Category Archives: Fashion Design

Co-design with Jen Ballie at the Victoria and Albert Museum, London

Join Jen Ballie, PhD Candidate with Chelsea College of Art and Design at the University of the Arts London, in London on August 26th and 27th for a workshop on co-design at V&A.

DRESS UP/DOWNload Workshop 

Sackler Centre Reception
Friday 18.30–19.30 & 20.00–21.30
Saturday 13.00–16.30

DRESS UP/DOWNload is an open source fashion concept, which invites you to be part of the design process: produce a series of prints using simple garments as a canvas. Designed and delivered by textile designer and Ph.D. student Jen Ballie, the co-design workshop allows you to create a design for a garment using collage techniques. Leave with a fashion illustration of your very own creation.

Before heading to the workshop, be sure to check out this slideshare by Ballie, presented in June: Co-everything: Defining co-design for fashion and textiles.

Co everything part two

View more presentations from Jen Ballie. Transcripts for this presentation are available here.

Follow Ballie on twitter: @jenballie

Find Ballie through Considerate Clothing, the Textile Futures Research Student Group and of course on www.jenballie.com

i-Sustain // The Centre for Sustainable Fashion partners with i-D to transform perceptions of clothing

The Centre for Sustainable Fashion has partnered with i-D to deliver a 12 part series designed to transform the way we buy, wear and consider fashion.

In i-Sustain: Issue III—the third instalment— Alex McIntosh investigates marketing, consumption and notions of a collective conscious while featuring designer Ruth Ferguson’s responsible swimwear collection: Olga Olsson

We’re not foolish enough to think that in a few hundred words it’s possible to shed light on the ethical black hole from which the ‘democratically’ priced fashion we crave emerges but one thing is for sure, as long as we keep demanding it faster and cheaper that hole is going to get deeper.” (Alex McIntosh)

We’re already looking forward to the next issue. Be sure to follow this exciting project.

Past issues //

i-Sustain: Issue I, featuring Borders & Frontiers

i-Sustain: Issue II, featuring Partimi designer Eleanor Dorrien Smith

 

Source: The Bulletin, The Centre for Sustainable Fashion  

 

 

Sneaky Business // Oxfam Australia organizes virtual protest to support the rights of footwear workers

Oxfam Australia has launched a new online campaign: Sneaky Business—a virtual march touring protesters across factories in Southeast Asia, China and Central America, all the way to the headquarters of leading shoe manufacturer, Nike. The march is a call for action for workers rights in the global footwear industry. As I write this post, there are 205 virtual protesters marching through Indonesia.

The journey shows that poor working conditions are a global problem. Worker exploitation exists whether in Australia, South East Asia or Central America. However Sneaky Business also demonstrates that there are companies doing the right thing— ensuring that footwear workers are treated with dignity and have access to their rights.(Oxfam Australia)

When the march finishes up in the next few months, Oxfam will deliver the messages of each protester to the shoe manufacturers. Teachers, this sounds like a perfect project to get your class involved with come September.

To join the march, simply choose your message and upload a picture of your sneakers!

Bloggers, be sure to check out the Sneaky Business Toolkit.

Great work Oxfam!

From Understanding to Design and Back Again // Denver Cumulus

The Cumulus conference will be held in Denver from Sept. 29 – Oct.2, under the theme From Understanding to Design and Back Again.

Designers can no longer be spectators. The boundaries we are used to have disappeared and as human beings we ‘play’ a real role in designing the world around us.” (Cumulus)

Cumulus is a global association serving art and design education and research.

The Paper Lectures and Discussion Sessions look very interesting. Here are just some that caught my eye:

  • Ethics Matters! Re-Thinking the Moral Discourse in Design: Lorenzo Imbesi, Carleton University Canada
  • Visions of Environmental Art Education – Environment Means Responsibility and Art Stands for Freedom: Markku Matti Hakuri, Aalto University Finland
  • Designers as Agents of Sustainable Change: Siriporn Peters, King Mongkut’s Institute of Technology Thailand
  • Values Added: The Legacy of Design Responsibility: Patricia Beirne, Parsons The New School for Design United States of America
  • Revision the Future of Design: SEED (Social Economic Environmental Design)

Click here to check out the program.

Students—there is a discounted rate for you!

 

Made-by updates fibre benchmark to reflect current research

The Made-by  Environmental Benchmark for Fibres has been updated to reflect new research. The benchmark considers six categories: greenhouse gas emissions (GHG) until spinning, human toxicity, ecological toxicity, energy and water input and land use (Made-by).

In response to feedback we have included new fibres in this updated Benchmark; mechanically and chemically recycled polyesters are now differentiated to represent the different environmental impacts of the recycling technologies used, and recycled wool has been added in Class A. Whilst we are keeping an eye on this area, there have been no new studies made publically available to help us review the current classification of virgin wool.” (Made-by)

Please note: This is an environmental benchmark, and does not include information on any labour rights issues that may or may not be associated with the growing, processing, or manufacturing of the fibres.

