Arts, has a call for papers out under a special theme:

Socially Responsive Design – understanding the differences between service design, social design and social innovation and identifying tools and methods for designing and evaluating social change.

Click here to read the full details of this call for submissions.

Deadline for submission: 28 January 2011

Proposed timetable to publication thereafter:

Post-review notification of decisions: 30 April 2011
Deadline for submission of revised papers: 30 June 2011
Final selected papers to production: 9 September 2011
Publication of Special Issue: December 2011

Contact Professor Lorraine Gamman l.gamman at csm.arts.ac.uk with any questions about the Special Issue.

Fashioning an Ethical Industry launches Scottish Ethical Fashion Education Network alongside continued UK training

Over 75% of fashion businesses think it is important for new recruits to have knowledge regarding social, environmental and ethical issues.” (FEI) 

Over the coming year Fashioning an Ethical Industry (FEI) will be working with Scottish universities and colleges to establish a network interested in teaching, learning and sharing about ethics in the fashion industry. With the support from FEI the Network will host events, develop resources and share best practice related to corporate social responsibility in the fashion industry. Find out more and join the network.

FEI student workshops will equip your graduates with information and skills in this important emerging area. Staff training sessions will give teaching staff the resources and confidence to effectively deliver the subject area. For further information and booking please see the website.

*The contents of this post was directly sourced through the FEI Bulletin*

Summer Rayne Oakes presents ‘Eco-Trends: The Art & Science of Sourcing Sustainably’ // ECO Fashion Week Vancouver

ECO Fashion Week Vancouver, September 30th, 2010 // Day three: Summer Rayne Oakes

Summer Rayne Oakes – Eco-Trends: The Art & Science of Sourcing Sustainably
 

Summer Rayne Oakes, Image via Jute & Jackfruit

BIO//
Summer Rayne Oakes is a model-activist, author of bestselling style guide Style, Naturally and a young entrepreneur focused on environmental sustainability in business. She has developed more environmentally-preferable collections with a variety of brands, including Payless ShoeSource’s zoe&zac line and Portico Home & Spa. Her unique positioning as both a brand ambassador and environmental strategist keeps her busy on and off camera, advising and consulting on various aspects of design, production and practice. She is now launching a new company called Source4Style, which is an online marketplace that allows designers to purchase more sustainable materials from around the world.
Vanity Fair has named Oakes a “Global Citizen,” Outside called her one of the “Top Environmental Activists,” and CNBC called her one of the “Top 10 Green Entrepreneurs of 2010.” Summer Rayne is a graduate of Cornell University with degrees in Environmental Science and Entomology and is a Udall environmental scholar.
NOTES //
–          Background – grew up in NE Pennsylvania country. Brought home insects, etc…. A lot of people in cities never have these experiences!-          At University studied sewage sludge; toxic organic contaminants from laundry chemicals, food, body products.

–          SRO wanted to reach more people than possible through entomology so headed for fashion.

–          She headed a beauty shoot with a model and bees in order to highlight the plight of bees – 3 billion dead in the last four years.

–          Style, naturally – book by SRO. Talking about sustainability good but to get through to fashion, needs a whole infrastructure to support i.e. fabrics available, etc.

–          Case Study – Payless Shoes

–          Zoe & Zac $30 and less sustainable shoes. Using water based glues, organic cotton, recycled rubber and cardboard. Recycled packaging, sales of reusable bags with $1 per bag to planting trees in Brazilian forest; $1 per tree

–          Shipping by rail not air

–          Portico home

–          Products get ‘in’ i.e. pillow offers 20% more sleep, plus bonus environmentally friendly. Film campaigns make organic & natural etc.

–          Source4Style – ‘we source, you design’. Designers spend up to 85% of time sourcing. Market research on annual budget and yards purchased

–          B2B (business to business). Based online because not all designers make it to tradeshows. Images include close-ups etc. 30 suppliers, 1000+ materials. More coming.

–          Big brands are signed up ! Adidas, levis, sears, lululemon, MEC, Barneys NY etc

–          What is sustainable? Organic, recycled, biopolymer, process from farm to factory environmentally friendly, fair trade, fair labor, handmade, traditional,.

–          Sustainability is a moving target. Continued Improvement is required, full disclosure and transparency required. Ask the right questions to find out what’s really going on with factories etc.

–          Designers see source4style.com

–          Suppliers see source4style.com/suppliers

–          info@source4style.com

–          347.338.110

Q&A //
  • Do you work with existing suppliers only or are you looking to expand?

–          Both. We’ve got the known ones and are open to developing newer ones. Consumer demand dictates this a lot.

  • How does a eco friendly shoe for $30 not impact labour costs?

–          Payless shoes is 50 years old.  They have standards. Zoe & Zac has to be tame in terms of design in order to be able to sell and make money and keep design costs down.

  • As a consumer, I was sceptical of Zoe & Zac being sustainable and ethical because it’s so cheap and sold at payless.

–          I wanted to work with companies who’re already trying to become environmentally responsible. Big companies who aren’t like that but are at least making an effort are worth helping.

  • What do you see in the future?

–          More brands will be doing this. Eventually brands won’t say ‘green’ or ‘eco’, it’ll just be part of it.

  • Do you have contact with fashion schools?

–          Once the website is up and running, this will be a good project. My book Style, naturally is used as a teaching aid and several universities have signed up.  Students are the future and so this is very important.