For more information, click here.

Bangladeshi garment workers denied rights, War on Want reports

War on Want has published a new report outlining current conditions for garment workers in Bangladesh—Stitched Up: Women workers in the Bangladeshi garment sector.

Of the many issues addressed in this report, the research outlines the true impact of short lead times, explaining how wages earned can depend on whether or not a worker meets production deadlines. It also showcases certain worker rights that have been denied as a result of an absent rule of law.

The research conducted for this report reveals that women in the garment sector have been systematically denied their rights to maternity leave under Bangladeshi law.” (Stitched Up: pg 8 )

The report investigated 41 garment factories (there are an estimated 4,825 garment factories in Bangladesh) and interviewed nearly 1000 workers (there are an estimated 3 million garment workers in Bangladesh) (Stitched Up: pg 2). 86% of the mostly women interviewed (988/1000) were between the ages of 18-31 (Stitched Up: pg 2).

Head on over to War on Want to read the report and to learn more.

Fashioning an Ethical Industry and London College of Fashion report // Steps Towards Sustainability: Snapshot Bangladesh

 

Earlier this year, Fashioning an Ethical Industry (FEI) and London College of Fashion joined forces to produce Steps Towards Sustainability: Snapshot Bangladesh A resource for fashion students and educators.

the seeds for creating a vibrant, more sustainable fashion industry in Bangladesh have started to be sown

(Steps Towards Sustainability: Snapshot Bangladesh: pg. 4)

This must read report presents case studies as a snapshot that “[e]ducators and students can explore them from design, business and apparel management perspectives.” (Steps Towards Sustainability: Snapshot Bangladesh: pg. 6)

Case Study 1

People Tree: Designing differently

Case Study 2

New Look and Echotex: Addressing long hours, low pay and buying practices

Case Study 3

Aranya Crafts: Pioneers in natural dyes

 

Citation: Parker, E. (2011) Steps towards Sustainability in Fashion: Snapshot Bangladesh, edited by Hammond, L., Higginson, H. and Williams,D., London College of Fashion and Fashioning an Ethical Industry.

Ethical Fashion Forum inspires and rewards through INNOVATION

The 2011 Ethical Fashion Forum INNOVATION Award winners (UK) and shortlisted candidates (USA) have been announced!

With an expert judging panel, the INNOVATION award inspires and rewards, with winners showcased through widespread press coverage, an opportunity to show at Pure London (August) or Nolcha Fashion Week (September) and a professional photoshoot.

Head on over to EFF site to check out all the details:

EKO – Winner of Pure Award

Chichia for Made by Africa – Winner of Pure Award

Caipora – Winner of Accessories Award

A.L.A.S – Winner of PURE Spirit Award

Genuine Article – Winner of One to Watch Award

ULTRA – Winner of Innovation in Design and Sourcing Award

Shortlisted candidates for the Innovation USA Award have also been announced:

ADO Clothing

AFIA

The Andean Collection

Auralis Inc

AVNI

Carrie Parry

ETHOS

MADIT TUISK

MODAHNIK

SOHAM DAVE

Congratulations to EFF, INNOVATION Award winners and all shortlisted entries!

Interactive lesson plans educate learners on responsible fashion

The Creative Commons is embedded into our responsible education ethos; we have researched and aggregated content to create educational resources because we believe that accessibility leads to accountability. Of course knowledge is power, but without access to knowledge we will not move forward.

In 2009 we brought you “[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon” and our “Fibre Analysis”. In 2010 we worked further to bringing you lessons on the social, cultural, economic and environmental interdisciplinary challenges facing the value system that is the global apparel supply chain.

Social Alterations 2010 //

[Lesson 4] Corporate Social Responsibility

[Lesson 3] Global Governance and the Corporation

[Lesson 2] Connect // Key Players

[Fashion High] Understanding the Impact of your Clothing (pre-16 learners)

Social Alterations 2009 //

 

[Lesson 1] Sifting through the ‘Ecofashion’ Lexicon

Fibre Analysis

Check out this how to on navigating our site:

Social Alterations 2010 // Program Guide from Social Alterations on Vimeo.

VOICES // Sourcing Change — Charlie Ross, Offset Warehouse

This post was written by Charlie Ross, Founder of Offset Warehouse and tells the story of one woman’s determination and drive for change. VOICES // a feature space on SA where community members are invited to share their journey in responsible design. What’s your story?

The first time ethical design came onto my radar was whilst I was studying for my BA in Fashion and it immediately struck a chord. Inspired by a friend to find out more about the social and environmental horrors underlying much of the fashion industry, I made an early decision to do everything I could to avoid contributing to it myself, with my own designs.

Having made the decision to ensure that everything I produced was as ethical as possible, I quickly discovered first hand how problematic this can be.  I was desperate to ensure that my graduate collection was both environmentally and socially responsible, but I soon found that trying to find ethical suiting fabric light enough, let alone affordable, was impossible.  Even hours of pleading with suppliers for sponsorship was to no avail (which, incidentally, is why I’m so keen to begin our sponsorship scheme, and have started a mailing list for all those interested!).

The closest I came to fulfilling my ambition of being truly ethical, was when I was given an opportunity to work with Reiko Sudo, founder of Nuno in Japan.  She supplied me with recycled polyester for my shirts, and a recycled content fabric that could be manipulated with heat.  The collaboration also came with a free ticket to Tokyo, so I attended the opening night of the exhibition where all the pieces were on display.  The whole experience was inspirational and made me realise that my dream of a world of ethical fashion could become a reality.

The second part of my studies was a Masters in menswear design at the Royal College of Art.  As wonderful as the opportunity was (and we all know how many famous designers started their careers there) I found myself constantly swimming against a strong current of professors and peers who didn’t agree with or understand my “green” thinking.  It certainly didn’t correspond to their idea of “fashion”, but undeterred, I set to work creating a collection that would challenge their preconceptions: I would create a collection that was ethical and beautiful and fashion forward.  And according to most, I succeeded.

But my commitment to being ethical meant I doubled my workload. As most of the fabrics I chose were organic, and therefore only came in neutral tones, I spent hours dyeing them to match my colourways, whilst at the same time ensuring I had used the minimum quantities I needed, to limit the amount that would be put back into the “cycle”.  I also ended up spending hours sifting through recycle banks to reclaim textiles – not to mention, the weeks of research it took to source the fabrics and services I needed.  I had to find leathers that were by-products and vegetan, spray paint old tarpaulins to make into jackets, source vintage buttons and pieces I could use for clasps … and all this before I even started the pattern cutting!

I realised very quickly that there needed to be a central source to go to for materials and information, if there was any chance of convincing those less committed than myself to take the ethical route in fashion. Yes, there were plenty of forums, but no solid solutions.

So, when I graduated from the RCA, I set about finding solutions to all the problems I had been faced with and Offset Warehouse was born.  My idea was to make a wide range of ethical textiles available to buy in one place and also to offer the resources needed for research, as well as access to the ethical services and businesses needed to be able to manipulate the textiles – ethical dye labs, embroiderers, fair trade manufacturers, laser cutters, pattern cutters… you name it!

And of course, as proof that ethical fashion can be fashion forward and affordable, I also decided to include a boutique. It’s also proving a great solution for ethical students who want to sell their graduate collections!

I had a few struggles initially.  Funding, of course, was a particular concern, but I finally decided that given the global nature of both my suppliers and potential users of the service, the most sensible place to set up the business was online. So that’s what I did and in turn, lowered the overheads of the business considerably.

Has it been an easy road?  No, by no means. Surprisingly perhaps, in this day and age, I have found being a woman and only 26 has caused problems.  It probably doesn’t help that I look younger than I am, but it makes me mad when I am patronised by individuals who assume that I am naive about the business.  More fool them! Attending the RCA allowed me experiences far beyond those one might expect of someone of my age. I’ve had exposure working alongside and pitching to companies including Umbro, Brioni, Thierry Mugler, Zandra Rhodes and Vogue.  Not to mention one to ones with the head designers of Versace, Givenchy and Valentino, and styling the rather difficult, Jonny Borrell (Razorlight) amongst other musical talents. Of course, it’s also part of my nature – I approach life with not just a “can do” attitude, but an “I can do it all” attitude.  Since I launched Offset Warehouse, I’ve become my own buyer, a journalist, a web designer and developer, law copyrighter, marketeer, PR person (including making my own promotional videos), and SEO writer… it’s amazing the things you can learn from a few books, free workshops and youtube!

But this immensely steep learning curve shouldn’t have been necessary – I’m a great believer in passing on knowledge, which is why Offset Warehouse promotes learning and presents its own lectures and workshops.  Knowledge is power, and understanding all aspects of being ethical – from the market, to what makes a fibre ethical, is, in my opinion, key to being a successful ethical designer.  Passing on knowledge is central to our ethos, and we don’t just lecture about ethical issues, but also present workshops that will help designers further their careers – we review lots of CVs and portfolios of designers who want to be part of the Ethical Directory, and you wouldn’t believe how many applications could be improved with simple tricks!

Since our launch, we’ve had a huge response.  It’s clear that we’re filling a gap in the market.

One unexpected development has been the demand for Offset Warehouse to provide consultancy. In response to the many requests we have had, I decided to establish a pool of consultants, all experts in their fields, who we can call upon to provide support to our clients.  Ranging from referring a fair trade manufacturer (which we don’t charge for), to developing a range of ethical accessories.  It’s been a fantastic addition to the business – and has left me wondering where we might go next… watch this space!

So here we are.  Looking back, we have come farther than I could have dreamed at this point.  It has not been an easy ride by any means and, looking forward, there is a long way to go for the industry to truly make a difference to the way it operates and the way it is perceived.  I personally am very proud of how far we have come but Offset Warehouse still has much to do and I suspect the challenges will be different but no less demanding.  Bring it on!